Avoiding Bad Publishing Advice

Self-publishing can be overwhelming for various reasons, including the limitless number of people who offer advice. The problem is that counsel is not universally applicable. Even the word “Bad” in the title is subjective. Who determines what is bad? Is there any advice that works for us but not for others?

Here is a quick list of things to remember as you continue your publishing journey.

Experience Levels Vary—Resist the urge to follow the advice of people who have not been where you want to go. Some advice may come from beginners who haven’t seen long-term results. For example, some people have self-published several books but have never worked with professionals.

This leads to the next point.

Beware of Personal Bias—People tend to recommend what worked for them, even if it’s not objectively the best method. Someone might tell you to publish a first draft or not to worry about editing because it is what worked for them. But one size does not fit all. What succeeded for one author may not suit your genre, audience, or goals. Remember to apply sound advice that suits you and not make emotional business decisions.

Different Goals Need Different Strategies—Be careful with advice that applies the same strategies to different goals. Your publishing route and the kind of book you write require a different publishing approach. Writing a memoir, a children’s book, or a business book each requires something different.

Outdated Strategies Circulate Often—The publishing landscape changes quickly, so not all tips stay relevant. (Even the articles I have on this website, which date back to 2016, need an upgrade.) Stick to current guidance as much as possible.

Paid Services May Drive Certain Advice—Some give advice to upsell you on courses, editing, or marketing packages. When working with service providers, discern whether a suggestion suits your goals or if it is to persuade you to buy into the service. Many vanity publishers will not care if your story makes sense or if you wrote it in two days. They will encourage you to publish that book as long as you have the money to pay, even if the manuscript is not ready.

You Can Waste Time and Money—Make sure people can show you receipts for their claims. What social proof do they have to support their advice? Remember, reading a book about swimming will not teach you how to swim. Accept advice from people who have been in the water and have done the work. Bad advice can lead to wasted money and, perhaps most importantly, time.

There are many more things to watch out for, such as advice that leads to confusion and second-guessing your decisions. Ultimately, remember that this journey is yours, and you should do what aligns best with your identity and goals. Watch out for conflicting advice that can cause your voice to get lost. Trying to mimic others too closely may make your work less authentic or original.


Need More Help? Register for Indie Korner!

Part I: WRITING WITH KE GARLAND
6/22/2025 | 2-3:00 PM (EST)

Part one is led by KE Garland, who will detail the first step to self-publishing: writing a fantastic book! In our excitement, we tend to skip this step, but no matter how you publish, you still must write something people want to read. Garland will walk us through the first draft, revisions, professional editing, choosing a genre, and everything you need to prepare your manuscript for a publisher, even if that publisher is you!

Part 2: PUBLISHING WITH YECHEILYAH
6/23/2025 | 7-8:00PM (EST)

Yecheilyah leads part two. She will explain the different forms of publishing, from traditional to vanity to hybrid to self-publishing, and why a basic understanding of them matters. She will also discuss how to avoid publishing scams and walk us through the foundational steps to get that amazing manuscript you learned how to write on day one, published at the highest professional level.

REGISTRATION IS OPEN!!

To take advantage of this EXCLUSIVE, limited-seating virtual masterclass, click the buttons below to register for one or both courses. Because they are connected, it is highly recommended that you register for both!


See you in June!

https://www.kegarland.com/indiekorner.html

https://www.yecheilyahysrayl.com/indiekorner

Echoes of Influence

Can ya’ll believe I created this image using ChatGPT? Lol

I love Maya Angelou’s poetry, but it is not what drew me to her. What drew me to Angelou first was her story.

When I read I Know Why the Caged Bird Sings and discovered she had also written other collections of autobiographies, I was delighted by her strength and how it came out in her voice. I watched YouTube videos of her interviews and understood more about how she grew up and what led her down her path. Before Maya Angelou was one of my favorite poets, she became one of my favorite people.

The process of writing out my story on Substack has led me to question how much of what I like really belongs to me and what belongs to the world.

By the time I was born, Angelou was already 59 years old. Her name had already been carved into stone and printed inside the pages of history books. Before I was formed in my mother’s womb, Angelou had been crowned Queen.

But this isn’t really about the amazing Maya Angelou.

I am only using her as an example of how many of us drift through life as mirrors reflecting other people’s likes, passions, and preferences, not out of genuine love but habit.

Is that thing the rhythm in your soul, or is it simply the first thing whispered to you by a world that told you what to like before you liked yourself? Before you knew yourself?

Did you ever listen to that person’s music before they were your favorite artist? Did you ever trace the lyrics with your fingers or read the curve of a poet’s stanzas with your own eyes before you anointed them the best?

Did you ever actually feel the pulse of Angelou’s poetry beneath your skin? Felt her passion jump from the page to her throat and out of her mouth like the voice of many waters? Or do you carry her name like a badge, not because it speaks to you, but because it speaks to everyone else?

Have you ever wandered beyond the well-lit paths of fame into the quiet woods where lesser-known voices sing? Or, have you let the world define your taste, shaping your mind to match the music of the mainstream?

Do you like what you like because you like it or because you’ve been trained to like it?

You Are Missing Out

“If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat. It is an unnecessary insult.”

– Maya Angelou

I am excited to have reached my substack goal of having the first ten subscribers! Actually, I have eleven, so I have exceeded my goal. Tee Hee.

WordPress will always be home, and I will continue to write here. My goal on Substack is still to restore Black historical truth, except I am restoring my own truth. I am opening up more about my personal story and laying the foundation for a new journey.

But it’s not just about my story.

“I Wasn’t Built to Break” isn’t just about a car accident or a broken leg—it’s about the fractures life leaves behind. It’s about shattered hearts, struggling communities, and the resilience that rises through the cracks.

Yes, I’ll share the story of that life-altering accident, but I’ll also take you through my early years wrapped in poverty, my battles with fertility, and the relentless attempts this life has had to break not just me but Black women like me.

And yet, through it all, I stand, we stand—unshaken, unbroken, and undefeated.

Hop on over there and subscribe so you don’t miss it!

We are already three articles in. Click on the link below to catch up.

https://yecheilyah.substack.com/

Yecheilyah’s 7th Annual Poetry Contest Spotlight: Deep Thought the Lyricist

Today, we are spotlighting the winners of our 2024 poetry contest!

Next is Arsenio Sorrell, better known in these poetic streets as Deep Thought the Lyricist!

I met Deep on Clubhouse back when we were in these COVID trenches, and after hearing him speak, I followed him and some other dope poets on Instagram.

About the Lyricist:

Known on his social media as Deep Thought The Lyricist, Arsenio has a popular following for his work. He is the 2-time Floetry Poetry Sensual Slam Champion, Purple Poetry Slam, Improv Poetry “24 Hour Prompt” Slam Finalist, and now, YAPC Finalist. He has also won The 2024 Golden Poet  Award’ for Poetic Excellence’, the ‘Resilience’ Award, and The 2024 Social Media Breakfast ‘Rising Star Award. 

As you can see, Arsenio is a productive and passionate poet, hosting Sensational Saturday as a member of the Illbejacy Poetry Club.

His winning poem, Hope Moon and Joyful Skies, came in second place for its profound use of poetic technique and imagery. You can watch the replay of our interview right now on Instagram under @yecheilyah where he also recites his poem.

Learn More About Why We Call Him Deep Thought by Diving into his Work at the Links Below:

IG: Deepthought_thelyricist

FB: Deep thought the lyricist 

Threads: Deepthought_thelyricist

Tik Tok: Deep thought the lyricist 

Link: www.Deepthoughtthelyricists.com


Stay glued for details on Yecheilyah’s 8th Annual Poetry Contest 2025, including this year’s theme!

Yecheilyah’s 7th Annual Poetry Contest Winners, 2024

Yecheilyah’s 6th Annual Poetry Contest Winners, 2023

Yecheilyah’s 5th Annual Poetry Contest Winners, 2022

Yecheilyah’s 4th Annual Poetry Contest Winners, 2021

Yecheilyah’s 3rd Annual Poetry Contest Winners, 2019

Yecheilyah’s 2nd Annual Poetry Contest Winners, 2018

Yecheilyah’s 1st Annual Poetry Contest Winners, 2017

Yecheilyah’s 7th Annual Poetry Contest Spotlight: Dondi Springer

Today, we continue spotlighting the winners of our 2024 poetry contest! Next up is my good brother, Dondi Springer!

D.A. Springer walks between worlds as a poet-philosopher and visionary, weaving introspective verse and transformative wisdom into a tapestry of awakening. As a creator, D.A. Springer crafts portals of possibility where personal revelation meets universal truth.

His works—from the raw thunder of “Virus Verses” to the soul-stirring Poetic Paradigm—speak to seekers and dreamers, Gen X warriors, and old souls dancing on the edge of becoming. Through poetry that pulses with both shadow and light, D A. Springer guides readers to reclaim their power and voice their own declarations of change.

His winning poem, Echoes of Joy, came in at number three and will be recited during his live interview this afternoon!

Find his illuminated words across these digital platforms:

Instagram/Threads: @Napalmjax

Facebook: @DSpringer76

YouTube: @Napalmjax

Support Him Here:

https://shop.beacons.ai/daspringer/d6705f5b-e196-4376-b11d-c3e97c30c88e

Stay glued for details on Yecheilyah’s 8th Annual Poetry Contest 2025, including this year’s theme!

Yecheilyah’s 7th Annual Poetry Contest Winners, 2024

Yecheilyah’s 6th Annual Poetry Contest Winners, 2023

Yecheilyah’s 5th Annual Poetry Contest Winners, 2022

Yecheilyah’s 4th Annual Poetry Contest Winners, 2021

Yecheilyah’s 3rd Annual Poetry Contest Winners, 2019

Yecheilyah’s 2nd Annual Poetry Contest Winners, 2018

Yecheilyah’s 1st Annual Poetry Contest Winners, 2017

A Historical Moment: Meeting Michelle

Michelle Petties

I am no longer surprised to find purpose in the people I meet. I am being guided to certain people for a reason. When I complimented Michelle on her Afro at the She Wins Conference last year, I had no idea she had such a rich backstory. When I did a video about the real Great Debaters, I didn’t know Michelle had also attended Wiley College!

Here are some fun facts I learned from her essay: “GROWING UP ON THE ‘COLORED’ SIDE OF THE BORDER:

  • Meet Michelle Petties, whose grandmother and aunt attended Wiley College, a historically Black college depicted in the 2007 film The Great Debaters, starring Denzel Washington. If you follow me on TikTok, I made a video about the real debaters that you can find under my Must Watch playlist. Michelle also attended Wiley in 1974.
Photo Credit: Michelle Petties | The author’s childhood home at 1208 E. Travis St., formerly known as Border Street.
  • Michelle was born and raised in Marshall, Texas, on Border Street (now Travis St), which served as a literal line of separation between the Black community situated south of the street and the white one on the north.
Photo Credit: Michelle Petties | The author (third from right, second row) at Sam Houston Elementary School in 1965.
  • In the fall of 1965, Michelle became one of the first Black students to integrate Sam Houston Elementary School.
  • A library worker denied her entrance because she was not a “mammal.” “If that sounds strange to you,” said Michelle, “imagine how it sounded to a young Black girl growing up at a time when segregation was still very much a part of the culture.”
Photo Credit: Michelle Petties | George Foreman, perhaps Marshall, Texas’s most famous son, meets President Lyndon B. Johnson in 1968. LBJ’s wife, Lady Bird Johnson, was born on a former plantation in Karnack, Texas, which is considered the Greater Marshall area.
  • She used to play with George Foreman as a child.

You Can Read Michelle’s Full Essay Here!

Why Self-Publishing Poetry is Different From Other Books

Publishing a poetry collection differs from publishing a novel or nonfiction book. One main reason is the editing; poets must pay special attention to this.

When looking for an editor for our poetry collections, we must ensure they know how poems work. Some poems, for example, are not intended to be grammatically correct. They might include lowercase letters where they would not normally be and play with conventions of spelling, layout, and typography.

An editor of poetry must be a critical reader and familiar with current trends in poetry publication. They must work closely with the poet to understand what is deliberate and what is not. A good editor will point out grammatical errors and ask if they are intentional—frequently, they will be, but it is a good editor’s job to ask.

Poetry editors must be willing to respect the intention of the poet. They must exercise restraint in those areas where they think a piece should be corrected when the poet did not intend it to be. It is also helpful to know whether the poem respects the conventions of the form or deviates deliberately. For instance, if there is a misstep in the rhyme scheme, it should be flagged in case the poet wants to adjust it.

In short, authors who self-publish poetry must find editors who are knowledgeable about how poems work. It would be even better if the editor were also a poet.

If you enjoyed this post, check out our archive on Indie Author Basics, designed to guide you to self-publish your books with excellence.

Stay Warm, Good People!