Before the week ends, I would like to inform you that my book review registry is open. I am looking for some good reading to do this summer. I have also slacked on book reviews for this blog. It’s time to get back into the swing of things. If you submitted a book that I have not yet reviewed, you may resubmit your book for consideration as a reminder to me. Also if you’ve emailed me at any time about reviewing your book, please use the form instead. I do not accept unsolicited requests for reviews. You MUST go through the form to be considered.
I have published dozens of paperbacks with CreateSpace over the years, and have recently published some books (under pen names) with KDP’s new print-on-demand option.
While in many respects the two services are comparable (and both are Amazon companies), there are quite a few little differences.
DIGITAL PREVIEWS AND PRINTED PROOFS
There are several differences relating to printed proofs:
With KDP print, you don’t have to go through the manual file review process before you can order a printed proof. If you know what you’re doing, this saves 12 to 24 hours, but if you have a big mistake in your PDF files, CreateSpace’s manual file review would help to flag the issue before you waste time and money on a printed proof. However, both offer digital proofing tools to help catch mistakes before you order a printed proof.
I use a combination of Photoshop and covervault templates to create my book mock-ups but there’s a simpler version available for those of you without Photoshop or technical knowledge of the software.
Derek Murphy just debuted his free book mock-up maker. It’s super easy to use and you don’t need Photoshop to use it. Simply upload your cover and spine (if needed) and download a JPEG or transparent PNG file. Here’s mine for Renaissance and Revolution. As you can see it looks pretty neat.
Yes, It’s time for my soapbox. You may be going through the classic struggle trying to decide whether to self-publish or wait for traditional publishing possibilities.
There are many pros and cons to each and I’ve gone through many of those in previous posts. For me, the obvious choice was self-publishing. When I triangulated my age with my available time and my tolerance for rejection, it was the smart option for me.
It’s up to you do decide which path you want to take, but I want to let you know that there has never been a better time to be an independently published author. There are so many tools and favorable platforms that, when you choose the indie author path, it is a fairly straightforward route to navigate.
Is it easy? Not at all. You will expend the same amount of energy (if not more) than you would have creating…
I wasn’t gonna share this article (except to my Facebook and Twitter page), but I loved what Kristina was saying so much I just had to share it here as well. If you’re still trying to decide on Self-Publishing or not this article should clear some things up for you. I am always talking to new Self-Publishers about the importance of platform so I found the following statement an important one to share:
The assumption that traditional publishers will do all of your marketing for you is one of the biggest myths when it comes to traditional publishing. The more a publisher pays for a book, the bigger the marketing budget. Unfortunately, unless you already have a big platform, it’s pretty unlikely you’ll get a fat cheque or a decent marketing budget. Publishers pay more for celebrity books—and market them heavily—because they already have an audience. They know the books will sell if they reach the right people. The lower the risk, the happier they are to invest.
I think it’s a good idea for Indie Authors (myself included) to seek to learn more about the publishing industry as a whole (to include Traditional Publishing even if we aren’t seeking that route) because it can help us to better understand the business of publishing, such as the importance of having a platform, and can possibly help us to better sell and market our books. For example, “Most agents and publishers—particularly the bigger ones—won’t even consider you unless you already have a social media following of a few thousand. This shows them that you already have a fan base that will buy the book, and there’s already a market out there for you and your book(s).” (source: https://www.writerscookbook.com/indie-publishing-vs-traditional-publishing/)
I think Self-Publishers can benefit from this same kind of information. We may not be seeking agents but we do still need readers and the bigger the platform, the better our chances of finding those readers. Just a thought.
Very well said. Fav. Post Quote: Beta Reading is not editing, and the reader should not make comments that are editorial in nature. Those kinds of nit-picky comments are not helpful at this early stage because the larger issues must be addressed before the fine-tuning can begin, and if you are beta reading for someone, the larger issues are what the author has asked you to look at. *Comments disabled here. Please comment and share the original post*
Once again, the question of the difference between beta reading and editing has arisen in one the many forums I frequent on Facebook. So, I feel the need to revisit a post from 2015, Beta Reading VS. Editing. If you’ve already seen this post, nothing has changed in the world of editing and beta reading since this first appeared. But thank you for stopping by!
Indies rely heavily on what we refer to as beta readers to help shape their work and make it ready for editing. But in many online forums, authors use the term used interchangeably with editing, and the two are completely different.
And unfortunately, some indie published works are clear examples of work by authors who don’t realize the importance of working with an editor, although it is apparent that they have had assistance from beta-readers.
What is quite disappointing to me, is the many traditionally published works that seem to fall…
As you all know Book 2 of The Nora White Story is on its way out! (Pre-order it here). In honor of this, I am hosting a giveaway for Book 1! Visit the link below to snag your copy! Hurry. This exclusive offer won’t last long.
When seventeen-year-old Nora White successfully graduates High School in 1922 Mississippi and is College-bound, everyone is overjoyed and excited. Everyone except Nora. She dreams of Harlem, Cotton Clubs, Fancy Dresses, and Langston Hughes. For years, she’s sat under Mr. Oak, the big oak tree on the plush green grass of her families five acres, and daydreamed of The Black Mecca.
The ambitious, young Nora is fascinated by the prospect of being a famous writer in The Harlem Renaissance and decides she doesn’t want to go to College. Despite her parent’s staunch protest, Nora finds herself in Jacobsville, New York, a small town forty-five minutes outside of Harlem.
Shocked by their daughter’s disappearance, Gideon and Molly White are plagued with visions of the deadly south, like the brutal lynching of Gideon’s sister years ago. As the couple embarks on a frightening and gut-wrenching search for Nora, they are each stalked by their own traumatic past. Meanwhile, Nora learns that the North is not all it’s cracked up to be.
Can Gideon and Molly overcome their disturbing past in time to find their daughter before it’s too late?