It took Alex Haley 12 years to finish Roots: The Saga of an American Family, known widely as simply, Roots. The book shot straight to the top of the bestseller charts, and the twelve-hour mini-series (Jan. 1977) was watched by 130 million people. They translated the book into 37 languages; it won a Pulitzer Prize and National Book Award, and sales soared to over 5.5 million.
This was not without controversy. No success story is. Haley had to settle a plagiarism suit out of court—that part of his story was copied from a 1967 novel, The African (The Guardian). It was also said there was no documented evidence that the alleged elder he spoke to in the Gambia had been accurate in his account of Kinte. Critics said that if Haley had written Roots as a fiction novel, there would not have been a cause for alarm. “Most of us feel it’s highly unlikely that Alex actually found the village whence his ancestors sprang”, Henry Louis Gates Jr said in 1998, calling Roots “a work of the imagination.” (But if you listen to Haley here, his story is very detailed. It is also consistent with many of his other interviews and speeches about the story of how Roots came about. This is hard to do if you are lying).
Roots is now part of history and the original 1977 TV series awakened a new generation of young Blacks to the horrors of enslavement when movies and television shows about slavery were few and far in-between (both in books and film). While it may seem an over-saturated topic now, in 1977 this was groundbreaking.
Enslaved persons had little knowledge of what Haley referred to as “family continuity.” They were sold so much that as adults they came to know little about their family lineage, where they came from and who they were. Roots was therefore something special because Blacks had come out of the Black Power movement of the 60s, had just seen the deaths of Medgar Evers, Martin King, and Malcolm X. Roots was not just the story of one man’s family but the family of all Black people who had been taken captive and robbed of their family tree and any connection to it. It would become a history lesson, a recommended educational film that Black parents will watch with their children with just as much seriousness as their parents forced them to watch The Ten Commandments. Some would even name their children Kunta Kinte.
After Roots, Octavia Butler used time travel to explore slavery in Kindred (1979), Alice Walker used an African subplot (Nettie’s life in Africa) in The Color Purple (1982) which also went on to win a Pulitzer and National Book Award, and Toni Morrison made a fugitive slave her protagonist in Beloved (1987). Beloved was voted the most influential African-American novel of the 20th century in a poll of PBS viewers. But as Frances Smith Foster has pointed out, “in terms of actual audience and effect on politics and policies, Roots has been the most influential such story in the modern era.”
As I listened to the entire 2hours of the clip linked above, I wondered why I was doing this when I had (seemingly) much more important stuff to do. That is until I came to the final hour and fifty something minutes. Here, Haley speaks about how the father’s name the babies at eight days old. In the villages, the people would not see much of the father for seven days because he was spending time with the baby to come up with a good meaningful and significant name. On the eighth day the people would gather at the family’s home. The mother would come out once hearing the signal and sit on the stool and hold the eight-day-old baby. The father would walk over, lift the infant, and whisper the name into the infant’s ear three times.
He would do this so that the infant would be the first one to know who he/she was. This resembles, to me, the ancient practice of circumcision of the male child, and naming of the child, in ancient Israelite culture (Gen 17:12) which I believe is also Black culture. For example, the Ashanti Empire was a powerful Akan empire and kingdom in what is now modern-day Ghana. Ashan was the name of a city in southern Israel. The word Ashan in Hebrew means “smoke” “smoke city” or “burning city” so that Ashanti means “the people of Ashan or the people of the smoke city”. This was a reference to the city of Ashan after the Israelites took it over during the conquest of Canaan (1 Ch 4:32, 1 Ch 6:59). The Ashanti people had many Hebrew customs and traditions as part of their way of life. For eight days after the birth of a child, it is only on the eighth day that the child receives his/her personal name.
It was here that I had discovered the purpose of my listening to this piece in its entirety. I believe this to be such a powerfully subtle telling of who we, so-called Blacks in America, truly are. For the customs of the Hebrews is something that can still be found among many African cultures such as the Ashan.
Roots is a powerful example of why we shouldn’t give up on whatever we are striving toward. It inspires me as a writer and as a person of the fruits of patience and of perseverance. While Roots has had (and continues to have) much success, remember that it took Haley 12 years to complete (one whole year from Kunta’s birth to capture… which could be a book by itself).
Think about that the next time you worry about that book taking too long to finish.
I spent most of September reflecting on my writing and spending time with family. I’ve got tons of unfinished manuscripts in need of work and truth is they are hard to finish. I do not mean hard as in difficult to write. I mean hard as in finding the joy in publishing them.
I have felt bored with the monotony of publishing books. The support doesn’t feel the same. The blog doesn’t feel the same and now, even Self-Publishing doesn’t feel the same.
I am always writing, and I love publishing but I’m no Terry McMillan with millions of readers lined up to read my next book or any other author with multi-city tours lined up to guarantee that the next release will provide a change in routine. I do not mean this to sound pessimistic.
I am not giving up on publishing but those of you who have been Self-Publishing for a while may understand. No real change can get tiring. I have felt like King Solomon when he said, “the making of many books has no end and much study wearies the flesh.” (Ecc 12:12)
I feel myself transitioning to a level I do not as of yet fully understand.
Last week, the revelation came and while I know it’s not the only revelation on its way to me, it’s one I think important enough to share.
Growth is uncomfortable.
This is an exciting phase and every day I am reminded of its promise. Just recently a media specialist contacted me for something I cannot speak on at the moment. These kinds of moments provide me with the proof that I am not going crazy and that perhaps my name is being uttered in rooms I have not walked into yet.
Growth is like strength. It doesn’t feel you are being strengthened when you are in process. It doesn’t feel like growth when it’s happening. It feels uncomfortable and uncertain. I can feel myself changing in a way I never have before. I can almost reach out and touch it.
The next time you feel uneasy and uncomfortable, consider that perhaps, you are growing. Evolving. Blooming.
A little discomfort helps us to grow. The feeling is not fun, but it’s a big part of improving our personal development.
“Routines may make you feel at ease and in control, but what a constant routine really does is dull your sensitivities. Think about the times in your life when you’ve driven the same route repeatedly: after a certain number of trips, you start tuning out most of it. Have you ever had a trip to the office where you barely remember what happened after you got in the car? If you don’t get out of your comfort zone, you might find yourself tuning out much of your life on a daily basis. (Sujan Patel Former Contributor Entrepreneurs, Growth Marketer & Co-founder of Web Profits)
To keep from tuning out, I had to stop and think real hard about why I was feeling such discomfort and then I had to accept it, even as I watch people become distant and even as I strive to overcome my own limited thinking.
Brain research shows that putting yourself in new and unfamiliar situations triggers a part of the brain that releases dopamine, the “happy,” chemical. That part of the brain is also said to only be activated when we experience new things.
I don’t want you to think this post is about quitting. This isn’t about quitting. This is about allowing ourselves to grow/level up.
It is tempting to want to revert into that state of normalcy, to remain as we are. It’s easy to go through life unchanged out of fear that this new version of us won’t be accepted or that someone may accuse us of no longer possessing the same moral integrity as before. And how can we not think this way? We’ve been well-trained to think newness and change are inherently bad.
This is not the truth. Not all change is bad and since all change teaches us something, perhaps even change we perceive as bad is not so.
In the words of Maya Angelou, “We delight in the beauty of the butterfly, but rarely admit the changes it has gone through to achieve that beauty.”
Few people enjoy the feeling of being uncomfortable and as we are now a few months away from 2020, time will not wait for us to catch on. My challenge for this month and the rest of this year is to get past that initial feeling of wanting to return to the norm, so I can grow and benefit from that discomfort.
This is an informative post for any writer looking to use blogging to build an author platform. I have said this before (but hey, who am I?) that blogging consistently is possible without taking away from writing and publishing books.
Blogging is part of your branding; if you are confused about your branding, you will be confused about what to blog about. Think about it: if you knew exactly what you were going to write about each week, how much easier would that be? – Rachel Thompson
Even if you are not being paid to blog it is still helpful to helping you to find more readers (which helps you to get paid kind of indirectly). Readers and authors I’ve met through blogging are still among my biggest supporters.(Blogging consistently also helps you to…wait for it…grow your blog).
Below are three links. Two are from Rachel Thompson and the other is an older article I published to this blog three years ago on how blogging between books has been helpful to me. (read more articles on blogging from me on the Blog Tips page). Enjoy.
I enjoy networking with readers, other authors and business people present at conferences and festivals. One of the many ways I have access to these opportunities is through vending. Today, I would like to share a few of the pros and cons of author vending.
What is author vending?
To put it simply, author vending is when authors partner with an organization to reserve a space where they can sell their books/services/products, usually at a book festival or conference. Vending is not new and is something other businesses do all the time. The benefits of vending are numerous but there can also be some challenges for Independent Authors. As usual, I base this on my own experience which may very well differ from other authors.
Con: Financial Risk
“Consider the benefits and risks to your business when deciding to exhibit your product or service. These will be different for each event. Choosing the wrong trade show to exhibit your business’s products or services can result in displaying to the wrong audience. Poor promotion can mean the costs of attending the trade show outweigh any revenue you gain.” – Business Queensland
When you are a vendor, it means you have paid to reserve a table at an event where you will sell your books/products/services. Sometimes these costs can be very expensive. The authors must be careful not to “overpay to play.” I’ve seen tables costs as much as $600. This money could easily go toward good editing instead or the publishing of another book entirely. Authors should consider that not only will they reserve a table, but they will also buy books and author swag for the table and travel to the event. Before saying yes to vending, consider the financial benefits and potential challenges. Ask:
Do I have enough funds to cover books, attendance, display and other associated costs
Have I worked out how many prospects and readers I will need to obtain to generate a return on my investment
Have I researched/visited/asked questions about the event at which I am contemplating exhibiting and am I confident that a suitable number of people will attend
Have I worked out a way to capture people’s attention (*This is important. I see a lot of authors at expos looking down at their phones or just looking bored. They sit at the table for the entire time and rarely communicate with the people walking by. Then, at the conclusion, these same authors are upset because they sold no books. The people are not just going to come to you. Chances are you are not famous and no one owes you a thing. Stop being lazy, get up, and represent yourself.
Any author who wishes to be a vendor must be sure to research the event, understand what is included in the package, and know what they are looking to gain from the experience. If the goal is only to sell books, the author(s) should consider hosting something at their local library where the table is free or collaborating with other authors to cover the price of the table.
The primary purpose of vending (as I have found it) is the chance to network and get your name out there. It is a discoverability strategy, not neccessarily a profitability one (except if you have a large platform already). While an author can sell books, how many books are sold depends on the strength of that author’s network. More on that on the next con point.
Pro: Networking Opportunity
“Face-to-face communication builds the most memorable brand awareness. Last year our expos had hundreds of people walk through the door. Expos centralize a local audience that will be most receptive and ready to learn. This might be a rare occurrence for your industry depending on where you are geographically. You’ll have an opportunity to connect with new people and reconnect with those already invested in your brand.” – Peter O’Donnell, 4 Key Benefits of Becoming a Vendor
One of the major benefits of being an author vendor is the chance to network with individuals you probably would not have met or had the chance to speak with before. It is a chance to get your name out there in the public and expose your brand to people face-to-face. Last year, I spoke with the owner of Acapella Books in Atlanta when I was shopping my books around bookstores. First, he denied stocking my book, but he told me why and while it hurt my ego, I had to listen to sound advice:
“Your book will only get lost among the hundreds of celebrity authors’ books in the store. The best thing you can do right now is to get your name out there. Are you attending the Decatur Book Festival?”
I told him I was. I wasn’t a vendor, but I would be in attendance. He said good and to start there. He told me to “focus on building your platform and getting your name out there.”
Conferences and Book Festivals attract an array of media depending on the host of the event. You have the potential to meet editors, agents, publishers, celebrity authors and corporate influencers.
I don’t care what the experts say, online will never be as good as face-to-face contact and connection. Giving your readers a chance to meet you in person adds a special kind of value. “People see the truth in you through your actions, personality, and in how genuine you are with them.” (Greg Dabbs, Business Development Manager) They get to hear your voice, see your face outside of photos, ask questions, give advice, laugh and get to know you more personally.
The chances of pitching are significantly higher when you position yourself to be present at these events. You get to practice your sales pitch, research competition and increase the chances of collaboration opportunities. It is not all about money. At a decent rate vending can be the boost you need to jump-start your business. Financial investment in yourself is something you will need to consider in your career at some point anyway. Whether that is vending at a notable event or paying for professional author photos, it is something you will need to do at some point.
It is about showing up and being an author vendor is one of the easiest ways to show up, to get out and connect with people.
Con: Difficult for New/Unknown Indie Authors
Author vending is the opportunity for you to connect with your readers. It gives them the chance to meet with you face-to-face, to take pictures with you, to buy paperback copies of your books, or to have books signed they already bought. But it could be even more challenging for new/unknown Indie Authors.
“No one will come to your book reading/signing unless you are already famous. The packed author readings on the news are only packed because the author is already very well known. Book readings at bookstores are among the worst uses of time for a new author.” – Writing Well
While I don’t believe you have to be famous to do a book signing/reading for people to support you (I do well at signings and I am certainly no one famous), there is some truth in this quote. While the chances of people buying are higher in person because physical presence increases trust, authors who have multiple books out and who have already built a strong platform and audience before vending will do much better. People will already know who they are, and readers will come out to support them.
Paying money to reserve a table at an author event when you are a new author no one knows, when you have done no work to promote the event to your audience or where you have not built an audience will be like posting your Amazon buy link on social media hoping people will take a chance on an unknown author. While some people will (I usually do but I’m nice like that 🙂 ) this kind of “Hope Marketing,” rarely works. Vending is usually not free, and the money is usually nonrefundable. If you can’t at least make the money back you spent on the table, it is not worth it. Not if selling books is your only aim.
Before you spend money on reserving a table, focus on publishing more books and developing a relationship with your readers so that when you do an event people will come out to support you. Now do not misunderstand me, a first-time author can certainly do well at signings and events but only because that author already have people who are willing to support him/her from previous works.
Pro: Invitations for More Work
I read somewhere that “the reward for a job well done is the opportunity to do more,” (Dr.Jonas Salk). The biggest benefit to author vending is that eventually, you will not have to look for opportunities. Opportunities will find you. It was at the Atlanta African American Book Festival that I was asked to participate in Velvet Voices, The Velvet Note Jazz club’s new and first Author/Word event. People will remember you and reach out to you for other projects. They may even ask you to be a vendor at another event. This is significant because once people reach out to you, the ball is in your court. You get to decide the terms of your acceptance. Can your table be free of cost/discounted? Can they pay you to speak? Can they purchase your ticket if the place is not in your home city/state? What is it you require for your presence? The idea here is to one day graduate from vending alone to being requested and paid to speak as well.
This is the beginnings of earning the passive income you want to help to leverage the income from your book royalties. These days, you need the additional income that comes from other streams of income related to your writing.
You may not think people are paying attention, but they are. Author vending is a great way to give a very good first-person impression that can lead to an even bigger opportunity and business partnership.
Pro/Con – Organizer / Host
It is important to ask, who is the organizer/host? The person(s) behind the event is a big deal. You want to make sure the organization or cause is something you can get behind. Vending is a big deal these days and it shouldn’t escape authors that it is also a way for businesses and organizations to make money. Choosing to be a vendor is not just about meeting new people and exposing your business, it is also about investment. Vending is an investment in yourself and an investment in the company or organization hosting the event.
The people behind the event can make this a Pro if the organization is well organized, grounded, relatively known and actively promoting the event and its participants.
The people behind the event can make this a Con if the event host is unorganized, the event is poorly promoted (bad for you if you paid for a table and are looking to turn a profit) and does little to nothing to promote the event and its participants.
It is not about jumping on every so-called opportunity available to authors. It is about being strategic and intentional with every decision you make regarding your book business.
When you are asked, invited or when you take part in a vending opportunity, be sure you connect with an organization that is relatable to the goals and the purpose you have set for yourself, that the vision of the organization is something you can support and rally behind and that they will work just as hard for you as you intend to work for them. Vending is a partnership and partnerships are not one-way streets. Or at least they shouldn’t be.
Can be costly
Challenging to sell books for new authors with no audience
Can be overwhelming
Can sometimes go downhill
Every marketing platform has advantages and disadvantages. Don’t let the disadvantages of author vending discourage you from participating in exhibitions and reaping the benefits of it. Just do your research first.
Exposure to a wider set of audience
Creates brand awareness
Promotes brand loyalty
Helps in Networking
I know vending is like the It thing to do now but drinking from every cup of “opportunity” is how you get poisoned. Understand the pros and cons first and be sure to research the organization hosting the event.
Since 2015, The Velvet Note has consistently been named one of the best Jazz Clubs in Georgia, and I have the honor of headlining its first Author/Word event. “Velvet Voices,” is a thought-provoking series of presentations by authors, historians and spoken-word artists and premiers on Wednesday, August 21, 2019, in Alpharetta, Georgia from 7:00-9:30p. The series will run from 8/21 through 9/25, and I am the opener for the first show reading excerpts from my Historical Fiction novel Renaissance: The Nora White Story. Some fantastic poets will bless the mic, and it is also an open mic for attendees.
Enjoy thought provoking discussion in an award-winning, beautifully-appointed listening room. I will have copies of Renaissance, and I am Soul on hand to sign. If this series does well, The Velvet Note will incorporate it into its regular program. Get your tickets NOW and let’s make history!!
If you have not already, please be sure to head on over to this post and check out Fiza Pathan’s touching review of I am Soul. I’ll be quoting her review throughout this post but reading it in full will help you add context to what I say here (there is also an audio version of the review on her blog).
“I have read many books and articles about the way a woman of color is treated in society, especially in Indian society. I have studied History and Sociology throughout my college career which gave me a lot of material to study about the situation of colored people in Indian society. But to be frank, I’m not that well equipped to talk or speak about Black American History or the Black American contemporary views on life, culture, society, history, politics, education, et al.” (Pathan, 2019)
Pathan is not the only reader to have confided she is not well versed in Black American History. People have told me on more than one occasion of their lack of extensive knowledge in this area. This does not surprise me. It is why writing on the experiences of Blacks in America is important to me. Like Paul of the bible, I am sent to the nations (Acts 22:21) to bring light to what America has tried to keep hidden for too long.
Americans underestimate how information is disseminated across the world. The news and the information we are exposed to in America is not necessarily the same information that is exposed to people in other parts of the world. Historically, news traveled through radios, television, books, and newspapers. What mainstream media wanted you to know is what you knew. If America didn’t want other countries to see how it treated Black Americans, those countries didn’t see it.
“I have started reading Black American literature in general after I turned 28 years of age in 2017, because of the poems and writings of Toni Morrison, Maya Angelou, Langston Hughes, Alice Walker, James Baldwin and Dorothy West. Yes, you’d wonder where I was and what I was doing with my life, but the fact is that, all said and done, I have just begun to realize the richness and depth of the Black-American experience. ‘I Am Soul’ by Yecheilyah Ysrayl is one book among many that are educating women of color like me from far off countries like India, especially recluses like me, and I’m glad I am being educated.”
– Pathan, 2019
Today, Social Media is a significant catalyst for uncovering the truth about what Blacks have endured and the many businesses and products blacks have invented and how those inventions have been credited to other people. While we must be cautious not to spread disinformation (See this post here), there is still a lot of good that has resulted from the social media revolution. Information is coming out at a rapid speed of both the good and bad historical facts so that there is a desperate need of keen discernment. One such example is the testimony from notable black writers that Blacks could not eat vanilla ice cream in the Jim Crow south, and that they only allowed us to eat it on Independence Day.
“People in Stamps used to say that the whites in our town were so prejudiced that a Negro couldn’t buy vanilla ice cream. Except on July Fourth. Other days he had to be satisfied with chocolate.”
– Maya Angelou, I Know Why the Caged Bird Sings
While visiting Washington D.C. with her parents around Independence Day, poet Audre Lorde’s mom wanted to treat her to some vanilla ice cream, but they refused the family:
“The waitress was white, the counter was white, and the ice cream I never ate in Washington DC that summer I left childhood was white, and the white heat and white pavement and white stone monuments of my first Washington summer made me sick to my stomach for the rest of the trip.” – Audre Lorde, Zami: A New Spelling of My Name
The “White Ice Cream,” rule is said to be more folklore than truth. But why? This is an example of a history hidden and then revealed because of the widespread use of Social Media. Prohibiting blacks from eating vanilla ice cream is not far-fetched, considering the pettiness of Jim Crow law. If blacks couldn’t swim in the same water as whites, it’s not so hard to believe they couldn’t eat white ice cream.
Fun Fact: The vanilla bean is brown and was cultivated and improved by an enslaved black man named Edmund Albuius. In ice cream, a small amount of vanilla is used compared to the other ingredients so that it still looks white (from the milk, cream, white sugar). If a larger quantity of vanilla is used, it would probably be more colored. Take these bars of soap.
“The soap above is scented with Vanilla Sandalwood Fragrance Oil, which discolors dark brown. The tan color will continue to darken over time.” – Bramble Berry, Soap Queen (3 days later, the vanilla in the soap turned it even darker…)
But let’s not digress. The point is, vanilla bean is brown, not white. Joke was on Jim Crow…
“While Jim Crow laws, extensively documented in print and historical record, are fairly well known, less well known are the unspoken etiquette rules for Black people, largely forgotten by anyone who didn’t have to live under them. During Jim Crow, Black people could pick up food at establishments that served white people, but they often could not eat in them. When custom demanded that Black people be served separately from whites, they were often required to have their own utensils, serving dishes, and condiments. So it was customary for Black families who were traveling to carry everything they might possibly need so that (with the help of the Green Book, the guide that helped Black travelers eat, sleep, and move as safely as possible) they could navigate America in relative comfort.”
– Mikki Kendall, Hot Sauce in her Bag, 2016
Black history has been just as raped and stolen and manipulated as her people. Black American History is more than slavery and Civil Rights, but slavery and Civil Rights is still part of that history and must never be forgotten. Black history is the birth of a nation, its upbringing, its captivity, and its overcoming. It is all of it. The good, the bad, and the ugly. We were not only slaves but also soldiers. Not only captives but also captains. We were/are a wealthy people, royal, smart, salt. We are seasoning and soil. But where were we born? How did we begin? What happened once we got here? These are the questions I seek to answer in my literature and articles so that the voices unheard in mainstream media can speak through me and prophesy the truth.
“‘I Am Soul’ to me is a book about being a part of a history that none can forget, but that slowly is changing the way we look at this race of people past, present and to a bright future, God willing.”
– Pathan, 2019
There is something special about the plight of the so-called Black American. What is to be revealed about these people stolen and transported to foreign lands in the bowels of slave ships? These people once stripped of their nationality and culture and are now returning to their natural heritage? Because of Social Media, this truth is easier to disseminate and verify. We have eBooks we can download in an instant, online journals and periodicals, and scholarly material at our fingertips. And we have Independent Publishing whereby artists can write and publish these truths without prejudice.
“Lastly, I would like to recommend this lovely and enriching book to everyone, irrespective of race, community, religion, caste and gender. I hope to review more books by Yecheilyah Ysrayl soon and hopefully, when I do so, I will be more capable of giving a more enlightened review as I will be reading more books about Black American history and literature in the future.” – Fiza Pathan
It’s been a hot minute since I’ve done a blog tips post. As fun as writing is, there is one thing that’s not so fun: The English language. As writers, though, writing and grammar go hand in hand. Usage of the wrong word or incorrect homophone use can change the meaning of a sentence or an entire poem! Accept/Except are different words with different meanings. Misuse them, and it changes everything. The same with Ad/Add, To/Two/Too, There/Their/They’re. If you are like me, you can’t afford to have an editor to proofread every blog post, but there are free resources we can use to help. Not only can you use these programs to clean up your blog, but you can use them to edit typos on your website or revise a finished manuscript.
1. Microsoft Word
Microsoft Word is a powerful tool the more we learn to use it. Writers can use Word to create book covers, format books for print and so much more. My tip here is to draft your post in Microsoft Word before posting to the WordPress editor. Word will alert you to basic misspellings or grammatical errors as you are writing. You will notice spelling errors by the red wiggly lines and grammatical errors by the blue wiggly lines.
But Word has a bad reputation for not giving the right corrections…
Once you’ve written your post in a Word Document, you can then copy and paste it into the Grammarly editor to double-check for what Word may have missed. Grammarly is a software program that corrects spelling, detects plagiarism, and checks against over 250 grammar rules. There is a free version, but I recommend the premium version for more advanced features. Premium will alert you to more advanced grammatical errors to include overused words or misused words. My school gave us a free premium version of Grammarly, and I love it! There is such a significant difference between the free and paid version. The free version works fine, though and I use both.
3. ProWriting Aid
After you have made corrections in Grammarly, you can copy and paste the post into ProWriting Aid as a final run-through. ProWriting Aid is such an excellent program! Like Word and Grammarly, the program is another self-editing tool. ProWriting Aid will pick up even more errors and recommend changes. It also has a plagiarism detection tool for premium users. What I love about PWA is they are not stingy with the free version. The free version checks for repeats, structure, readability, fiction, and consistency. Yes, I said fiction! If you are using it to revise a novel, it will help track pacing and dialogue use.
4. Hemingway Editor
I can’t say too much about Hemingway because I just started using it and I don’t use it often. The program is okay, and it’s not my favorite, but it’s still an excellent program to use to self-edit. Hemingway does an excellent job at detecting wordy sentences, and overused adverbs. While I prefer the other two programs, Hemingway is still a valuable tool (mainly when used with one of the other applications).
5. Save Post as Draft and Preview as Final Proofread
After you have run your post through Word, Grammarly, ProWriting Aid, Hemingway (or all four) proofreading the post is another great way to self-edit your post. Once I have drafted a post, I save it as a draft and then preview it on the computer and my phone. I find lots of typos this way. Sometimes reading over the post in this way helps to catch even more errors before clicking the publish button.
None of these programs will replace a human editor. ProWriting Aid once tried to correct the word “to” for “two,” but I did not mean the number two. I intended to write “to.” But at least you know you’ve cleaned up the basics enough to ensure your post is clear and reads the way you intended. When I publish blog posts, these are some programs I used to proofread my work and now, so can you. It will take more time, but it’s time well spent.
Want more tips? Be sure to check out the Blog Tips Page!Click Here.