Give Me My Flowers Today

Photo by Element5 Digital on Unsplash

I don’t usually post on Saturdays but on discovering a dear blogger friend’s death at the same time the world is mourning Earl “DMX” Simmons, a thought struck me.

“I just wish we could love people when they live the way we do when they die.”

As I scrolled through my LinkedIn page (and I am rarely on LinkedIn), I came across this post and was surprised to learn of Sue Vincent’s passing. 

I know Sue from her promotional posts for authors and her generosity in opening up her space to give others time to shine. I’ve been featured on her blog a few times, and each time that we emailed, she was always welcoming to have me. 

I feel sadness about Sue because I have not been as immersed in the blogging community as I used to be. My schedule is crazy these days, and I have not had the time to dedicate myself to my own blog, much less engage with others. On searching her name, I found tons of posts dedicated to her and posts she wrote about her illness. I am so very sorry for missing it all. 

I also want to note that Sue was a poet, and with it being National Poetry Month, I dedicate this post to her honor.

As per the title of this post, I want to remind us to give people their flowers while they live.

If there is someone you appreciate or someone you love, or someone who has added value to your life in any way, I encourage you to make it known to them now.

Why now? 

Why not now?

Photo by Mel on Unsplash

Last June 2020 was the last time I saw my mother alive. I had taken a quick trip to Chicago to celebrate the life of another person I knew who had passed and stopped by my mom’s place. I was literally only passing through. My husband had to make a run, so I ended up staying with my mother for longer than I had anticipated.

At the time, I was irritated Moshe was taking so long to come back. I did not see how much of a blessing it was he took this run.

Before I left, I put a necklace on her neck that I had meant to ship but never got the chance to. As I snapped it on her, I kissed her cheek and left. This wasn’t out of the ordinary. It is something I did all the time, kiss her cheek and tell her I loved her. The difference this time is I didn’t know this would be the last time I would do it, as she would pass on in September.

I have been away from home since 2009, when we moved to Louisiana. I now live in Georgia, but most of my family still lives in Chicago. That said, I didn’t see my mom daily because we did not live in the same city. If I had not come to Chicago that June, the last memory I would have of her would have been December of 2019 when we celebrated her 60th, and unknown to us, her last birthday.

Photo by Jeremy Yap on Unsplash

We never know when will be the last time we see or speak to someone, but we still take it for granted. We still treat each other like every day is promised. We still love people more in death than we do in life. We see this every time a celebrity passes.

I hope that one day this will change.

I hope that one day we will live with such immense gratitude that hindsight is no longer 20/20 because we will see things clearly at the moment.

I’ll leave you with this excerpt from If My Books Shall Die:

“Give me my flowers today

and accept the life I offer you

in the form of metaphors on silver platters,

for I am feeding you with silver spoons

and all you’ve got to do is eat.

I offer you the best of me.

And when I am dead

no longer among the living

crack open a book written by me

and feel my breath on your skin.

Hear my voice resurrect

from inside an ancient pen,

Watch my tongue dance.

See my lips move

and witness passion soar 

from beyond the grave.

If my books shall die

then my words did not really contain life.

But if my books shall live

What are you waiting for?

Go to your bookshelf,

resurrect me

and carry

my bones.”


Read the full poem in I am Soul

Don’t Forget to Enter this Year’s Poetry Contest. Click Here to Learn How.


PS. I am not a fan of the new WordPress editor. I like the ease of embedding tweets, but I think the blocks are unnecessarily complicated.

When I’m Gone

novel-writing

You don’t have to mention my name
Waste, not your resources
Carving my initials into the ground
Or on street signs and buildings
Not near corners
where future Martin Kings
Will sell dope and brawl
Until their quarrels leak
With the accidental stench of death
Over dice games
I’m sure Dr. King didn’t expect his memory
To be synonymous with the street
At which the next ghetto is named
Remember me not this way
Not on the front of your t-shirts
And flyers
And flowers as if my nose can still
Smell them
In your thoughts
You don’t even have to say my name
Build no fancy statues for me
Sing no sad songs
Instead
Remember me in ink
No need to write me down
In history
Just write me down in ink
Admit that every time
I opened my mouth
the earth moved
that I did not sugar coat
the splitting of the sky
when it birthed the rain and that yes,
I drowned a time or two
be sure to mention my mistakes.
But at least you can say that with every base in my voice
I played the truth
and that with the thrashing
of every keyboard my fingers
exposed the secret
behind
why every heart
beats.

YouTube: New Poem Added! Listen to “Grief” #Poetry #Spoken Word

I wrote this poem in honor of my dad last year, inspired by a real experience. I was listening to Pandora and Yolanda Adams “Open My Heart” came on. I usually turn the station because the song reminds me of my dad who died of cancer in 2000. This time though, I allowed myself to feel. I allowed myself to grieve. I put this video together when I first published the poem to this blog but I am just now getting it uploaded as I am getting my YouTube grind back! Listen to the poem below, read the poem here and be sure to subscribe for more poems!

SUBSCRIBE HERE

 

Grief

 

it came in waves today

grief did

the sound of Yolanda Adams opening her heart

did it

I was wrong to listen

her voice was a gun

her lyrics, a trigger

me, the victim

she was thunder

my tears

rain

Yolanda knows I can’t listen to that song

it hoola hooped on the radio in ’99

the year we lived with him

and I combed my Barbie’s hair to her voice

as my Dad’s memory rode on the backs of those lyrics

a warrior

the knight and shining armor

of my adolescents

invisible crown on his head

he is bald now

cancer ate away his hair

and I rubbed Witch Hazel on his foot

I kissed his forehead

I am thirteen again and my heart is inexperienced

I am not ready for the lightening on its way to me

My hands are too small to hold the weight of what’s about to happen

“What if I choose the wrong thing to do?”

she sings

and in my warrior walks

the cab driver in nice suits

his words are “hip” like his style and his commandments

“don’t sleep ready rose,” meaning,

“don’t sleep in your outside clothes”

“I feel so lost, I don’t know what to do,”

in he walks

tight-roping Yolanda’s lyrics

In those sharp suits

riding on the back of my preteen memories

and I curl my small fingers into a fist

and fit them inside the center of my Dad’s palm

the way we used to do

the way his hand covered my entire fist

the way he’s tight-roping on my heart strings

the way memory crawled its way into my throat this morning

“I just need to hear one word from you,” 

Yolanda’s voice penetrates the clouds

the thunder growls

the lightning strikes

and I am thirteen again and the year is 2000

the final moan of a passing storm

and James walks out of the door

his name planting kisses on my forehead

and anointing my eyes

with grief

Memories

nature-river-1080p-wallpaper

Nostalgia’s a nauseating

sickness

like four little girls

still trying to tear down the brick

painted on the sides

of their heads

Pocketbook scriptures still dangling

from underneath

their tongues

like a scorched covenant

under burned fingernails

still trying to get me to

remember

Truth be queasy

like first trimesters

be painful

like birth pains

I heard

a roll of thunder

and laughter more frightening

than decomposed bodies

at the bottom of bi-racial rivers

whispering

like the voice of Emmet

till when?

It asked me.

Before strings of voices erupted from some place

beyond the banks of the James River

from someplace before William Lynch’s arrival

somewhere marchin

stomping on my roots

somewhere printed on the back

of the forbidden fruit, I still

got between my teeth

a string of voices

sprung up

from the oppression

marching down the streets of Birmingham,

Chicago, Georgia, Mississippi, Harlem.

Willie Edwards,

James Chaney,

Michael Donald,

Michael Griffith,

Michael Brown,

Yusef Hawkins,

James Byrd Jr, and Trayvon Martin’s voices

sang hymns of “I told you so’s”

for my memories

like women giving birth

to still born children

Till when?

said Mr. Till.

Will you people continue to give birth

to death

still lying on the bed

of Martin’s dreams?

They sang with an authority

like rolling thunder

and butterflies in my stomach

like truth on top Moses mountain they sang

like earthquakes

cracking my memories into lynched question marks

they sang

like blood-thirsty whales behind slave ships

like ripping flesh

torn open

with Hebrew scriptures

in their veins

they sang

like diseases written into the sky

and prison chains

their voices roared

like a million I told you so’s they sang

like voices do

and they asked me a question

but their words

were few

Till when?

Screamed the segregated

Set-apart

and unequal lungs

of Emmett

Till when?

He sang.

Like the lyrics of Deuteronomy

carried up

Till when will Malcolm,

Booker T.

and Martin King

still dream

before

they wake up?

I’ll Carry It With Me

047

From the bowels of the deep south
To the place of the rising sun
She’ll stretch her roots to the ends of the Earth
And her scent to the universe edge
From the Nile
To the Euphrates
Her soul is Langston
And has grown deep like the rivers

On her bark
Are the names whipped out of her ancestors skin
Pocketbook scriptures ripped out from underneath their tongues
And she stands there
Towering over the people who pass her by
Singing their song in the wind

She remembers the scratchy fiber
It was course and woolly
Like Nyongo’s hair
When they tied her arms
Around the Magnolia

She was there when Moses died
They buried his bones under the shadow of her roof
Tied bright yellow ribbons to her branches like shackles on her arms
So that Tubman can tell that she was a slave
And carry her falling leaves to freedom
She sings her song
From the bowels of the deep south
And the deep North
clean across the Atlantic
And on up to Spain
Where the ships of Tarshish came first

But you will never know of it
Not when you see her standing there
All tall
And full of pride
her petals are soft and delicate
and burning passion like the sun
But I won’t forget
I’ll bottle her scent and carry it with me
The history of her children
The memory of the hanging tree

Writer’s Quote Wednesday – Bernice McFadden

Good Morning Lovelies and welcome back to another segment of Writer’s Quote Wednesday as hosted by Colleen of Silver Threading. This week I am quoting from Bernice McFadden:

900x400_BW2“I write to breathe life back into memory and to remind African Americans of our rich and textured history.” – Bernice McFadden

I had to reread this quote a few times. I understood it well. I had to reread it to make sure they were not my own words. Its as if McFadden had found a way into my head. Maybe the ancestral blood that links our DNA pulled from the genetic instruction and spoke our hearts into words. Maybe she just heard it in my bones, but this is one of the many reasons why I write: “To breathe life back into memory and to remind African Americans of our rich and textured history.” The quote suggests there is something not living among us, something not honored, not recognized, not praised. It is my hope that my work can be part of the resurrection

About The Author: From Her Author Website

BERNICE L. McFADDEN is the author of nine critically acclaimed novels including Sugar, Loving Donovan, Nowhere Is a Place, The Warmest December, Gathering of Waters (a New York Times Editors’ Choice and one of the 100 Notable Books of 2012), and Glorious, which was featured in O, The Oprah Magazine and was a finalist for the NAACP Image Award. She is a three-time Hurston/Wright Legacy Award finalist, as well as the recipient of three awards from the Black Caucus of the American Library Association (BCALA). She lives in Brooklyn, New York. The Book of Harlan is her latest novel.

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