Book Reviews Needed For The Stella Trilogy

Hey guys!

I am gearing up to release the last book in The Stella Trilogy, The Road to Freedom. After this book drops the series will be complete. Whoo hoo!

But what’s that saying? The real work begins after you release the book? Yea, that.

I don’t know who said it first, but there are no lies told here.

As book three is on its way out, I would like to draw more attention to books one and two by getting some book reviews in. As you guys know, these books were originally published in 2015-2016 but due to major editorial and formatting issues, I have had to take them down and relaunch them. One major risk of taking them down was losing the little reviews the books had. That was a risk I was willing to take if it meant a better reading experience. There are over three thousand followers of this blog. I am hoping I can get a few of you to help.

I just thought I’d ask. What’s that other saying? “Closed mouths don’t get fed.”

  • If you have read any of these books, it would mean everything if you could review them on amazon. Review book one here. Review book two here.

 

  • If you have never read these books and would like to receive an ARC copy, it would delight me to send it to you.

Comment below, contact me through the contact form or email me directly at yecheilyah@yecheilyahysrayl.com.

 

Ya’ll like my new yellow dress? Cute right?

Black History Fun Fact Friday – Anna M. Mangin

Born in October of 1854 in Louisiana, Anna invented a kitchen tool she called a pastry fork.

The system of patents for inventions was not easy for African Americans at the time. Enslaved people were not considered people, they were not US citizens, and the rights of the US constitution did not apply to them. Consider the Dred Scott Decision where enslaved Scott unsuccessfully sued for him and his family’s freedom (they were eventually freed on May 26, 1857). This made it difficult for even free blacks to secure patents on their inventions, making it easy for their work to be stolen or attributed to someone else.

Of all the inventions by African Americans, we can just about imagine how much more this contribution would be if full credit had been given to those who were not considered worthy to receive it. Consider the following inventions:

  • The Clock (Benjamin Banneker)
  • The Traffic Signal (Garret Morgan
  • The Ironing Board (Sarah Boone)
  • The Mailbox (Phillip Downing)
  • The Sanitary Belt/Maxi Pad Precursor (Beatrice Davidson Kenner)
  • The Artificial Heart Pacemaker Control Unit (Otis Boykin )
  • The Closed Circuit Television Security (leading to the home security system) Marie Van Brittan Brown
  • The Modern Home-Video Gaming Console (Gerald A. Lawson)

We can go on and on.

Anna’s story is special because she was one of few blacks to receive a patent for her invention of the pastry fork.*

The Pastry Fork was an older version of the wisp and other electronic mixers today as it automatically mixed without manual effort. This tool had many uses, including beating eggs, thickening foods, making butter, mashing potatoes, making salad dressings, and most pastry dough, which was difficult on the hands and wrists.

Anna filed an application for a patent of her Pastry Fork in July of 1891 and was awarded the patent on March 1, 1892.

*Martha Jones was the first black woman to obtain a US Patent.


Learn more black history by reading more articles on the Black History Fun Fact Friday page here. Have a black history fun fact of your own? Submit your article for a blog feature by emailing it in a Word Doc attachment to yecheilyah@yecheilyahysrayl.com. Read the submission guidelines here.

Black History Fun Fact Friday: Guest Writers Wanted

Updated: 4/27/2020

On January 17, 2015, I started a new Blog Series in honor of Black History Month called Black History Fun Fact Friday. I planned for the series to run from January 2015 through the end of February 2015, but two badges and 70 weeks later we are still going strong.

Black History Fun Fact Friday is not just a Black History Month segment anymore. It has carved out its own space on this blog. I want to get back to publishing Black History articles every Friday and would love to have some help.

I am reaching out for help from individuals who are interested in helping to contribute to this series.

Requirements:

 

  • Must be at least 18+ to write for The PBS Blog.

 

  • Must be original work. Do not copy and paste the article from other blogs unless that blog is your own. If you have a Black History article to share that you published to your site, I welcome you to submit it for Black History Fun Facts. I have no problem with that as long as it is your work. You can also link back to it so readers can follow your blog.

 

  • Because of the nature of this series, interested writers must be Black/African American.

 

  • Topics must be relatable to the history of Blacks/African Americans, African diaspora, e.g.

 

  • Articles must be emailed to me for approval at least one week before publishing. If you email your article on 4/28 for example, I will publish it on 5/1 if there are no needed changes.

 

  • Please send articles as an attachment in a Word Document, 12p Font, Times New Roman text.

 

  • Please do your best to self-edit your work for basic typos/spelling/grammatical errors before submission. Grammarly and ProWritingAid are good free self-edit software programs to use.

 

  • Please include at least one image with the post. Canva is a good program to use to make your own images.

 

  • This is Black History Fun Fact Friday not Black History Opinions so do your best to submit articles covering accurate historical information. I will vet the submissions to make sure they do. If you have links to sources, please include them. If you quote someone else, please cite your source. Articles that plagiarize will not be featured on this blog. (Note: Writers, as a heads up, if you are quoting people in your Social Media graphics without giving proper credit, this is plagiarism. Putting quotation marks around the quote does not make it yours. Don’t leave off the name of the person who said it first!)

 

  • Please include a photo of yourself, social media handles, website, or links to books you’ve written on the topic. This will be added to the end of the post.

Benefits of Guest Blogging:

 

  • Increase traffic to your own website/blog
  • Build Relationships/Online Influence
  • Build Domain and Search Engine Authority
  • Capture Wider Audience (go hand-in-hand with the 1st point)
  • Develop Your Authority on a topic
  • Improve Your Writing
  • Opens the doors for paid business opportunities

Email articles to yecheilyah@yecheilyahysrayl.com.

Black History Fun Fact Friday – The Short Family

This is a real-life case of living beyond the colored line. It starts when a black man named O’Day Short and his family moved to a racist area of Fontana, California, in 1945. Here’s a bit of history behind Fontana:

  • The Ku Klux Klan established its headquarters in Fontana.
  • KKK Grand Wizard George Pepper and White Aryan Resistance (WAR) leader Tom Metzger claimed Fontana and the Inland Empire as their California Eastern Territory for White Supremacy.
  • Hells Angels Biker Gang originated in Fontana
  • Hells Angels and Nazi Low Riders (NLR), flourished in the city of Fontana, with no consequences from the Fontana P.D.
  • Many incidents of discrimination and hate crimes were unsolved and poorly investigated

Fontana has a long history of racism and discriminatory policies, so it is no surprise that blacks were not allowed south of the area. The saying went: “Base Line is the Race Line.” Southern Fontana can be best described as a “Sun-down town,” towns blacks were not allowed after dark. When the sun went down, any black person found in a “Sundown Town,” risked lynching. Read more about Sundown Towns in an older post here.

Carol Ann and Barry Short, along with their parents Helen and O’Day Short, died in a suspicious fire on Dec. 16, 1945, after crossing the color line in Fontana. | Inland Valley Daily Bulletin

When O’Day Short, his wife, and two children moved onto land in an all-white area, neighbors threatened them to leave that neighborhood and occupy one of the ghetto neighborhoods where the town allowed blacks to live.

One interesting thing about the Short family is that they were fair-skinned and many believe this is how they got to purchase the property in the first place. O’Day moved his family into the half-finished home. It is said the man who sold him the land where the house was being built did not know he was black.

When people complained, O’Day got a visit from the sheriff to leave the property. The Sheriff offered to buy the house back, but O’Day refused. The sheriff warned that the “vigilante committee,” will not be pleased. They recorded the visit by the Sheriff in the Sheriff’s office in San Bernardino. According to the report, Short described the threats to the Federal Bureau of Investigation (F.B.I). On December 6, 1945, Short also reported the threats to the Los Angeles Sentinel, an African American Newspaper.

On, December 16, 1945, not even a full month after the Short’s moved in and ten days after the reports, the Short home exploded in fire, the family inside.

Helen Short, 35, and her daughters Barry, 9, and Carol Ann, 7 died.

O’Day, 40, lived long enough to be taken to the hospital. A month later, on January 22, 1946, he also died.

They have linked the cause of the fire to an oil lamp O’Day was lighting when the tragedy occurred. The interesting thing about these reports is they didn’t mention that the Shorts were black, not in 1946 or later when the story resurfaced.

The NAACP hired an arson investigator later to investigate the story. The investigator reported that the kerosene lamp was found and almost intact, determining the fire was set, from the exterior.

I decided the Short Family would be the subject of this week’s fun fact because of the limited information that can be found on them. It was many years later before the NAACP launched their investigation and people even knew their story.


Read more Black History Fun Facts here.

Read  Stella: Beyond the Colored Line, my historical fiction account of what life was like for blacks beyond the colored line here.

Stella: Beyond the Colored Line is Live (The Stella Trilogy Book 2)

Beyond the Colored Line is LIVE

“This story retells the history of many African-American families alive today. It is a heritage rich with strife and suffering but also filled with a hope and a desire to finally grasp the freedom that has been so elusive and out of reach for so many. At times, I was forced to accept some uncomfortable truths about our American past. There is nothing wrong with that. This story makes you think about freedom and what it really means to you as a person, and as an American. I loved this story because it is through the learning of other’s journeys that we begin to learn much about ourselves. Their pain becomes our pain and we begin to see through their eyes. Stella will touch your soul with such a sweet simplicity you won’t even know it.”

– Colleen Chesebro, on Stella: Beyond the Colored Line, First Edition

About.

In book two, we dig deeper into the McNair family’s legacy. Named after her great-grandmother, Stella has a very light complexion which causes her to be the tease of her classmates. Unable to find solace among her African American contemporaries, Stella finds it challenging to adjust to a world where she is too light to be “black.” After The Great Depression of the 1930s forces Stella’s family to move to Chicago, a conversation with Aunt Sara provokes Stella to do something that will dramatically affect not just her life but the life of her children and grandchildren.


Excerpt.

1928

Daddy runs off to no one knows where on account of his life. Some racist whites had seen him and Mama together and threatened to lynch him if found, so he runs off. The community gossip is that his brothers know, but they won’t say. We weren’t alone, though, Mama and me. It seems like Mama filled the hole where Papa should have been with our whole family. The house always stayed filled with guests, my people, and peoples of my people. My granddaddy was a colored man and owned this land. My namesake, his Mama Stella, was a slave and was given this house by her owner. As the story goes, after Grandma died, I was born. Since Mama was the closest, she named me after her.

My aunts would gather around the table with my mama, and they laugh and cry most of the night about their girlhood. They would talk about what it was like being four mixed girls in Illinois. I don’t have uncles on my mother’s side, but Daddy got six brothers.

Due to the controversy around my parent’s relationship, Daddy being a Negro, and Mama being half-white, they only visit on special occasions. Uncle Roy, Daddy’s younger brother, says Mama acts differently around her sisters and that we too uppity, especially Aunt Sara. She’s the youngest of my aunties and the most spoiled. She’s the one who convinced Mama to send me to a white school in the first place, and boy was my uncles hot! They said we were breaking the law–that a Negro had no business in a white school. But Aunt Sara said I had all the right in the world since I was half white. For her, not only could I do this, I had a right to do it.

“But does the school know she a Negro?” Uncle Roy would ask.

“That’s none of the school’s business, now is it?” Aunt Sara would say, and they’d go back and forth until Mama break it up.

Not all talks were good talks. I used to sit until my eyes were red with fatigue to hear Mama and my uncles talk about all the killings that were taking place around the country, and especially in the South. I felt like I lived in two worlds, one black and one white, but none mixed. And what did that mean, mixed?

My aunties wanted to talk about education, family, career, and navigating the world as a mixed-race person, whereas Daddy’s side liked to talk about the black condition, what was going on in the black community, and what it meant to be black in America. They talked less about blacks navigating a world that they felt didn’t include them, and more about blacks redefining themselves and creating their own worlds. The conversations were intriguing and fascinating on both sides, but it left me feeling like my very body was a contradiction. Was I white? Was I black? Race wars always involved these two groups of people, and there ain’t seemed to be room for a mulatto.

“That’s what I say,” said the voice of Uncle Keith, Daddy’s second oldest brother.

“Up there in Minnesota.”

“That close?” Mama gasped.

“Yeah, that close. What woman, you living under a rock? They just had one over in DeKalb last month,” said Uncle Roy.

“It’s a crying-out-loud shame,” continued Keith. “Say they dragged the boys from the cell and a whole mob of ‘em lynched ‘em. Say it was ‘bout a thousand of ‘em.”

“My my,” said Aunt Rebecca.

There were times even I witnessed evidence of the events rocking the country. One day, Mama and I went to visit Cousin Mary in Texas and drove the truck up to a general store. We walked in, and I picked up a postcard from a rack. It was of a man hanging on a tree that supported an iron chain that lifted him above a fire. The man didn’t seem to have much of a body left. They cut his fingers off, his ears and his body was burned to a crisp. On the back of the postcard read: “This is the barbecue we had last night. My picture is to the left with a cross over it. Your son, Dan.”

I learned later the picture was of a seventeen-year-old mentally ill boy named, Johnny, who had agreed to have raped a white woman. And everybody at home still talked of the Cairo Circus of 1909, the public lynching that took place here in Illinois. I couldn’t understand why Mama was so upset about a circus until I found out what kind of spectacle it was. My aunts didn’t want anything to do with the land or the house because of events like these. They say it’s too close to slavery. No one wanted to inherit the home or the property, but Mama, and this is how I spent several years of my life living in the same house where my great-grandmother had been a slave. Mama kept the house full of guests by renting out rooms to help with her washerwoman salary.

We weren’t much of a churchgoing family, party going is more like it, unless Mama wanted to show off a new dress or hat when somebody died or needed saving and on holidays and such. Folk would come from all over southern Illinois to hang out with “Cousin Judy.” Sundays sure were fun, my second favorite day of the week. Saturdays were my favorite day of the week. It was the day for shopping, and that only meant one thing, Chicago.

First, Mama would wake me to the smell of biscuits or pancakes. This massive breakfast was to keep me full enough throughout the day, so she didn’t have to worry any about food buying. Then, she commanded me to bathe real good, paint my arms and legs with coconut oil, untie my curls, and we’d both put on our Sunday’s best and be two of the most beautiful women you’d ever seen. I was a young lady now, and shopping was the best thing for a young lady, next to boys, but you couldn’t like them in public.

You could like shopping, though, and I loved going from store to store in search of the finest. I skipped along while Mama scanned the insides of magazines for stuff she heard about from the white women whose laundry she cleaned. We would squeeze our way through crowds of people, just bumping into each other. Everyone dressed in their weekend wear and bought ice cream for their children. Some went to see the picture show, and so did Mama and me. We could buy candy or jewelry, or perhaps a new hat or two. We could drink from water fountains without a label and spend money without prejudice.

We had a good time on Saturdays because on Saturday, no one knew we were colored.

Click here for a signed paperback
of Beyond the Colored Line

*Click Here to get it on Kindle

Haven’t read book one? Get it for 99cents on Kindle here or in paperback here.
*Paperbacks ordered today will ship next week.

Revising The Stella Trilogy: Book Two – Beyond the Colored Line

Book one is out and we are on to book two!

My main challenge for book two is making sure that it stays consistent with book one. This is important for any series, but for Historical Fiction, it is even more critical.

Since writing Historical Fiction is writing set in a time that has already occurred, the details of the past must be realistic to what was going on. A good Historical Fiction book places fictional characters somewhere in a world that has already existed in a way that reads authentic. Readers should be able to reimagine what that world was like by immersing themselves in the life of the characters and the world around them. I like to think of it as a time machine, which is also what makes writing #Histfic fun to me.

Style, Language, Dialogue

Like book one, book two opens in 1996 and picks up where we left off at Mama Sidney’s house in book one. But book two also takes us back into the life of Mama Sidney, and we revisit history from the 1920s through the 60s. My focus for book two was to make sure the dialogue, language, racial and political events occurring during this time were realistic to what was happening in the world. We talk about The Great Depression and touch on the reoccurring lynchings taking place in both the north and south. We look at the brutal murder of Emmett Till, the shooting of Dr. King, Jim Crow Laws, and The Black Panther Party. While I immerse Stella in her own world, there is still the larger world to deal with and we watch how she navigates both. How does Stella’s personal identity crises correlate to the identity crises plaguing her larger community?

Racial Terminology

The biggest thing to deal with for book two is the racial classifications of blacks during this period. African Americans are the only people whose racial terminology has changed with the census. We have been “Niggers,” Negros, Coloreds, Blacks, and African Americans, and this can get confusing when trying to use the right term for the right year. This is also not to mention other racial “nicknames” we called ourselves, such as Afro-American and The New Negro.

The challenge of using the right term for the right years is because there were terms that blacks preferred to call themselves and terms used discriminately by the wider society. Although by the 60s Black Americans were preferring to be called blacks or Afro-Americans (as Malcolm X used a lot after leaving the Nation of Islam) white separatist signage still referred to us as coloreds. “Whites Only / Coloreds Only,” or “Welcome to the Colored Zone,” banners and store signs could have read.

Credited to W.E.B. Dubois and Booker T. Washington, blacks advocated for a switch from Colored to Negro in the early 1920s. As blacks redefined themselves, terms like “The New Negro,” became popular and sparked a movement that later became known as The Harlem Renaissance.

By the 1960s, though, African Americans had transitioned from being “Negros,” to “Blacks.” (Malcolm X specifically didn’t like the term Negro).

During the Black Power movement when sayings such as “I’m Black and I’m Proud,” were popular (think James Brown “Say it loud, I’m black and I’m proud!”) blacks wore their hair natural, read and published black literature and did what they thought would reconnect them with their lost heritage. In this process, many black political leaders of the time, such as Kwame Ture or Stokely Carmichael, helped to shift the terminology away from Negro and toward Black. Black publications like Ebony followed by switching from Negro to Black.

While a large majority of people still preferred Negro, “Black“ was becoming the preferred term with the New York Times and Associated Press abandoning “Negro” in the 1970s.

By the 1980s, Jesse Jackson called for a shift from Black to African American and while the change is still not as accepted or monumental as black was during the 60s, it is the term most socially acceptable when referring to black Americans.

I had to consider these changes when referring to blacks throughout this part of the book. What did they call themselves? What did society call them? How do I integrate this into the dialogue and setting realistically?

Setting, language, and dialogue is the backbone of Historical Fiction because the setting makes the story seem real and determines the character’s beliefs and actions. Not only do I strive to make the characters stand out but the culture of the time in which they live.


About Book Two:

In book two, we dig deeper into the McNair family’s legacy. Named after her great-grandmother, Stella has a very light complexion causing her to be the tease of her classmates. Unable to find solace among her African American contemporaries, Stella finds it challenging to adjust to a world where she is too light to be black.

After The Great Depression of the 1930s forces Stella’s family to move to Chicago, a conversation with Aunt Sara provokes Stella to do something that will dramatically affect not just her life but the life of her children and grandchildren.

Stella: Beyond the Colored Line will be available through my website and back up on Amazon in digital and print by April 24th. I am not putting the rest of the books up for preorder, so you’ll be able to order it immediately on 4/24.

If you have not already read book one, click one of the links below.

Amazon Kindle

Signed paperback

https://www.yecheilyahysrayl.com/bookstore/stella-between-slavery-and-freedom

Stella: Between Slavery and Freedom (Book One)

Book one in The Stella Trilogy is officially back on Amazon and my website and book two is on its way!

Stella is a work of Historical Fiction and is distinctive in its focus on one woman’s road to self-discovery, against the backdrop of the African American fight for justice, racial equality, and freedom. The three-part novella series focuses on the history of one family in their struggle for racial identity. We discover in this trilogy how three individuals living in separate periods strive to overcome the same struggle, carefully knit together by one blood.

In book one, Cynthia McNair and her boyfriend, Alex, express some racists’ feelings toward blacks. They visit Cynthia’s Grandmother Sidney McNair, who recounts the story of her ancestor, a slave named Stella Mae. Cynthia has no idea of her African ancestry or how deep this rabbit hole goes.

“Yecheilyah Ysrayl takes us on a colorful and thought-provoking journey through the eyes of a mulatto slave woman Stella. Generations later, Stella’s descendant Cynthia McNair has no idea of Stella’s life as a slave, nor the true identity of their bloodline. Since Cynthia is a racist she is in for a rude awakening. Stella is reminiscent of a wonderfully written slave narrative, a story of history and pain, it is a brilliant opener of the Stella series.” 

– Kathryn Reed

Order the Kindle Ebook for 99cents

Order a Signed Paperback from my Website 

Mark as Want to Read on Goodreads

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