I am gearing up to release the last book in The Stella Trilogy, The Road to Freedom. After this book drops the series will be complete. Whoo hoo!
But what’s that saying? The real work begins after you release the book? Yea, that.
I don’t know who said it first, but there are no lies told here.
As book three is on its way out, I would like to draw more attention to books one and two by getting some book reviews in. As you guys know, these books were originally published in 2015-2016 but due to major editorial and formatting issues, I have had to take them down and relaunch them. One major risk of taking them down was losing the little reviews the books had. That was a risk I was willing to take if it meant a better reading experience. There are over three thousand followers of this blog. I am hoping I can get a few of you to help.
I just thought I’d ask. What’s that other saying? “Closed mouths don’t get fed.”
If you have read any of these books, it would mean everything if you could review them on amazon. Review book one here. Review book two here.
If you have never read these books and would like to receive an ARC copy, it would delight me to send it to you.
Comment below, contact me through the contact form or email me directly at firstname.lastname@example.org.
They get tired of hearing it.
Ain’t nobody got to say it,
I know that they get tired.
Tired of these distractions in brown-colored skin
waking up from Valley’s
with muscles and tendons
Uncovering the blood in the American Flag—
Tired, tethered, and intoxicated
with his story.
Unraveling the color of bigotry on a beautiful glass,
Smeared fingerprints and fallen stars like
Why they keep sittin’ in?
Between our comfort and a hard place.
This be some kinda hard place
for brown-colored skin
in the springtime.
Strange fruit popping up again on trees,
‘cept Nina ain’t here to sing us a song.
After 400 years
songs just don’t work anymore.
Tired of these guns accidentally going off,
Landing somewhere in my purse.
somewhere in my womb.
Somewhere in my future between lipstick and foundation.
I’ve got to warn my sons
about accidental guns.
Generational homicide got me on my knees praying
ain’t got his name on it.
Let’s be accurate about it.
Will I be left with the fragmented
pieces of my husband’s shoes
between our front porch and the living room floor?
Will my kiss linger long enough to bring him home tonight?
Or will I suffer a widow’s fate of mistaken identity?
After all, these brown, tan, bronze, and mahogany-colored
skins all do look the same…
I’m afraid of your guns.
They don’t know the difference
between friend and foe–
or maybe, they do.
Funny how bullets be mistakin’ themselves for judges
that ain’t got names on them.
They say a gun
ain’t got a name on it.
Why are they sugar-coating it?
‘Cause people get tired of hearing about all this black…
All this oppression,
All these curses,
All this power like,
Why we won’t pour sugar on top of these bodies?
Get ’em up off the street.
Don’t want our bullets to get stirred up, ya know.
Getting up outta beds,
loading themselves into chambers
and taking walks at night,
in the afternoon, and especially in the morning,
when it’s springtime.
Fun Fact: I first wrote this poem four years ago (almost to the day). Reposting because it is still fitting for today’s climate. You can find it in my I am Soul poetry collection.
As you all know Book 2 of The Nora White Story is on its way out! (Pre-order it here). In honor of this, I am hosting a giveaway for Book 1! Visit the link below to snag your copy! Hurry. This exclusive offer won’t last long.
When seventeen-year-old Nora White successfully graduates High School in 1922 Mississippi and is College-bound, everyone is overjoyed and excited. Everyone except Nora. She dreams of Harlem, Cotton Clubs, Fancy Dresses, and Langston Hughes. For years, she’s sat under Mr. Oak, the big oak tree on the plush green grass of her families five acres, and daydreamed of The Black Mecca.
The ambitious, young Nora is fascinated by the prospect of being a famous writer in The Harlem Renaissance and decides she doesn’t want to go to College. Despite her parent’s staunch protest, Nora finds herself in Jacobsville, New York, a small town forty-five minutes outside of Harlem.
Shocked by their daughter’s disappearance, Gideon and Molly White are plagued with visions of the deadly south, like the brutal lynching of Gideon’s sister years ago. As the couple embarks on a frightening and gut-wrenching search for Nora, they are each stalked by their own traumatic past. Meanwhile, Nora learns that the North is not all it’s cracked up to be.
Can Gideon and Molly overcome their disturbing past in time to find their daughter before it’s too late?