The Best and Worst of Times

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“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season for Light, it was the season for Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us…”

I am sure Charles Dickens’s “A Tale of Two Cities” didn’t have my thoughts in mind when it opened with this paragraph. Yet, as I read it, I cannot help but to stop and to ponder how it closely describes today. Not today as it is personal to the individual. Not today as in going to work, going to school or other miscellaneous routines to which we have sculpted our clocks to mimic. Not even today in the sense of any hint of parallel or extreme depth. I’m not even talking about the constructs of the book at all really. I’m not a fan of Dickens, but I love imagery in writing. I love being able to read a description that is so tasteful that it can be compared to something completely outside of its own identity and still make sense. This excerpt is that description, while the synopsis of the book has nothing to do with it. I’m sure any writer can take something insignificant and make use of it in other situations. And as such this small piece stood out to me, making me stop to ponder and to meditate on its relation to today. Not even the entire paragraph captured me but this part did, separating itself as a reminiscence of the world surrounding us. A mixture of light and darkness. Of hope and despair. Of truth and deception. Of redemption and condemnation. It is a wonderful time but a terrible time at the same time. Indeed, we are somewhere between movement and stillness.

The Invisible Woman

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November, 2001

The dust particles flying from the duster floated slowly off the boxes, strangely reminiscent of the worst terrorist attack to occur in the United States. Each set seemed to align themselves parallel to the others, and tilting dangerously off the Brooklyn Brownstone as if to mock her. The coming of dawn splashed its hint of shadow off the dull cardboard, distorting its true image. They were taller it seemed, and almost menacing. The woman looked on sadly, fastening its flaps, tucking them one inside the other. It was safer this way, but still she took a step, and rested her bottom against the course concrete as if finding a foundation strong enough to hold all of her baggage. That’s when she saw it, its pages flapping quickly in the wind almost blowing the book off the steps; she caught it, along with a strange feeling with how her arm had extended itself in rescue. It had only been two months and she was intrigued to find that Ellison had read her mind. No, she did not believe he was an invisible man; she instead was prepared to insist he was a mind reader. The only other explanation available to explain his knowledge of her departed state was if he was talented enough to take her heart and contextualize it in ways that even she could not. Of course now she understood that Ralph Ellison was neither mind reader nor genius. Like a mirror that penetrates the souls of the invisible, she could easily see herself in a similar situation. The neighborhood had gone on as it always had; the people continued in their routine way and it made her angry, how could they? “To the mall!” she says. “To the workplace!” he shouts. They move about, “To the city!” they shout. But there is no city, and there is no mall. There is no workplace, there is only darkness. What’s everybody so happy about? Nothing was the same and she was utterly alone. Why was that so hard for them to understand? She has tried to make them aware that their journeys were in vain, but she has been pushed over. She has been blocked. She has been ignored. They have walked right through her, and for a split second they’ve become one with her, but only to come out on the other end and still they cannot see. None ever noticing that she has just pushed against them, and burned the top of their flesh with her light. Cymbalta wasn’t helping much either. But that’s because she is invisible. It is she they cannot see.

Candy wrappers and Anthrax warned Newspaper clippings loiters the sidewalk in front of her, and the screaming engines of cars sped by in a desperate attempt to escape the moment for the one at the corner, shattering the woman’s thoughts and calling her attention away from the book. And as the brisk November wind rattled angrily against her blouse, she disregarded the unopened mail laying idly on top the brown boxes. Inside, the small sirens going off seemed to rattle the cordless resting comfortably on the sofa like tiny explosions.

“Yea?”
She was sick with exhaustion with the interviews and radio shows, and journalist thirsty phone calls that promised never to bring her husband back, just a hot story. It’s not like they were really talking to someone anyway. She had never been around a group of people who enjoyed talking to themselves so much.
“I don’t think so”, she annoyingly spoke into the receiver before hanging up at the sound of a trucks engine; the movers were here. “Great”, she said exasperated, managing to make it out the door. She was going to be late…again.

The Brilliantly Untalented

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 I’ve had this book for awhile;  loaned to me by another  sister. I never completely finished reading it, and as I scrolled my library for a neat snack, it wasn’t too high on my priority list. But as I now found myself flipping through pages, Chapter 10 caught my attention:

 

“Writer’s are people who tolerate a high level of anxiety. We have a talent for holding up well under tension. Anyone can start writing. To keep on creating and to grow as a writer you also believe you suck. You question everything you write. I know writing students who really do seem to believe they are great, they love writing, they write a lot, they seem blandly cheerful….they spew out words. They have no doubt, they reveal no anxiety. I think that is great. But my students who are doing really fine work, really committing themselves to writing honestly, deeply, and truly—-they have anxiety. They doubt themselves all the time. Writing stuff that is going to affect other people intensely is walking a fine line between anxiety and pleasure—-its a vibe you ride.”

I actually love this advice. I find it present not just in writing but other forms of art as well. Some of the most nervous, most introverted people are the most talented: the “Brilliantly Untalented” and Undiscovered Geniuses. This is not to say you party goers out there should worry. Nor is this to say the introverted are overcome with intense fear, for fear and faith cannot coexist (one will rule out the other). But they have a kind of humility that seems to balance out the negative components of anxiety. They know that there is talent present, but they also believe that they suck. Is it contradictory? It may be, but yet this contradiction keeps them writing and keeps you reading. Every time I’m on stage to recite a poem my stomach turns into butterflies and it feels like everybody in the world is depending on me to deliver them from a crisis. It is a feeling of great pressure. Its an understanding that though I’ve been given a gift to bestow upon my audience, I am simultaneously aware that this gift is not mine; that it belongs to one greater than myself. Then I notice, that in such anxiety, I’ve tapped into a kind of depth people could really feel. I did not have to think too hard about it. Did not think so grand of myself that I would begin editing my soul I just spoke, hoping the butterflies won’t make it so far up my throat. My belief that I am nothing, that I suck, and that I am Brilliantly Untalented, has in the end seemed to always produce the greatest work.

 

History vs. Truth

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I would actually like to write more on this topic at a later date. But for now, enjoy this word:

“One is astonished in the study of history at the recurrence of the idea that evil must be forgotten, distorted, skimmed over. We must forget that George Washington was a slave owner….and simply remember the things we regard as credible and inspiring. The difficulty, of course, with this philosophy is that history loses its value as an incentive and example; it paints perfect men and noble nations, but it does not tell the truth.” – W.E.B. Dubois