Category: General Topics

Inspiration and Copyright Infringement – How Fine Is The Line?

Wow. This is too close for comfort. I’d be devastated. #ThouShallNotSteal

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There are, arguably, seven basic plots. I won’t list them here, but you can find them if you click this link: The Seven Basic Plots: Why We Tell Stories by Christopher Booker. All seven can be said to result from real life inspiration. While fiction can take these inspirations to incredible heights, the ideas begin from somewhere.

So we have inspiration, yes?

It was brought to my attention this morning that there has been a lawsuit taken up by Sherrilyn Kenyon, bestselling author of the Dark-Hunter paranormal romance series, accusing Cassandra Clare, bestselling author of Mortal Instruments and the Shadowhunter series, of copyright infringement. (Read the article here: http://www.theguardian.com/books/2016/feb/10/sherrilyn-kenyon-sues-cassandra-clare-for-wilfully-copying-her-novels )

In this particular case, it seems to me a clear case of copying: if you read the exhibit (click here) given in the lawsuit, the infinite monkey theorem comes to mind as the only other possible explanation, particularly when…

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Lucy Terry Prince

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Aside from the renowned Phillis Wheatly, Lucy Terry is another black poet recognized as one of the first African American poets. Born in Africa, her village was raided when she was a girl and the institution of slavery brought her to America. She was sold to Ebenezer Wells of Deerfield, Massachusetts. Her one and only poem, “Bars Fight” is about the traumatic raid on her village by both white and Native Americans before her enslavement. As is one of her lines: “Eunice Allen see the Indians comeing….And hoped to save herself by running.”

Read the Entire Poem Here

Two Weeks Before Book Launch

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I can’t believe its two weeks before launch day! Where did the time go? In just a short while, I’ll be wrapping up The Stella Trilogy with the release of the 3rd installment. I’m excited but I’ve been keeping things pretty chill. So here’s what’s going on.

Editing

I was excited to see that my editor sent me the copy of the final edit last week. There was a lot that needed to be changed and some things I just completely took out. I am so grateful for the revision process and the extra set of eyes. I think my ARC readers are going to really enjoy the revised edition.

Ebook Formatting

I have decided this time around to pay for professional eBook formatting! I don’t want my ebooks to keep looking like: who did it and why did they do it? So, while I have the basic understanding of how to format, I think its best to let someone more experienced handle it until I can perfect the skill. I am really excited about this change and should be getting the newly formatted manuscript back this week.

Print Book Proof

I am always very excited about my print book proofs! This is the final FINAL check where I get to read the book in its print book format for one final run through. I am expecting the mailman to deliver me the copy sometime this afternoon. Of course, I’ll do a FB blast when it arrives (that one part where I stand in front of a poster and hold the book up like I just made The New York Times Best Sellers List).

Photo Collage

I am thankful for all of the people who have submitted pictures so far for my Stella Photo Collage! Or at least the first one (I’m sure more pictures will be taken in ATL). I’m going to wait until a week before launch to put it together though. I want to wait until almost the last minute for the collage because I don’t want to miss including anyone’s picture.

Atlanta Event

Primarily, I’ve been focused on the Atlanta Stella Book Signing Event taking place in ATL the end of this month. It will be a combination of my Book release for Book #3 and a book signing for all of the books in the series. I am using these two weeks to finalize my Power Point Presentation and pick up the decor for the event. Which, interestingly enough, seems to be a lot bigger than anticipated. It wasn’t exactly an event per se at first but I actually have a staff now (special thank you to the six women who have come forward to assist me on the ground!) I am also going to be in a play the day following the signing which is keeping me busy. As we get closer to the date, we are rehearsing more. I am now in practice four nights a week. Speaking of which, I need to buy more coffee.

Future Works

The funny thing is that while I have this book coming out, I’ve been focused mostly on the next project. I’m reading so many books I can barely keep up and the research itself has been mind-blowing. I would tell you more about the project itself but its somewhat on the low right now. I will say it is another short story and I think Stella’s going to get a run for her money on this one! In the meantime, I am considering a Stella Book Tour to help keep me busy as I write this next story. What do you think? Would you like for me to visit your town?

Harriet Ann Jacobs – Our Self-Published Ancestor

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By now many people are familiar with Harriet Jacobs, the African American writer who escaped slavery in 1842 after hiding in an attic above her grandmothers home for seven years. Harriet’s testimony was one of the many inspirations for the first book in my Stella Trilogy. Stella, like Harriet, was born a slave but did not know it as a young girl–not until after her mother died. But that’s not all Harriet and Stella have in common. Harriet’s biography “Incidents in the Life of a Slave Girl” was also a Self-Published book back in 1861, under the pseudonym Linda Brent.

Critique a Piece of Work – “A Raisin in the Sun”

I love experimenting with symbolism and imagery in my writing and in my poetry. Last year, I participated in a Writing 101 assignment that asked us to Critique a Piece of Work, in which I shared my thoughts on Gwendolyn Brooks “We Real Cool”. I thought that would be fun to experiment with again today.

Lorraine Hansberry’s “A Raisin in the Sun” is the classic play by Lorraine Hansberry that was performed on Broadway in 1959. The title comes from the poem “Harlem” by Langston Hughes. A Raisin in the Sun is a piece that is loaded with symbolism.

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To start, heat from the sun is very intense and it drains just as much energy as it gives. It is exhausting and causes death to those who cannot escape a temporary refuge away from its obvious danger. While some sunlight causes plants to grow, too much sun can be destructive.

Raisin

Raisins come from grapes that are dried out by the sun. The sun sucks its moisture and nutrients until it has withered dramatically. However, dried grapes writhe and get small, but they do not turn to mush and rot. (Which is totally awesome. I love raisins!)

A raisin in the sun is symbolic of a family’s dreams under the intense struggles they must endure to reach it. It symbolizes that the family’s dreams and hopes for a better life will never dry up, but more importantly, their dreams will never rot despite the intense struggles they are under.

The Plant

The plant that Mama keeps near the apartment’s sole window is barely surviving because it lacks adequate nourishment.  Yet she is completely dedicated to the plant and lovingly tends it every single day in the hopes that it will one day be able to flourish. This is by far the play’s most overt symbol because the plant acts as a metaphor for the family.

Cockroaches, Rats, etc.

These creatures heavily reinforce the Younger family’s undesirable living situation.

Sunlight

Hansberry writes about sunlight and how the old apartment has so little of it. The first thing Ruth asks about in Act Two, Scene One is whether or not the new house will have a lot of sunlight. Sunlight is a symbol for hope and life, since all human life depends on warmth and energy from the sun. Light is also symbolic for truth. It is the truth that truly sets a people free.

 

Olaudah Equiano

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At the age of forty-four Olaudah Equiano wrote and published his autobiography, The Interesting Narrative of the Life of Olaudah Equiano, Or Gustavus Vassa. Written by himself, he registered this writing at Stationer’s Hall, London, in 1789. More than two centuries later, his work was recognized not only as one of the first works written in English by a former slave, but in his narrative, Equiano recalls his childhood in Essaka (an Igbo village formerly in northeast Nigeria), where they practiced Israelite customs and traditions before both he and his sister were kidnapped and sold into slavery.

Ann Lane Petry

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1908-1997

I’ve actually ordered her book, which should be here pretty soon.

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African American writer Ann Lane Petry is said to showcase the range of the black and white experience in her novels, short stories, and other works. The Street, her most famous novel (the one I’m anticipating to show up with the mail man on my doorstep) is said to be a social commentary on the despair of black urban life in the 1940s. Published in 1946, the novel sold 1.5 million copies and brought Petry to national attention as the first black woman writer to sell a million copies of her book.