The Stella Trilogy: The Research (Book One)

Cane River Creole National Park – Oakland Plantation, Natchitoches, Louisiana, November, 2016.

Since the meat of book one focuses on what life was like for a little girl, and then a young woman, growing up in slavery, the bulk of my research had to do with reading slave narratives and studying enslavement through the eyes of women and children.

Between Slavery and Freedom centers on Stella’s enslavement on The Saddler Plantation in Louisiana. As I introduce us to the first Stella, she is a six-year-old girl enslaved with her mother, Deborah. At this age, she is not aware that she is living property, which was typical for some enslaved children in their early years. She plays with the other children, including the slave owners’ daughter, but she does not yet understand the value of her flesh, that she could be bought, sold, traded, transferred, deeded, and gifted. Stella describes the plantation as a “big family.” She loves running through the dirt and the way it feels on her toes. She talks of childish things like eating sweet cakes, playing with Miss Carla, and trying to convince Mama, she touched the sun.

“One time, I made it where I touched the sun. It wasn’t even hot either. It didn’t feel like nothing but air. I told Mama the sun was tricking us. 

“And how it do that?”

“Cause Mama. I touched it, and it ain’t burn my finger none. It feels hot, but it ain’t really.”

– Stella, Between Slavery and Freedom

Historically, enslaved children who had a “childhood” in this way realized their status gradually. Their awakened consciousness may have been signified by seeing a family member sold for the first time or being sold themselves. The research points to ten as the age where the enslaved child knew and understood that he or she was property, except in the circumstances, as I have mentioned. As soon as they were old enough, the enslaved child’s life changed, and they realized that their lives as enslaved differed greatly from the lives of the white children they once played with as small children.

Slave-owners raised southern white youth as enslavers in training. Sometimes slave-owners gifted their children an enslaved person as a pet (sometimes it was the same child they played with). Literature also played a role in the training of southern youth to not only accept slavery as a regular part of society but to prepare them to own slaves of their own. Examples of such books is The Child’s Book on Slavery; or Slavery Made Plain. In a chapter called The Duty of Learning about Slavery, it states:

“if slavery is good, we ought to help it forward…”

In a chapter called Does Color Make Slavery, it states:

“Moses and all his people, I have said, were slaves in Egypt, but they were not colored people.” 

This explanation was to try to explain to the children that slavery wasn’t based on skin color, and it is a lie. Egypt is in Africa. Moses and his people were “people of color.”

In a chapter called What is a Slave, the author compares the enslaved to a horse, saying:

“Perhaps your father has a horse. That is his property. He has a right to make the horse work, only he should treat him kindly and give him good food. If the horse is his, nobody has a right to tell him he must not use the horse so. And then, if he thinks it best, he has a right to sell the horse to somebody else. Nobody has a right to forbid him. He need not go and ask even the horse, if he may have him plow the garden, or draw the wagon, for the horse would not understand him, and could not speak to him, and will never grow so old or so wise, that he can understand our words, and talk himself.”

Source: https://archive.org/details/ASPC0001969600/page/n5/mode/2up

Speaking of literature, another part of writing book one was reading many slave narratives, including Frederick Douglass An American Slave, and Up from Slavery. Other books included When I Was a Slave: Memoirs from the Slave Narrative CollectionBullwhip Days: The Slaves Remember, and Remembering Slavery: African Americans Talk About Their Personal Experiences of Slavery and Emancipation.

Cane River Creole National Historical Park

Cane River Creole National Park – Oakland Plantation, Natchitoches, Louisiana, November, 2016.

“Some people have to take the cotton and pick out the seeds, and others have to spin and weave. They don’t do nothing but spins and weaves. Some people even had to turn the weaves into threads.”

– Stella, Between Slavery and Freedom

More profound than this is my visit to a former slave plantation at The Cane River Creole National Historical Park in Natchitoches, Louisiana.

You might ask yourself why anyone would want to visit such a place. I was writing about people living on a slave plantation and what better way to get inside their heads than to visit one.

Originally called Bermuda, the founder of Oakland was Jean Pierre Emmanuel Prud’ Homme, who began farming the land in 1785 and received a Spanish land grant in 1789. The land’s first cash crops were tobacco, indigo, and cotton. The Prud’ Hommes were the first family west of the Mississippi River to farm cotton on a large scale.

Cane River Creole National Park – Oakland Plantation, Natchitoches, Louisiana, November, 2016. Slave Quarter turned home of Sharecroppers

“Down in the quarters, every family had a one- or two-room log cabin. Mostly one room though. We had mattresses filled with corn shucks. Sometimes the men build chairs at night. We didn’t know much about having anything, though. There were a lot of cabins for the slaves, but they weren’t fitting for nobody to live in. We just had to put up with them.”

– Stella, Between Slavery and Freedom

After the Civil War, sharecropper and tenant farmers continued to live on the land until the 1970s, and slave quarters became homes to sharecroppers later. The people worked twelve hours a day, six days a week. Seeing this with my own eyes put it into perspective how the south had reconstructed slavery by returning land to former slave owners and putting former slaves back into the fields under another name. Slave codes designed to control the enslaved became black codes intended to control freedmen, and cotton pickers became sharecroppers.

Martha Ann, an enslaved Laundress, worked in this wash house in the 1850s. In the 1940s, her descendant, Martha Helaire, earned $4 an hour working here as a Laundress. All we have to do is walk a few steps to the washer and dryer.

I blogged about this visit years ago. Get the full picture and see more pics by revisiting that post here.

Living on 40 Acres of Land

Finally, part of my preparation for book one also included where I was living at the time I started writing these books.

At the time I released the first book in this trilogy, my husband and I lived in an old house owned by our elderly cousin on 40-acres of land. Over the years, we planted a garden on the property, built a chicken coop and raised chickens, owned several dogs, goats, and even a horse. My grandmother-in-law also recounted stories of when she and some cousins picked cotton on this land.

The elderly cousin and her father built the house we rented many years ago. It was an old house and an old land. It was easy for my overactive imagination to envision what it would be like if we were not renting this house from our cousin; if we were not free to live life on our own terms; if this was not the 2000s, but the 1800s, and if we were not free but enslaved. I walked the property, breathed the air, and looked up at the trees. I had dreams of black people hanging from those trees and visions of people trying to escape.

We lived on that land for five years, eventually moving away in 2015, and I had a completed manuscript.


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(If you read Stella the first time around I would most appreciate you marking it as read on Goodreads!)

Stella: Between Slavery and Freedom (Preorder Book One)

Stella is a work of Historical Fiction and is distinctive in its focus on one woman’s road to self-discovery, against the backdrop of the African American fight for justice, racial equality, and freedom. The 3-Part series focuses on the history of one family in their struggle for racial identity. We discover in this Trilogy how three individuals living in separate periods strive to overcome the same battle, carefully knit together by one blood.

Preorder Book One Now. 3/24/2020

These books were first released in 2015 and helped elevate my writing to another level. These were not the first books I had ever written. Still, they were the first books to appeal to people outside of my circle and were my first Historical Fiction books.

I took the risk of removing them to get them re-edited, re-formatted, and the covers recreated.

I am happy with my decision and even prouder of this work. I get to relaunch these books and reach more readers of African American Historical Fiction. I am hoping to at least sell 50 copies of book one to start (at least 25 ebooks, 25, print books), and I hope you can help me with that!

Stella: Between Slavery and Freedom

In book one, Cynthia McNair and her boyfriend, Alex, express some racists’ feelings toward blacks. They visit Cynthia’s Grandmother Sidney McNair, who recounts the story of her ancestor, a slave named Stella Mae. Cynthia has no idea of her African ancestry or how deep this rabbit hole goes.

Book one is available now for preorder in digital and print. Release day is March 24th.

The preorder price is 99cents but will go up after release, so you want to take advantage of this.

Preorders are also available in paperback through my website. Paperback books are signed and will ship the first week of April.

*If you already read this series, you should know book one has an alternate ending! The story is the same, but the books are better polished, and each book flows smoothly into the next book. This time, while the books can be read alone, they are much more in a series format. You will want to read all three books to get the full picture. Well worth re-reading! 

Preorder the ebook for 99cents

Preorder a signed paperback

Mark as Want to Read on Goodreads

(Already read Stella? Mark as read and leave a review)

LitMag 2020

Good Evening Poets!

I hope you are all doing well amidst this Coronavirus mess and that you are safe. I had an emergency to take care of this morning that did not allow me to access my computer and my phone died, but for those of you wondering, yes! LitMag 2020 still releases today!

LitMag is the Literary Magazine for poets I established to feature, promote, and highlight the winners and contributors of “Yecheilyah’s Annual Poetry Contests.” It grew out of a desire to give the poets another platform to use to showcase their work outside of this blog and social media. The mag is still in its early stages of development but who knows what it can become.

LitMag 2020 is Volume 2, it is out in digital and print and available on the site (link below). This year we are featuring winners and contributors from our 2019 contest. Inside: Poems from Chanelle Barnes (she’s on the cover!) BuddahDesmond, Dondi Springer, Kiyana Blount, Jahkazia Richardson, Zerahyah Ysrayl, Karen Abah SoFloetic Jones, Ivy Mae Tolentino, and Michelle Stevens. Special thanks to Lisa W. Tetting and Tehilayah Ysrayl for their assistance with last year’s contest.

>>Get It Here<<

>>Get It Here<<

Revising The Stella Trilogy: Cast of Characters

I am always thinking about why Stella is so set-apart. Why are these books so effortless for me? The first time I released the series, things went smoothly, and the same is happening now. I can sit down, open Stella, and flow (or as I told a room of students, I sit down and bleed, to quote Hemingway).

A good fiction book, to me, has great character development. The characters are realistic in dialogue, how they talk to each other, what their lives are like, the decisions they make, and so on. When I am writing novels, I typically write Historical Fiction, so setting and dialogue are paramount. The setting is a significant element because the environment affects the plot and the characters. A story set in the 1800s must have language authentic to that time, and the characters must speak and interact like they are in the 1800s, not 2020.

My books tend to include a wide selection of people, some minor characters, some major characters. This is risky, but I’ve been told it’s one of my strengths. Somehow, I am capable of keeping up with everyone and letting them interact authentically.

Family Tree

I’ve never fleshed out a family tree with any other series as I have with Stella, and I think it has helped with the writing. It doesn’t mean everyone in the tree are part of the central cast of characters or that I should include every detail, but it does make it easier for me when I am writing to remember who belongs to who. Stella is a short series (each book only about 100-115 pages). As Nathaniel, Hawthorne says, “Easy reading is damn hard writing.” Some may think a short book is quick and easy to write, but this is not so. It’s an easy read but requires just as much work as a full-length novel.

Let’s meet the family!

Paul Saddler and Deborah – Saddler is the owner of slaves on The Paul Saddler Plantation, including a young woman named Deborah. In 1845, Paul and Deborah had a little girl named Stella.

Stella and Solomon – Stella later gives birth to a little boy named Solomon. He is very light-skinned with jet black hair and green eyes like his father, John. Stella met John through her sister Clara, but you’d have to read book one to learn more about this awkward relationship.

Solomon – Solomon marries a white woman, and together, they have four girls: Deborah (named after Stella’s mother), Rebecca, Judith, and Sara.

Judith – It is in book two, we see that Sidney’s mother is Judith. Judith dates a black man and gives birth to a little girl she names Stella, in honor of her grandmother. But this Stella changes her name later in life (you have to read the book to find out why) to Sidney. Sidney marries a white man named Clarence McNair. Sidney and Clarence have four children: Edward, Karen, Joseph, and Glenda.

Edward – Edward marries a white woman named Vanessa, and together they have three children, Cynthia, Ryan, and Solomon. Ryan and Solomon aren’t major characters, but Cynthia is.

Karen – Karen dates a Black Panther in the 60s named Noah, and together they have a son, Noah Jr.

Joseph – Joseph marries a black woman, Fae, and together they have a boy and girl, Tanya and Micheal. It is in book three we learn what happened to Joseph after he left his mother’s house after the fight with Edward in book two, how he met Fae, and how he got mixed up in The Freedom Rides and Civil Rights Movement. His children are minor characters but add to the family tree and help to establish the depth of Jo and Fae’s relationship.

Glenda – Glenda is a single mom raising triplets, all boys.

In book one, we meet everyone here, including additional characters like Paul’s wife Elizabeth and their daughter Clara, Stella # 1’s friend Lola, Aunt Cecily, and others on the plantation.

What does writing out a family lineage as this do? 

It helps me to create vivid characters. Everyone didn’t come to me at once. I started with the first Stella and her mother, Deborah. The first time we go back to Stella’s time in book one, that first chapter is what started the series, with Stella and her mom at the store and Stella trying to tell mom she has to use the bathroom. I then went back to write what became the first chapter, with Cynthia and Alex later.

Even though the book is called The Stella Trilogy, I wanted to focus in on Cynthia in book one to explore how not passing down history can affect our children. In book two, Cynthia is two years old, and the year is 1979. In book one, we opened in 1996, and Cynthia is a young woman. The decision her dad made in ’79 causes her to grow up and not know who she is. We recount Stella’s story in book one because it is the glue that ties everything together. We then go backwards with books two and three to see just how things unfolded.

Why does Cynthia express racists thoughts toward blacks even though she has black blood? Why did Edward leave his daughter in the dark about the true nature of her race? What happened in 1979? What is Mama Sidney’s big secret? How did the history of this family get so lost? Will Stella’s legacy bring her family back together again?

One inspiration for this family tree was Roots. I love the “six degrees of separation” this groundbreaking series has to it. To learn more about the motivation of Alex Haley’s Roots, click here.


Coming March 24, 2020

About Book One:

Cynthia McNair and her boyfriend, Alex, express some racist feelings toward blacks. The visit Cynthia’s grandmother Sidney McNair, who recounts the story of her ancestor, an enslaved woman named Stella Mae. Cynthia has no idea of her African ancestry or how deep this rabbit hole goes. Will she accept the truth about herself?

Black History Fun Fact Friday – Beyond Selma: The Civil Rights Movement in Jacksonville, Florida by KE Garland

When you think of the civil rights movement, what cities come to mind? Mobile? Birmingham? Atlanta? some place, Mississippi? How about Jacksonville, Florida? Probably not, but this southern city and its leaders were just as influential as Selma.

I found this out four years ago, when I posted this photo to my blog.

A fellow blogger noticed the background and sent it to her friend, Rodney L. Hurst Sr. Mr. Hurst contacted me about purchasing a copy and explained the meaning of the sign behind the gentlemen’s heads.

That sign is actually a historic site marker commemorating an important civil rights event in Jacksonville called, Ax Handle Saturday.

I was excited to hear about this little-known Black history fact and asked Mr. Hurst to a breakfast interview to understand more.

KG: Can you describe a little bit about what Ax Handle Saturday was and what happened? 

RH: I was president of the Youth Council NAACP and I led the sit-ins at the ripe old age of sixteen. My mentor was a guy named Rutledge Pearson.

KG: A school is named after him?

RH: Yes. One school is named after him. In fact, he and Earl Johnson were inducted into the Civil Rights Hall of Fame earlier this month (2016) in Tallahassee. He taught me eighth-grade American history. When I went to his class, he told me about the textbook and had other class members to talk about the textbook and then he said leave it home.

Mr. Pearson would not teach American history from the slanted and racist viewpoint of white textbook authors and historians. Our study of American history did not revolve around a book that only had the names of Booker T. Washington and George Washington Carver. We studied John Hope Franklin, Althea Gibson, and Thurgood Marshall.

The first book report I did was on a guy named Toussaint Louverture, who fast became one of my favorites. He led the only successful slave revolt in this hemisphere, eventually became the Father of Haiti, and because of what he was able to do in Central America in fighting Napoleon, and controlling the shipping routes, Napoleon had to sell Louisiana territory to this country. You will never read his name in an American history book and he is inextricably bound to the history of this country.

In Mr. Pearson’s history class, it was Black history every day in his class. He also said, freedom is not free; if you’re not part of the solution, you are a part of the problem. He encouraged us to join the Youth Council of NAACP. American history teacher in an eighth-grade class encouraging his students to join the Youth Council NAACP?

KG: You would get fired today doing that. 

RH: Sure. And I joined when I was age 11, became president when I was 15, and led the sit-ins when I was 16. The sit-ins in Jacksonville were led by high-school students, which is one of the reasons we did it during the summer, as opposed to college students who were able to do it year-round.

We sat in Woolworth’s, where the federal courthouse is now. We sat in at the lunch counters: Kress, Woolworths, Grants, and McCory’s, which were downtown stores. And every downtown department store had a white lunch counter. Some had colored lunch counters, like Woolworths, which was at the back of the store. Others didn’t have colored lunch counters, but you would go to the end of the white lunch counter to order.

KG: But you couldn’t sit down?

RH: You couldn’t sit down. If the waitresses would come and take your order, then okay. So, we said, “No!” During my senior year we sat in. We sat in for two weeks. Woolworths closed the lunch counter. There were whites who stood behind us yelling, jungle bunny, nigger, go back to Africa ‘cause they couldn’t get their fresh lunches.

Two weeks later on August 27th, we were sitting in at Grants, which was on the corner of Adams and Main Street. And there were other incidents leading up to that. We had a white student, Parker, who joined us from Florida State (University) and the whites who were behind us thought he was the leader. Some white construction workers were standing behind him with big construction tools and these guys picked him up and formed a circle around him and walked him out to safety. All this time there were no police in downtown Jacksonville.

One guy had whittled off the end of his walking cane and would walk behind each of us and stuck all of us in the back with his walking cane. Again, no police. When we were attacked, we were attacked by 200 white men with ax handles and baseball bats. Black downtown was attacked. If you were white and tried to protect those Blacks downtown, you were attacked, too. When the word finally got out, then police came from everywhere.

Mr. Hurst described what happened to Parker, the white FSU student who supported the sit-ins and also Leander Shaw, Florida Supreme Court judge’s role in enacting justice. The details are outlined in his historical memoir It Was Never about a Hot Dog and a Coke! 

But I want to stop here and emphasize a few points about meeting and talking with Mr. Hurst.

Understanding Black history in your city is important. I’m not from Jacksonville, but I’ve lived here for approximately 20 years. Prior to our happenstance meeting, I’d never heard of Rodney L. Hurst Sr. Subsequently, before our conversation, I was ignorant to the role Jacksonville played in the Movement. I’d heard of Rutledge Pearson Elementary School, but I didn’t know the significance of the person for whom it was named. I wonder if the 95% Black student population knows the rich history to which they’re connected?

Living history is important. Ax Handle Saturday occurred August 27, 1960. That’s 60 years ago. Mr. Hurst is old enough to be my father, not my grandfather or great-grandfather, my father. Sometimes, grainy documentaries make racial oppression seem as if it was eons ago. My conversation with Mr. Hurst reminded me that it was not. Luckily for the K-12 and college students he speaks to, he’s able to authenticate a perspective of a time period that is linked to our country’s history.

Teacher autonomy is important. As a former high-school English teacher, I have to highlight the autonomy teachers had in the 60s. Mr. Hurst’s history teacher was able to make an informed decision about his students and what resources they needed in order to be successful, in not only understanding history in America, but also in transforming their communities. Mr. Hurst was directly influenced by Rutledge’s off-script lessons and push to join an organization specifically with their best interests at heart. Hurst possibly would have never been a part of Ax Handle Saturday had Rutledge stuck to a scripted curriculum.

The takeaways from our interview are endless. But if nothing else, I hope these words inspire you to learn more about the influential Black people in your area because, after all, Black history is American history.


Dr. KE Garland
Katherin is a First Place Royal Palms Literary Award winning writer for Creative Nonfiction. Her work has been featured in the South Florida TimesTalking Soup and For Harriet. She typically writes in order to inspire social change. Other examples of her work can be found on her personal blog.
 
Website: kegarland.com
Instagram: kegarland
Twitter: @kegarland

Why I Write Black Historical Fiction

Historical Fiction (specifically Black Historical Fiction) is my favorite genre to read and to write. I have to specify “Black” because I am not a fan of all Historical Fiction. My interest lies specifically in fiction stories that explore black history in some way.

Historical Fiction is the past recreated around the stories of people who seem real to us, including actual historical figures at times.

As we witness how fictional characters we care about interact with our ancestors and navigate a world now gone from us, it allows us to experience the past vicariously. Through the stories of the characters we can “visit” history and get a feel for what it was like to live in that time. But why is this important? I think a quote from the Toni Morrison Documentary “The Pieces of Me” (Hulu) sums it up:

“You imagine the past because the past has been ruptured. The record of the past of your people has been degraded. It’s been burned up, it’s been taken away.”

Tbt. The Historic Lorraine Motel, Memphis, TN

Not only has the black past been degraded but also entirely and tragically whitewashed. Dr. Martin Luther King Jr. is a good example of someone whose humanness has been reduced to the one “Negro” who bridged the gap between blacks and whites. A Civil Rights hero who succeeded in making blacks docile enough to accept that merging with white people was the best version of themselves possible. That, if we integrated, we were better people than if we had our own communities and businesses, and could determine the direction of our own destinies. Not that segregation was wrong, but that integration was better. That blacks were better when mixed with something else; that we could not be the midwives of our own selves. 

Although King was known as a civil rights leader and Malcolm X as a “black radical” both men were advocates of oppressed people. King told black people their blackness was beautiful, believed in economic freedom and establishing black businesses, preached on black power, and even owned a gun. King was just as “radical” as he was patient…but this isn’t the version of King we are given.

White America adopted Dr. King and used him as the black friend that is used by some to say, “Hey, I can’t possibly be racist because I have a black friend.” King is that friend. Sadly, we have someone whose name is widely known, but who, as a person, is not very well understood.

Forget about the Civil Rights icon, who was Dr. King as a man? Who was Malcolm X as a man? What could we imagine their persona’s to be like? Those of us born after they lived do not know but we can imagine.

What I do as a writer is to take the part of history not taught in schools, and use it as a tool to invent people who could have lived in a world that did exist. To then take these people and let them show us the truth about that time and place. To give these people real feelings and a voice that is authentic to what they could have said or what they could have done. I love to go back to a time before I was born and, through research and creativity, imagine what it would have been like to live in that era.


Stella Returns!

Book One Re-releases on March 24, 2020

About Book One:

Cynthia McNair and her boyfriend, Alex, express some racist feelings toward blacks. The visit Cynthia’s grandmother Sidney McNair, who recounts the story of her ancestor, an enslaved woman named Stella Mae. Cynthia has no idea of her African ancestry or how deep this rabbit hole goes. Will she accept the truth about herself?


There are only TWO days left of the $200 Amazon Giveaway! You can enter as many times as you like! Go, go, go! Link below:

$200 Reader Giveaway

Win $200 in Amazon Cash: From The 2019 Kindle Book Award Winners

Attention Readers!!!

I am so excited to collaborate with the winners of the 2019 Kindle Book Awards to award one of you a $200 cash prize, sponsored by Amazon. Please read on for instructions on how to enter. We can all use an extra $200!

For a chance to win a $200 Amazon eGift Card from The 2019 Kindle Book Award Winners, click the link and enter (every day if you want). It’s easy & fun. If you love #reading, you’re going to LOVE these BOOKS. Enter now; giveaway ends Feb. 29, 2020. Click here for details ~>  http://ow.ly/VlqT50ylWG6

WHAT: $200 Reader Giveaway
WHEN: Feb.15-29, 2020

Again, here’s the link!!

https://www.thekindlebookreview.net/200-reader-giveaway/

The fun kicks off on

February 15, 2020 

(The link won’t work until 2/15. I am posting it now because I won’t be available to post it then.)