This song has been on my heart this week soo…jam on 🎶🎵
fyi: If you are reading this blog on your Kindle or any ereader device, it is not yet set up to view videos so you will probably just see text here.
Additionally, some countries outside the U.S. may also prohibit viewing of YouTube videos but you can always search it on your end when that happens by looking up the name of the artist and the song.
For some reason I can’t reblog from my mobile anymore.
However, that’s not why you’re here…
Do be sure to check out my latest article on The Story Reading Ape Blog at the link below. We are covering some basic history on The Harlem Renaissance movement, to include what no one talks about.
Click through to the original post at the link below.
Don’t forget to pick up your copy of Renaissance and if you’ve read it, and you’re so obliged to do so, I’d be honored if you could leave an honest review!
Heeey. This was the jam.
(OK, Ole School. I’m sorry. I’ve been stingy. I got ya’ll next week. What yall wanna hear? The Temps? I got yall lol)
Did you know there was a woman writer during the Harlem Renaissance named Nora? Yup.
One of the things I wanted to do with The Nora White Story project is to make everything make as much sense as possible. I know how important it is that everything fits the era to include names. Thus, I used names that were familiar with the time. Some of the names, like Nora, jumped out at me from the start. However, some of them were not so easy. To make sure everyone’s name (even minor characters) fit the time, I Googled the census data for popular names of the 1920s and scrolled through male and female names. So, who was Nora Holt?
Nora was a singer, composer and music critic. Born Lena Douglas in Kansas City, Kansas; Nora graduated from Western University of Quindaro, Kansas and later earned a Bachelor’s degree in music in 1917. In 1918, she earned her Master’s Degree in music at Chicago Musical College, becoming one of the first African-American women to complete a Master’s program in the United States. Her thesis composition was an orchestral work called Rhapsody on Negro Themes.
Nora was married quite a few times. On the fourth time, she changed her name from Lena to Nora when she married George Holt in 1916.
From 1917-1921 Nora contributed music criticism pieces to the Chicago Defender, a black daily newspaper. In 1919, she co-founded the National Association of Negro Musicians and then spent 12 years abroad in Europe and Asia singing at night clubs and private parties. Although composing over 200 works of orchestral music, one of the reasons Nora Holt is not well known is because her work was stolen. Upon leaving for Europe in 1926, she placed her manuscripts in storage when she returned they were gone. Only one piece survived because it was published prior to the theft and is called Negro Dance, (ragtime-based piano piece).
Holt moved to Harlem in the early 1920s, where she became an important part of the Harlem Renaissance. She became good friends with novelist and critic Carl Van Vechten.
(You can meet some of these historical figures when they make special guest appearances in my new novel, Renaissance: The Nora White Story which releases tomorrow. Today (7/14) is the last day to get it at the reduced price of $1.99)
Nora was also a teacher. She studied music at the University of Southern California in the 1930s and went on to teach music in Los Angeles for several years. Nora was well rounded. Not only was she a writer and musician but she also ran a beauty shop. Apparently Nora knew how important it was to stay fly :-).
In 1943, Holt took a position as an editor and music critic with a black-oriented publication Amsterdam News and went on to live a full life. During the early 1950s and early 1960s, she hosted a radio concert series called “Nora Holt’s Concert Showcase”. It ran to 1964 and in 1966, she was a member of the First World Festival of Negro Arts in Dakar, Senegal.
Nora Holt died January 25, 1974, in Los Angeles.