When it comes to the arts, poetry is my first love, and this contest is my way of giving back to the poetry community to shed light on the power of the spoken and written word and the artists who love it.
It is not just a contest but a movement to discover and elevate those who have always desired to pursue their artistic ambitions in poetry but have been either discouraged from doing so or have allowed fear to hold them back.
If you’ve been looking for a sign to get back to your creative writing endeavors, this is it!
Write a poem on this year’s theme: GRACE. You may include an audio or video with your document!
SUBSCRIBE to the Email List if you are not already.
Email your poem to yecheilyah@yecheilyahysrayl.com on or BEFORE the deadline of November 30, 2023.
Winners announced on Thursday, December 28th.
Theme: GRACE
Submissions Accepted:
Monday, October 23, 2023 – Thursday, November 30, 2023
Winners Announced on December, 28, 2023.
Click THIS link to subscribe to the list and then email your poem by the deadline!
Note. Each year, an email subscription is necessary to enter the contest. To avoid a yearly subscription, click the “Poetry Contest Updates Only” box on the form. This will subscribe you to the contest list exclusively, and you will only receive contest updates, rather than having to resubscribe year after year.
If you are already subscribed to the list you may go ahead and submit your poem.
As an author, I cannot help but to look at the book marketing side of celebrity book launches of this magnitude. And, because it’s such a controversial launch, I want to give a disclaimer.
Disclaimer: This post is not about dissecting the morality of Will and Jada Pinkett Smith, condoning how she has gone about her launch, or suggesting authors expose their personal lives. Rather, we can use a viral book launch as an example of how we can strategize when rolling out our launches.
In today’s post, we look at a few lessons we can learn from Jada’s book launch that you don’t have to be a millionaire author to implement.
Timing
The timing of Jada’s bombshell about her and Will’s separation contributed to even more interest in the book than she already had. As the Smiths likely anticipated, the public ate it up and left no crumbs.
Indie authors might discover that releasing content (of their own discretion, not necessarily so personal) at specific times can enhance reception and reach. Authors should plan their book releases, publication dates, and marketing efforts carefully and strategically.
Establishing a Platform & Leveraging Existing Platforms
It might seem that Jada’s recent revelations are new, but between her Red Table Talk show (where she discussed personal matters openly) and her Instagram lives, Jada has long established herself as someone who has raw and open conversations as part of her personal brand.
Indie authors can learn from this by sharing content on their social media platforms that give insight not only into their books but also about them as a person. Again, at their own discretion.
Kerry Washington is an example of someone who is in the public eye, but who lives a private life. She does not show her children on social media and we also hardly ever see her husband.
Jada also used other platforms to her advantage, spilling the tea on other people’s talk and radio shows. Indie authors have the same option. Consider guest blogging or cross-promoting with other authors.
Sneak Peeks That Pique Interest
Tupac Shakur has evoked strong emotions in fans since his death in September of 1996. Jada Pinkett Smith is well aware of this, and she is well aware that any comments she makes about him or her relationship with Will are bound to go viral. Jada fed us the information she wanted us to know and controlled the narrative through a traditional media interview.
Indie authors can learn from this by strategically choosing which parts of the book to discuss publicly before release. While some authors worry about giving their books away, the right information can do more to help rather than hinder a book’s success.
While the cover is essential, its the content inside of the book that keeps us reading. The cover pulls us in, but the story makes us stay.
Whether you’ve already published your book or are writing one, educating us about your topic and even revealing minor tidbits about what’s INSIDE the book can help garner more interest.
Are there any bookish lessons you’ve observed from celebrity authors? Let’s discuss in the comments!
First-time self-publishers often worry about copyright or that someone will steal their idea. This is typically the first sign of a novice self-publisher.
However, new and established authors might worry about someone stealing their books now that AI is here.
First, you should know that you own the copyright to your book at the moment of creation.
This is why it’s irrelevant for vanity presses to tell you that you keep 100% of your rights as a perk to working with them. You already have it.
But, if you want to take it a step further, you can obtain an official copyright through the US copyright office (copyright.gov) and receive a Library of Congress number, which allows librarians to catalog your book at LOC.gov.
Note: If you plan to request US Library of Congress (LOC) cataloging, be sure to assign the ISBN well in advance of publication to allow for LOC processing time.
Photo by lil artsy
Keep in mind that the ISBN has nothing to do with the copyright or the ownership of the work. It is also not connected to the Library of Congress cataloging. The ISBN is simply a number identifying the book and who published it.
It is important for self-publishers because we want to be listed as the publisher of record. That is why we self-published: to be in total creative control of the process and our own publishers.
Seeing the name of who published the book might not be a big deal to readers or authors who intend to stick to selling their books online, but for authors who wish to get the attention of booksellers or to sell their books in bulk to larger corporations, it is a bigger deal. Booksellers find it too inconvenient if the book is not returnable through Ingram (the book distributor, not IngramSpark the self-publishing arm). Although KDP’s extended distribution actually goes through Ingram, one of the main reasons why retailers don’t want to stock titles published by Amazon is that they are not returnable.
And Amazon is their biggest competitor.
Frankly, bookstores can care less about Amazon or that you are an Amazon bestseller.
Free ISBNs could also restrict your distribution options.
Distribution
Copyright is not to be confused with distribution rights.
Like traditional publishing, self-publishers want their books available through multiple channels. They want to control the distribution of their book.
In its simplest form, distribution rights is the right to make your book available to the customer.
When you are signed with a publisher, you must go through them to get copies of your book.
When you are your own publisher, you can order as many author copies of the book as you want and decide where your book shows up.
For print books, for example, it means going from your printer to a retailer or directly to your reader.
In the case of ebooks, this can entail sticking to Amazon exclusively or using an aggregator like Draft2Digital to make your work available at a variety of stores, including Barnes and Noble, Apple iBooks, and Books-A-Million.
For distribution to bookstores,* small publishers and self-publishers do not typically have the manpower to use a full-service distributor like traditional publishers who can warehouse and distribute large book print runs. Thus, we usually opt for a wholesale distributor such as Ingram because it is best suited to print-on-demand (POD) printing.
*Having your book on Ingram Spark does not necessarily mean bookstores will order copies of your self-published book from Ingram.
The best practice is to self-publish through Amazon’s KDP for Amazon and then publish separately through Ingram and other platforms.
In other words, you don’t have to be concerned about someone stealing your book concept. Every book has already been written. Your perspective is the key ingredient. The way you write it is what makes it unique. Nobody else can write like you. Additionally, your book was already protected by copyright when it was written. For more security or peace of mind, you can also purchase a copyright through copyright.gov.
Draft2Digital is a gem. D2D is an aggregator that distributes your books to major retailers online, from Barnes and Noble to Apple iBooks to Baker & Taylor. They have merged with Smashwords and now also offer a paperback option. The upload procedure is simple and efficient. Your only issue is if your book still needs to be formatted. You should finish, edit, and format your text before uploading it.
I have only used their ebook service so I cannot comment on the quality of the paperback, but it is an option for self-publishers who don’t want to use Amazon. Also, the speed of making your book available everywhere online is top-tier.
Ingram is another option, although the upload process is slightly more complicated. However, it is set up that way because Ingram is a distributor designed to get your book into bookstores.
During the process, you’d want to think about things like your wholesale price (usually 40%), and you will need an ISBN. While Ingram does offer a free one, I highly recommend Indie authors own their ISBN.
Buying them in bulk (assuming you will self-publish more than one book) from Bowker can save a ton of money. I haven’t had to buy one in three years. I am using Ingram for the hardcover version of my book (which requires a different ISBN than the paperback), and I was able to use one of the numbers I still have left.
Note: Do not give away your ISBNs unless you are a publisher. Your number is like your book’s social security number and is attached to your name or the company you registered under. Thus, you will be the publisher of the record.
Photo by Pixabay
An exciting thing about Ingram Spark is its choice of paper. As experienced self-publishers know, you can choose your paper, usually white or creme, during uploading on Amazon. However, with Ingram, you have another choice. You can select Groundwood, an eggshell paper typically used in traditionally published mass-markets.
Note: I recommend using Amazon separately.
Upload your files for ebook using Kindle Direct Publishing like you normally would to put your book on Amazon. Then, use the other programs for the other retailers. If you do this, do not check the expanded distribution box on Amazon.
Example: If using D2D or Ingram and your ebook is already published on Amazon, you do not need to check the Amazon box during set-up.
For independent authors who want to self-publish but don’t have the time to look for editors and cover artists, Bookbaby is a possibility. By offering you publication packages for cover design, ebook conversion, ISBN, and even marketing, Bookbaby serves as a self-publisher assistant or vanity publisher.
Any publishing that demands payment is regarded as vanity publishing despite being verified and far more professional. Pay attention to the features supplied with each tier when using Bookbaby because it is also rather pricey and not all packages include editing. Remember that even if they include books with each bundle, ordering your own books through Amazon’s KDP or Ingram will save you a lot more money.
I’ve seen from other authors that their print quality is pretty good. So, though I have not used them, and have my concerns about their prices, they are an option.
Lulu is a possibility. However, it’s not my first pick. Early on, I utilized them for The Stella Trilogy and my volumes of poetry. Your book can be distributed via Lulu to several online retailers. The pricing of the books is substantial, and I don’t like their customer support method. The paperbacks’ quality is great and solid, though. Additionally, their upload procedure is quite simple. Again, they are an option, albeit I wouldn’t make them my first pick.
Now 48 Hour Books is what I like to call a hidden gem. They are an organization that prints bookstore-quality books. They work as a book printer and offer book templates, editing resources, self-publishing, and more. Imagine if Amazon’s KDP went down; 48hr books would be a great resource for printing your books. They also sell ISBNs and Barcodes, though I only recommend buying ISBNs from Bowker.
I have not used them, but I want to in the future to investigate their quality. From what I see, the paperbacks are top-notch.
Remember that you are not limited to the mainstream or most popular option when you embark on your self-publishing path. You may always assess what best aligns with your vision and objectives. You are not constrained to a single viewpoint either. Whether you hire a publisher or outsource, you are free to publish your book however you see fit.
Title: Black History Facts You Didn’t Learn in School |Author: Yecheilyah Ysrayl | Publisher: Literary Korner Publishing | Release Date: February 24, 2024 |Cover Art by David Colon | Edited by Writing Endeavors®
It’s been a long time coming!
What started as a profound series on this blog has been transformed into a full-length history book you can carry with you!
Inspired by the Black History Fun Fact Friday series, I am incredibly honored to finally introduce the book version, Black History Facts You Didn’t Learn in School.
My greatest hope is that after reading this book, you are equipped with enough information to spark conversation and, if necessary, participate in your own activism for the continual education and restoration of Black historical truth.
Its author, Andy Weir, said he didn’t think the book had mainstream appeal and was surprised anyone was interested.
It began as a series on Weir’s website, and when readers complained it was hard to read the stories sitting at their computer, Weir listened to his audience and put it out as an ebook and then on Amazon’s Kindle.
It then got picked up by a small Canadian audiobook company.
Then Random House was interested, and before he knew it, Weir had a movie based on a book he started writing on his website that he went on to Self-Publish.
The Martian would later be nominated for several Oscars.
Photo by RF.
Self-publishing doesn’t just benefit authors who wish to go Independent, but it could also help authors who want to attract the attention of publishing houses.
Everyone’s publishing journey is different, and there is no telling where yours might take you.
Going the traditional route doesn’t make you a sellout, and self-publishing doesn’t mean your book is trash.
If you take the time to craft a well-written, high-quality book that people just can’t stop talking about, the sky is not even the limit of where it could take you.
For a more personal example, I didn’t intend to give the platform much attention when TikTok launched. I thought it was for kids, I don’t dance, and I didn’t think I had time to learn another app.
But I took a chance and have grown my account to over 18K followers (updated: We are now at 23.6K!) went viral at 1.3million views, started a TiKTok shop, and have over 20 new email sign-ups that came directly from TikTok.
I am not telling you to start a TikTok account. I am telling you not to limit yourself.
In the words of Maya Angelou: “Pursue the things you love doing and then do them so well that people can’t take their eyes off of you.”
When the Power series was first hot, my cousin said to me: “You should write books like on Power! The way we grew up, I know you can put some stuff together.”
That bothered me for two reasons:
I am not that kind of writer. Yes, I grew up around drug dealers and addicts, but I don’t write those kinds of books. (TWWBE was the closest book I’ve written with those themes.)
I interpreted it to mean the kinds of books I write already aren’t good enough for my Black audiences. In my mind she may as well have said: “We Black people wanna read books like the Power TV series.”
Self-Publishing is a lot of work, and not feeling supported by our family and friends can be crushing.
However, consider these facts, with a focus on point two:
Family and long-time friends don’t know the author you. They are only focused on who you’ve been to them growing up and will probably only jump on the bandwagon if you make the New York Times Best Seller and are introduced by Oprah.
More seriously, family, relatives, and long-time friends who don’t read the kind of books you write are not your targeted audience anyway.
Meaning you didn’t write this urban romance novel for your auntie.
You wrote it for the 34-to-44-year-old single Black woman who spends her time sharing relationship memes on Facebook, analyzing the breakups of celebrities in the Shaderoom, and devouring novels by Ashley Antoinette Coleman.
This is called appealing to your target audience, or the specific group of people within your market that your marketing is trying to reach.
Put simply: the strangers most interested in the kind of book you write who will likely go from strangers to book besties.
This is why worrying about why your relatives aren’t supporting your writing career is a waste of time.
Because you didn’t write the book for them in the first place.
Not unless they are part of your intended group.
So if auntie is within that wheelhouse, she will be a fan of your books.
But if she is more interested in the Power TV series, she should probably find an author who writes books like that.
The PBS Blog 