Confidence and Writing Discipline

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The most important factor in a writer’s life, at least in my opinion, is not mere talent. Neither is it some mysterious entity floating in the air called luck. It is not how much you blog or how less you blog. It is not how much money you spend or how little money you spend. It is not even your profound research and marketing skills. These elements surely help, but the greatest difference and perhaps the most unique too, between writing and other careers is a writer’s level of discipline and confidence. To keep writing, I often find that I must maintain a proper balance of each of them. Believing enough in your ability to write and having a consistent writing practice is often the difference between aspiring authors and published authors. Of course, it does not stop here but it is a step in the right direction.

The advice we hear from like-minded bloggers, agents, editors, or just authors, in general, have always, and perhaps will continue to be, our focus on writing. Because engaging in any activity of whatever sort on a daily basis naturally makes one more familiar with it, we will always hear how important it is to write and to keep writing. While this is good advice, I think that for many writers finding the time to write and sketching out a daily routine is not always easy and this is often underestimated  by those who are not writers or those who consider writing to involve less work than other careers.

“Self-discipline, what many call will-power, refers to the ability to persist at difficult or unpleasant tasks until they are completed. People who possess high self-discipline are able to overcome reluctance to begin tasks and stay on track despite distractions. Those with low self-discipline procrastinate and show poor follow-through, often failing to complete tasks even tasks they want very much to complete.” – Wikipedia

When a writer transitions from the workplace to fulfill a writing career, his initial challenge will be to maintain a certain level of self-discipline. For years he has not had to create his own time sheets, develop his own projects, and schedule his own lunch breaks. All of this has been done for him by the corporation in which he has worked for. It is now that, as a full-time writer, he must put in the necessary time to ensure a proper work day, rest, and vacation time.

He must dig deep into his resourceful mind and find the inspiration to write, in some way, daily. If he is not writing, then he must attempt to focus that energy in the direction of reading, social media marketing, offline marketing, and public speaking events to keep in line with the workflow. As we can see, the full-time writer has a lot to do and it is not always easy finding the discipline to get it done.

Sometimes it is just so hard finding the time. What I have come to invest in, however, is my purpose. As long as I remember my purpose and invest in that it is usually enough to keep me moving. This is because discipline works hand in hand with motivation and drive. It is that ingrained, determined urge to attain a goal or satisfy a need. It is the answer to the question, “Why do you write?” This answer is different for each of us but the result is the same. If every full-time writer kept his primary goal, the answer to the question of why he or she must write, always at the forefront of his mind it can undoubtedly become the catalyst to a more disciplined writing life and as a result more material.

Yet, in all of this, a writer must still believe in his ability to write and speak this into existence.

There’s a lot of criticism out there for writers. It is enough to keep us full for a lifetime. Not only in its relation to the backlash geared at Self-Publishers, but many people also do not see entrepreneurship, specifically writing, as being a “real job”. For this reason, confidence is necessary to be an apart of this movement. It is not to think more highly of yourself than you should think, (*caution: recipe for disaster*) since there is a power greater than you. But confidence is the state of feeling certain about something.

Working for you can feel like a blessing and a curse. There is so much to do, so much to strive for and (wait for it) so much failure. But if you believe in that aged old saying, “hard work pays off”, you will allow self-discipline and experience to train you into the professional you need to become.

One of the greatest ways to maintain just enough confidence to get the work done but  at the same time maintain just enough humility is to be of help to others as best and as often as you can. What you do always comes back. How you treat others will almost certainly reflect how you yourself are treated. It’s not always about you, and yet your personal goals are still important.

So there’s a balance between our level of discipline–which will get the work done–and our level of confidence, which will keep us going when a project has failed to meet the goal. In the words of Kevin Nance, “failure curdles into something else… I go down into that failed place, and I think, ‘I’m going to take a look at that failure and make something of it”.

Self-Publishing – Laying Bricks Ep 5: Decorating

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I want to be clear that this series does not intend to explain how to become a best seller, how to market and promote like a pro and all of that. I named this series Laying Bricks to demonstrate the importance of laying a proper foundation for producing a book. However, we are officially passed the ground work and are now ready to decorate a little bit.

I don’t have to tell you how important book cover design is. In fact, many of your favorite author blogs have already said as much a gazillion times. For this reason, I am not going to spend a lot of time on this topic. Hopefully, what I can provide instead is something a bit different than what you’ve already been told. Hopefully, we can spend this precious time of yours talking about something a bit more unique.

When it comes to Book Cover Design you have 3 choices. You can purchase a high priced professional book cover, purchase an affordable pre-made, or have someone you know who specializes in graphic design to do it for you.

Paying More

My first experience with paying more than I’d like to on a Book Cover design happened when I was tired of my books looking bootleg and I invested in 99 Designs, an online graphic design contest marketplace. The program sells all kinds of designs from Book Covers to Logos. The process is set up like a contest where you pay a certain amount of money to have more than one graphic designer to compete to design your perfect cover. As the days go by and the designers are working and submitting cover designs as if your their personal client, you’re reviewing and eliminating designs at various stages. Each designer is working to edit the cover to your liking at each step and you are eliminating them as you go on. I really enjoyed the process and it was a fun experience that I wouldn’t mind doing again.

What I loved about the experience was having talented graphic designers to work on my book covers. The reason I highlight this aspect is because when someone who is not a professional designer chooses a design for a book (let’s say an Independent Publisher / Self-Publisher designing their own book but is not a designer) they won’t necessarily have the same eye for those little things that can make a big difference in the design like a professional will have. We may not be familiar with elements, background, proper typography and all of that. I mention this because this can be one huge benefit to paying a little money for the right cover (That and y’all know how serious I am about investing in your business. Don’t always look for everything to be free or low cost and then expect the same quality).

However, 99 Designs was also too expensive.

Budgeting

The reality is that I’m broke. Many of these super professional covers, the ones that we’d all like to have are very expensive, priced anywhere from $300-$700 dollars’ minimum. Surely, I don’t have the kind of money to purchase a book cover at the same price I did for the 99 Designs (which I only made back by hosting a live event and selling paperback copies). This is where creativity comes in and with creativity comes pre-mades.

The benefit of having a pre-made Book Cover design is numerous. To start, you can purchase a cover for as low as $45 or even lower if you go through such places as Fiverr (which I wouldn’t really recommend getting anything too cheap, just saying).

Pre-mades are professionally designed Book Covers pre-designed by, for the most part, professional designers. They can be edited to fit the authors needs and some even give you options for changing colors and fonts to fit the style of your book.

I do have a concern about pre-made covers though that I cannot leave without warning you about. I have not yet heard anyone speak about this and while I’d highly recommend pre-mades (I use them myself), be sure you are on the lookout for covers that are a little too similar.

What am I talking about? Well, all pre-made book covers will have a disclaimer that sounds something like this:

“Once a cover is sold it is never sold again!”

Technically, this is true. Once you purchase a pre-made it cannot be sold again. The designer will remove it from their site and that design will be marked as sold. There is a loophole in this, though. That loophole is this: As long as the design is not exactly the same, the designer can sell a cover that is quite similar in taste. As long as there is something slightly different, the cover can be sold as a separate cover. It could even be as minimum as the font or maybe the person is standing on the chair instead of sitting in the chair.

This doesn’t always mean the similar cover is available I must add. Sometimes the designer will add the finished cover to the portfolio so we can see how the final version looks. However, there are many websites that are literally offering a similar cover for sale as the one that was sold with only minor changes. Just an adjustment here and there and it is literally the same cover.

If you purchase a pre-made, be sure it’s a truly unique one that is not like any of the others on that designers’ website. Check the bottom text of those that are similar and make sure it is only similar because the designer is showcasing the look of the final version.

When ordering premades try and look for exclusive premades or ask the designer if they make them. An exclusive premade is a pre-designed cover designed using photos from photographers who will only sell the photo used in the premade once. Otherwise the premade is pre-designed using photos from stock photos or from photographers who will sell the used photo in the premade again to other clients and covers. Although the premade cover is only sold once, the stock photo can be used again and again in other slightly different covers.

Either way, just find something that is unique.

An additional concern with pre-made covers is that rarely will you find pre-mades with anyone of a diverse nature. Rarely do I see pre-made book covers with Asians on them, Chinese, Blacks, Latinos, or Hispanics. For this reason, I often have to look into a custom made design or get a bit creative on my own if my cover will feature an African American person on the cover. (If you know of  designers who specialize in diverse covers, let me know!)

A Friend Who Designs

I’d just say here to make sure that this friend actually knows what they’re doing. Not all book cover designs (including pre-mades) have that professional look. Book Cover designers are everywhere now and graphic designer or no graphic designer some of these covers look like something you can just do yourself (free does not always mean quality).

Below are some pre-made book cover places to check out for those of you who are looking for covers. Many of them are really professional looking and the prices are reasonable:

The Book Cover Designer

https://thebookcoverdesigner.com/product-category/premade-book-covers/

The Cover Collection

http://www.thecovercollection.com/

Go On Write < Go On Write is currently running a sale on covers

http://www.goonwrite.com/

Self-Pub Book Covers

http://www.selfpubbookcovers.com/

Paper and Sage

http://paperandsage.com/site/

The Book Cover Machine

https://bookcovermachine.wordpress.com/

EBOOK Indie Covers

https://ebookindiecovers.com/

Remember, it’s not just about a cute design. Be sure that this design is also a visual representation of your book.

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Disclaimer. Everything I share on Self-Publishing is always based on my own experience and research because I believe you can’t advise people on stuff you haven’t really tried. It’s just best if you’ve walked those shoes. So, that said I do not profess to be an expert. There are too many of them out there for you to glean from. Now, should you find information on this blog useful? Whoo hoo! Go for it.

Missed the first four episodes of laying bricks? Check them out below:

Laying Bricks Ep 1: Guide The Bricks

(About Focusing on the Story)

Laying Bricks Ep 2: Mortar

(About the Revision)

Laying Bricks Ep 3: Cutting The Excess

(About Editing)

Laying Bricks Ep 4

(About Advanced Reviews, Pre-Launch)

Hot PBS Self-Publishing Topics to Date:

 


Yecheilyah Ysrayl is the YA, Historical Fiction author of The Stella Trilogy. She is currently working on her next book series “The Nora White Story” about a young black woman writer who dreams of taking part in The Harlem Renaissance movement and her parents struggle to accept their traumatic past in the Jim Crow south. “Renaissance: The Nora White Story (Book One)” is due for release spring, 2017. For updates on this project, sneak peek of chapters and the pending book cover release for this project, be sure to follow this blog and to subscribe to Yecheilyah’s email list HERE.

Eight Reasons Why Writers Should Use Twitter

Though I don’t have lots of followers, I happen to love Twitter. Probably too much lol. (@ahouseofpoetry) *Comments disabled here. Please respond to the original post*

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If you follow me on Twitter, then you know that I have more than 5,000 followers and frequently post throughout the day.

How frequently? Every two hours. But I do take a break between 10 pm and 8 am Eastern Time.

A typical tweet has a two-hour shelf-life. That’s not much. If you want to get your content noticed—whether you’ve written it yourself or you’re retweeting someone else—you need to tweet throughout the day.

TwitterBut why Twitter?

  1. If you’re active on Twitter, it will refer a ton of traffic to your blog and website. (Twitter is my #1 source of website traffic.)
  2. There’s a large community of Indie authors on Twitter who are willing to help you promote your book and form supportive alliances. Endeavor to meet other authors in your genre, share blog posts and promote each other on Twitter.
  3. Twitter will help you market your books.
  4. Twitter is where…

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Show and Tell – The Show vs Tell Debate Critiqued

A wise man once asked a simple question: “What is water?”

A few people gave their answers. Some said “H2O”. Some said, “a transparent liquid found in lakes, oceans, and seas.” Other’s said, “a chemical substance.”

The man smiled. “None of the above.”

The people’s brow buried deeper into their foreheads and their mouths twitched, “what?”

“Don’t give me the name or what you’ve been told it is made of,” said the man.

“Tell me what it is.”

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Self-Publishing is a lot like life, there is a question behind everything we think we know. There’s a lot of advice in the Indie Author community. What if I told you that not all of it was good advice? Or shall I say, not all of it is wise advice? It may be useful advice, but is it wisdom? Do we actually know what water is? We do not.

What is the most talked about thing in this community? What is that thing that people just can’t stop talking about? Yes, the Author Platform is one, but what’s another? That’s right, “Show, Don’t Tell.”

Hold on to your seats. A lot of you are not going to like this:

What if I told you this was not very good advice?

I didn’t say it wasn’t useful advice. Advice is subjective like that.

Let’s establish the facts. New authors indeed tend to lean more toward telling than showing and this is a problem for readers because it makes the story difficult to get into. The author’s purpose is to make the reading as easy and as effortless as possible.

Please, for the love of all that is set-apart, make sure your script does not read:

“I walked up to the coffee machine. I grabbed the pot. I walked over to the sink. I filled the pot with water. I put the pot back and turned on the machine. Brandon calls me from the other room. What does Brandon want?”

Everyone say it with me:

“Don’t tell me the moon is shining; show me the glint of light on broken glass.”

Anton Chekhov

Great advice.

 

I sympathize with staunch “Show, Don’t Tell-ers” because I’ve come into contact with many books that sound just like that example. All the author did was told me what was happening (like one big summary) and bored me to death. My brains shifted in my skull, turned into liquid and oozed from my temples. Gross, right? You don’t want to gross your reader’s people.

Here is wisdom: Show AND Tell.

  • Showing – Writing vividly with detailed images, sensory information, and/or dramatized action
  • Telling – Writing in abstract summaries or simple statements

It is the secret no one is talking about.

Or, almost nobody.

Kristen Kieffer wrote a most excellent post on balancing show and tell and I will quote her in this post because ya know, no need to reinvent the wheel. Though I’d already written this article as a newsletter for my email list long before I read Kristen’s article, I am glad I eventually came across it as it further solidifies my point and now I can use some of her examples as a reference. Kristen Lamb says:

“As writers we are often guilty of too much brain-holding, of coaching the reader. We want to control every emotion, perception and description yet often less is more. When we leave blank space for the reader to fill in, the fiction can have room to blossom into something unplanned for. The story becomes richer and the experience more visceral because it transforms into an echo of the audience’s self-projection. Thus instead of one fixed interpretation, we get countless.” – Kristen Lamb

Aside from both Kristen’s and a few others, few people are talking about this aspect of balancing show and tell. Because of the show vs. tell debate authors are now showing us everything but their booty cheeks. That’s not what show means and makes the story sound just as boring as too much telling. It’s called Storytelling for a reason. You are supposed to tell a story.

The difference is not eliminating telling. You don’t want to show and not tell. You want to balance the amount of telling and showing. The straight action works no more than no action. Your characters just can’t be running all over the place, they need quiet, emotional times too. Balance is key.

Storytelling came from the oral traditions of passing along information by word of mouth. It is the days where your grandmothers and great-grandmothers told the stories of their childhoods. It’s when you sat at their knees to learn of the world that existed before you.

The easiest way to understand this is remembering that Telling gives us the statement, in other words, tells us something is done. Whereas showing is the demonstration of how something is done. That said, why is Anton’s example so popular?

“Don’t tell me the moon is shining; show me the glint of light on broken glass”.

 –Anton Chekhov

When I first read this quote, I pictured a triangular piece of glass that fell from a window and is now sitting on a street corner under the moon. It rained earlier, so it sprinkles the glass with droplets of water. I can tell by the position of the glass and the tiny pieces of gravel because something bad happened. This caused the glass to shatter and yet, there is the light shining through all the brokenness. The story is not over because there is hope.

The moon is shining, tells me what is happening, but the glint of light on broken glass shows me how it happened. (Or at least how I imagine it happened.) It is a demonstration versus information. Don’t tell me they shot the woman in a restaurant. Show me the sweat on the palms of her hands and underneath her armpits, the perspiration sliding down her temples; the tears rolling down her cheeks, and the shakiness of her hands as the pistol is pointed at her head.

Telling is Just as Important

In the words of Steven Moore, who left a comment on the article 5 Examples of Bad Writing Advice from Great Authors:

“You should only provide enough detail so the reader can participate in the creative process by forming their own ideas about characters.”

Telling is just as important as showing and it is because of this being left out that makes “Show, don’t tell”, strange advice. It just doesn’t explain the entire matter. I need not know every single thing that is happening in the restaurant. You don’t have to show me the fly on the windowsill if it’s not relevant to the story.

A general rule of thumb is to show only when it has something to do with the story. Bernice McFadden does a most excellent job at this in This Bitter Earth. Everything mentioned in this book connected somehow. There is nothing mentioned that is insignificant to the story and no question that is not answered by the end of the novel.

Telling is making a statement without the drama. “She touched the pillow.” That’s telling. We don’t learn how she touched the pillow or what she thought when she touched the pillow, we are just told she did and it’s enough. We need not overdramatize her touching of the pillow.

It’s a matter of knowing when to show and when to tell.

Let’s refer to an example in Kristen Kieffer’s article:

Too much showing:

“His eyes were like the sea during a storm, dark blue and tumultuous. His jaw was chiseled like marble, his nose sharp and strong. His golden locks glimmered in the sunlight as he carried the boxes, ropy arm muscles rippling beneath the crimson fabric of his t-shirt.”

I enjoyed reading that actually, but, I am learning something as well. Because I love poetry, I can sometimes show too much! Good thing we have beta readers and editors. Moving on…

Too much telling:

“His eyes were dark blue. His shirt was crimson red. He had a prominent jaw and big muscles. I watched him as he walked into the office, holding a box with his name on it.”

As you can see, too much telling is BORING. My brain is shifting…

Showing and Telling:

“His eyes were dark blue, as tumultuous as a storm at sea, a stark contrast to his cheery crimson shirt. He had that classic Adonis look so many girls admired. Chiseled jaw, strong nose, ropy muscles, I admired them all as he carried his box of belongings into the office.”

“His eyes were dark blue (statement), as tumultuous as a storm at sea (description), a stark contrast to his cheery crimson shirt (description). He had that classic Adonis look so many girls admired (statement). Chiseled jaw (description), strong nose (description), ropy muscles (description), I admired them all as he carried his box of belongings into the office (statement).”

Now that’s a tasty description. Want to create the same in your writing? Kristen advises we use the following formula:

1 Statement + 2-3 descriptions = Balanced writing

I love this advice and will be incorporating this nugget of wisdom in my own writing.

7 Tips for Making Time to Write

Great tips on making time to write.

Yesterday, even though I was tuned into the blog, I didn’t do much of anything outside of revise my novel! I’m excited at how the true story is unfolding (the one you don’t usually see under the first draft) and felt really accomplished afterward. I was busy, sure, and there were a million and one things to do but I made time.

The point: The greatest investment you can make with your writing is not money, it is time.

Reading to Write – Message for Aspiring Authors

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Earlier this week, as I scrolled through my email, I came across my girl Lisa’s Guest Blog Post  on the importance of having a good story line when writing erotica.First, I invite you to check out Lisa’s post (especially if you’re an Erotica writer) to get a better understanding of what I’m about to say. Lisa drew me in and nailed it. I’ll definitely be reading up on her upcoming series. Check her post out here.

One of the reasons I don’t review Erotica (I do read it occasionally, I just don’t review it) is because I’ve had bad experiences with Indie Author writers of this genre and not just Erotica but also Urban Fiction. Many of the writers who are emerging now showcase a variety of books that have bomb book covers and invite you in to read. Sometimes I just sit back and scroll through Google looking at book covers! They’re really nice. In fact, that’s what happened to me. This one cover was so enticing I just had to see what the book was about. Then, I got into the book and I’ve never been able to finish it. Needless to say, I was turned all the way off.

When I finished reading Lisa’s post a thought struck me, “They’re not reading.” It occurred to me that there are many people who write strictly from their own experiences and backgrounds, which is great no doubt, but is it enough? Are the stories really up to par? Or is it just that relatable aspect that we love and support? From a genuine writing perspective, are these books well written? Many of them are. But many of them are not.

I love how many of these books capture the gritty realness, but I’d be remised if I didn’t mention that I also see that something is missing. That missing link is reading. Many new writers, especially of Urban Fiction though not strictly UF, do not read books to write books.  In addition,  many of us are just not broadening our reading shelves. Many writers who write these books only read these kinds of books. This isn’t a bad thing but for writers, is this enough? The truth is no, it’s not. Don’t get me wrong, I enjoy UF and applaud Urban Fiction’s impact on the increased reading of teens. Because of Street Lit, for instance, black teens are coming into libraries, checking out books, and increasing the number of books read.  However, for Indie Authors venturing into this genre reading books that are actually not well written, this provides for those readers no nurturing of the skill.

If you plan to write a book, it’s not enough just to read the kinds of books that you love. It occurred to me, after reading Lisa’s post, that there’s a host of young writers writing books who have never been readers and never plan to.

Note: There is NO such thing as being a writer who does not like to read. This is not judgement. This is fact. It is the same as saying that you like to teach elementary school but you don’t like children. How can you ever learn to write if you don’t read? Anyone can write and I encourage many young writers to do just that. However, to craft, a story of your own that is truly engaging will require you to study how other writers have done it. This can only be done by reading other writers.

Reading helps writers with:

Story Structure and Dialogue Tags

I didn’t learn about how to structure a basic story from a classroom, I learned it from a book. Writer’s don’t have to have a Masters in English or a Bachelors in Creative Writing. All we have to do is read more. It was books that taught me about dialogue tags before I knew what they were (not college). Sure, I didn’t know what it was called, but I did know how they were to be written.

“Writing in The Guardian, Dan Hurley pointed to recent studies confirming that the relationship between reading and intelligence is so close that it could be symbiotic. Listing out three types of intelligence most recognized by psychologists, Hurley stated that people who read overall performed better on all fronts.”

Why do you think brothers come home from Prison geniuses? All they did was read.

Plot

Speaking of story structure, a lot happens to a reader subconsciously that is then spilled into his / her writing. When a person reads, he or she is processing everything about that book to include the plot. You can learn how to write a good plot even if you haven’t been in school. Even if you knew nothing about the grammatical rules and even if you don’t understand it. Read more and you will learn from your teachers in ink: Authors.

Vocabulary

Study the language of the book and the style of the writer. Look at the vocabulary, how does the writer use the words? As a writer words are your everything anyway so you want to know how to use them. Don’t just read books to hurry up and finish them just so that you can say that you read it. Take your time with it so you can study it. Pay attention to what the author did with the words, how they made you feel, the symbolism, and multiple meanings. I have books I’ve been reading for a while now because I am studying them. I need to take my time and process how this bestselling author delivers.

Inspiration

I hear a lot about inspiration in the blogosphere but did you know that reading is the secret weapon of inspiration? Yes! Whenever you get writer’s block or can’t decide what to do next, read. It’ll jump start the creative juices. There is a way this works, though: As you read and come up with ideas, write them down! Remember, don’t just read, study what you read. Reading is the most powerful form of research for a writer.

From Grammarly to WordRake: A Review of 6 Automatic Editing Tools

Writers check it out! Excellent editing tools for those self edits. Use them to edit your manuscript or blog post. But, as the article states,remember:

“An automatic editing tool doesn’t replace a human editor. Because language rules and elements of a good story can be so flexible, human eyes will always be superior to the rigidity of automatic tools.”