Why Self-Published Authors Should Own Their ISBN

The basic answer is that owning the ISBN to your book makes you the publisher, which is the purpose of self-publishing for most authors who pursue the route.

Let’s look deeper into the ISBN and why I strongly suggest self-published authors own theirs. I’ve written on this before, but this time I am including advice from Sue Collier, the coauthor of The Complete Guide to Self-Publishing, 5th Edition. She has been working with authors and small presses for nearly two decades, providing writing, editing, production, and promotions work for hundreds of book projects. 

This how serious I want you paying attention to this right now, lol. | Photo by cottonbro studio.

The ISBN is the set of numbers at the back of your book on the bar code that captures information regarding the book’s publisher, title, language, edition, and version. It is necessary for anyone publishing a book they want to sell.

The number is issued to the publisher, so in traditional publishing, the author does not worry about this, as their publisher will be the book’s publisher of record.

In self-publishing, you can choose a free ISBN assigned by your print-on-demand company, such as Amazon, Lulu, or Ingram Spark. In this case, the company will appear as the publisher of record. For instance, a free Amazon ISBN means Amazon is the publisher, and so on.

Buying an ISBN or getting the freebie is totally up to the author. In fact, a freebie might be ideal for beginning authors on budgets who just want to see their books in print.

Still, the ISBN holds much more weight than these print-on-demand services have let on.

“The POD publisher services companies will try to tell you that it doesn’t matter whether you use their assigned ISBN or obtain your own. But it does because using their ISBN will ensure they are listed as the publisher of record in BIP (Books in Print) as well as with any distributor. Consequently, all orders and inquiries will go to them.”

– Sue Collier

A free ISBN is fine if you only want to publish a book and maybe sell a few copies here and there. However, if you see yourself one day selling your book in bulk to corporations, bookstores, and libraries as the publisher of record, you want to purchase an ISBN so that it belongs to you. Collier explains why:

“Let’s take a few hypothetical situations: Suppose a corporation is interested in purchasing one thousand copies of your book, contacts the Internet publisher (whoever you published through), but you never hear about it. What if a distributor wants to take it on but finds the economics aren’t feasible? Tough luck.”

Sue Collier
Owners of Upscale Foot Spa in Atlanta

Corporations do business with businesses, not individuals. Owning your ISBN with your own imprint positions you as a serious business. If Lulu is your publisher, Lulu is who corporations will contact for the kind of transaction in Collier’s example.

Why?

Because any organization with specific orders or inquiries regarding your book will approach the publisher of record. If you own your ISBN, that would be you/your company. If you do not own your ISBN, that would be whoever you published with.

“In addition, if a POD publishing services company is listed on your book as the publisher, your book may immediately be disregarded by bookstores and potential reviewers as a poorly done vanity press project.”

Sue Collier

Amazon does not vet the manuscripts uploaded to its publishing platform. Consequently, it is flooded with mediocrely written books with poorly designed covers, poor editing, and even worse formatting. When corporations see a book published by Amazon, they automatically throw it into this slush pile.

“Does it really matter? Yes, it does. Here’s the bottom line: If you don’t purchase your own ISBN under your own publishing company name, then you are not the publisher. If you use a publishing services company and let them assign your book an ISBN, they are the publisher, not you.”

Sue Collier

Grabbing the free ISBN from Amazon or whoever you publish with is not a sin. It’s okay. You will still be able to sell your books and do well.

It is, however, very limiting for self-published authors who want to sell their books beyond Amazon’s virtual shelves, have their own imprints, or be the publisher of record for their work so they can sell in bulk and process large orders through businesses and corporations.


Check out more Indie Author Basics articles here.

Do More with Your Self-Published Book

High achieving authors (Indie, Trad, or otherwise) tend to fall into a few categories:

  • They publish high-quality books (well-edited, dope cover art, and well-formatted, to name a few).

  • They collaborate with other authors and business people. 

  • They use their book to create additional income streams through businesses and services.

Today, I want to focus on that last one, although all these are important.

No matter the route, book publishing is hard work, and most of the work happens after the book is written and published. Most of us find ourselves saying, “Dang, now what?”

Depending on what your book is about, there are so many creative things you can do to leverage your self-publishing career.

Here are a few things I do based on the kinds of books I write:

  • From writing black historical fiction, I lecture at schools.

and so on…

Some authors even have high-ticket courses based on the chapters in their books. Podcasts and workshops based on the book are also ways people leverage their books.

The key point is to look at the book not as the end but as the beginning. Let it (the book) stretch you to new heights!


Check out more Indie Author Basics articles here.

Author Vending: Things to Consider Part II: Vending Cost and Other Fees

Today, we are continuing our conversation on author vending. If you are new here, check out part one here.


Alabama Pop-up Shop 5/6/23

1. Cost of Vending and What’s Included

First, you want to determine how much the event host will charge you to be a vendor and what that fee entails. My requirement to vend at any event is that the fee includes a table and two chairs. Some businesses demand that you supply your own table and chairs. That feels like renting space with no space to me, but everyone’s different.

Whatever you decide, ensure the cost is reasonable and within your budget. So, if you have to bring a table (which you’ll probably have to buy), the vending fee should not cost an arm and a leg.

There is an exception to high ticket vending costs based on the influence of the event. See bullet point #3.

2. Travel / Lodging

This is a must if you decide to vend at a location outside the city/state where you live. This means the cost of vending takes on a more significant role because now you will have to consider: the cost of vending + travel + hotel.

This is where you should keep in mind that you are a business, not just an author, and that choosing to sell your goods at events is a business decision. Take into account the event’s quality if you must travel and do other things.

3. Consider the Influence of the Event Host / Audience

We talked about this last time, but I want to discuss it from a different angle.

Events that offer a chance for people to become vendors come in all shapes and sizes. Some events are hosted by first-time event hosts, and some by larger influencers and celebrities. Both are wonderful growth opportunities.

When deciding where to put your money, consider whether there will be a sizable enough crowd for you to conduct business outside of the vendors. The one con to vending at an event that can only produce a crowd within the vendors is that it will be difficult to conduct any commerce because we are all there for the same reason.

Vending is also about connecting with powerful influencers who could help propel you to the next level. In this case, the cost to vend might be pricey, but the event’s influence makes up for it because of the people and powerful connections you can make. (Think Essence Fest and Invest Fest)

Excited supporter!

While vending at Black Writer’s Weekend last year was a bit costly, here are some things that made me decide to give it a try:

  • BWW and its founder Tamika Newhouse are pretty well-known in Atlanta. I knew the event would bring out a large enough crowd for me to engage people beyond the vendors, and it did. I made my vending fee back.
  • Included my mandatory table and chairs.
  • I did not need to travel far since I am in the Atlanta area, so no funds were needed for hotel or travel.

4. Engagement and ROI

If you are just going to sit behind your table looking mean, scrolling through your phone, and waiting for people to talk to you, vending might not be for you. If you intend to make a return on your investment, you will have to engage with people.

Here are some things that have been helpful for me. 

  • Stand up and stay off the phone during high-traffic moments.
  • Bring a helper/assistant (hence the two chairs I always require when I vend) so you can leave your table now and again to talk to the other vendors and guests, take bathroom breaks, etc. My helper is my husband, who is fully trained (lol) on how to talk about my books in my absence. However, I am never too far away from my table.
  • Try not to look bored and mad (even if you are). Smile and speak. I always give people an excited “Good Morning!” or “Good Afternoon!” You’d be surprised by the people who will stop at your table just from you being friendly and pleasant. I also take note of certain non-verbal clues that people might be interested. Staring at my station but not speaking, walking away but turning for another look, studying my banner (because, how do you pronounce this name?) are all signs I use to engage people further.
I sold these two books from calling them over when I saw them do a double take!

5. Inventory

Last but certainly not least is your inventory!

  • Do you have enough books to go?
  • Business cards and bookmarks?
  • Marketing materials?

Give yourself enough time to get all your tools together before the event and include that in the cost! Remember, as Indie Authors, we have to buy author copies. 

Bonus: New Lessons

In part one, I joked that authors should vend at events focusing on books to avoid competing with the lady selling shea butter.

Well, I did meet a lady selling Shea Butter!

And her table was right next to mine, she also has locs, and wears glasses.

I learned a new lesson:

Of everyone at the pop-up, I was the only one with books. This set me apart and made people feel like I was the bookstore part of the event. And I did pretty well!

Even if it’s not an event focusing on books, you can do well as the only person with books or one of a few.

The Shea Butter woman’s name is Jenesis, and she runs an alternative and holistic health service business called Root’d Spa with various wellness products.

She bought a copy of my book, and I bought a bracelet from her! We are now following each other on social media.

Shea Butter Lady Jenesis!

Recap:

  • Consider not just the fee but also: vending fee + travel + lodging + inventory
  • Be ready to work
  • Bring a helper/assistant
  • Speak up and be kind
  • Consider the event influence for high-ticket vending opportunities
  • Always be on the lookout for new lessons and perspectives. You might just find your next business partner!

Check out more Indie Author Basics articles here.

Why You Might Want to Increase the Price of Your Book on Amazon

Hey, gang!

I had a most amazing birthday week!

But now, it’s time to get back to work.

I am dropping this quick update you may or may not have known about.

Amazon is increasing its printing cost on June 20th.

The printing cost is the money you pay to get your book printed.

If you have self-published books on Amazon and the price of your book is too low (less than the new minimum) your royalties could be reduced, or you might not get any.

Printing Cost Changes

  1. All paperback and hardcover books will see an increase in their fixed costs to cover the materials, labor, and supplies.
  2. They are introducing a new fixed and per-page cost for paperbacks and hardcover books with a larger than standard (6 x 9) trim size.
  3. At the same time, they’re also decreasing the cost for some color-ink books ordered through specific Amazon marketplaces.

To see a full breakdown of the updated costs, check out this cost table link that Amazon put together here.

You have two options:

  • Leave your prices alone and accept the reduced royalties (if it applies to you)
  • Increase the sale price to offset the increased printing costs.

Here’s what you want to do:

  • Log into your Amazon K.D.P. Account
  • Go to your bookshelf
  • Click on the ellipes (…) next to your book and edit print book pricing.
  • Check to see if you will still get a royalty when the change kicks in. (It will show you on the page) If not, increase your book price.
  • Do it before June 20th.

Check out the Indie Author Basics archive here for more.

How to Get Early Book Reviews for Your Self-Published Book

Imagine you are traveling and looking for a nice hotel. You have a choice between two that look promising.

One has 100 stars, receives some glowing reviews on its site, and even has reviews on Google Maps.

Photo by Bruno Maceiras

The other hotel looks nice from the pictures, but it doesn’t have a website, and you don’t know anyone who’s been.

You know very little about the amenities, and there is only one review.

Your only guideline comes from the very basic description on a third-party website that popped up when you Googled hotels.

Which hotel are you going to choose?

Books work in a similar way.

Book reviews are just as critical as book sales in the publishing world. They provide social proof that helps the right readers find and purchase your book.

Although our focus is on Self-Publishing, this is also true for traditionally published authors. Like with social media, publishers want to see if your book has an audience, a demand, and what you do to build awareness. Book reviews can help with that.

Start Early

The best way to garner book reviews for your book is to start at least 4-6 months (closer to six months) before the book releases. If you are a traditionally published author, your publisher will likely handle this by sending your book out for early reviews. If you are a self-published author, you can do the same.

Beta Readers

Recruiting beta readers is one of the most common methods. A beta reader is someone who reads a book before it is published in order to point out errors and make suggestions for improvements, usually without being paid. In essence, they serve as a test reader.

You want to recruit people who read within your book’s genre. Be careful only recruiting family and friends. You want people to read your book who will be honest and unbiased.

Give your readers instructions on what you expect from them. Let them know they will receive a free copy of the unfinished book and that you’d like them to leave a review on Amazon or Goodreads when it is released. If you want to use their feedback on graphics for social media, say that.

A beta reader acts as a proofreader, your last line of defense before sending the book out into the world.

But, careful not to allow beta readers to change your story. While they can offer suggestions for improvements, a beta reader is not and should not replace an editor. While they can point out obvious typos, they should be looking at the big picture. What’s working? What feels weak? What makes sense in your head but doesn’t translate to the page?

You can find beta readers (paid and not paid) within your social circle (start with your email list or blog followers) on Fiverr, Reedsy, and Upwork to name a few.

Book Bloggers

What the heck is a book blogger?

A book blogger is a blogger who reads and reviews books because they love it! Most book bloggers do this for free, and others (like me) charge a fee. Like most bloggers, I used to review books for free. However, book bloggers receive tons of requests, which can become overwhelming. My list grew significantly after I had reviewed more than 30 books, been highlighted on Reedsy and Kindlepreneur, and established myself as an active, professional reviewer. Either I would stop reviewing books or charge a fee and limit my time. I chose the latter.

As you dig into book review blogs, check on these three things first:

  1. Is the site active? Has the blogger published a post within the last month or so?
  2.  Do they have a policy with instructions on how to apply for a review? Submitting your book according to this policy is imperative if you want to be noticed.
  3.  Do they charge for reviews, and if so, how much? You want to be prepared for any fees (this should be part of your book marketing strategy).
  4.   Are they currently accepting queries? If they’re closed at the moment, it could be months before you hear back from them — if at all.

For more on how to look for book bloggers, check out Shayla Raquel’s post here.

ARC Review Services

Recruiting readers can be like pulling teeth. Thankfully, there are paid options. Beta Readers and ARC are sometimes used interchangeably. Short for Advanced Readers Copy ARC is an early version of the book sent to readers to review before the book is released. There are several paid ARC services (such as Booksiren, Bookfunnel), but they can get pricey. Still, if you have a few coins saved, Google ARC Review Services to choose which fits your budget.

Amazon Early Review Program

The Amazon Early Reviewer Program is Amazon’s internal launch program that incentivizes customers who have already purchased a product to leave a review.

Wait…

Now, Amazon. You told us we aren’t allowed to incentivize reviews and post to your site. It’s okay when you do it. It’s a problem when we do it.

Anywho, here’s what you need to know about the program from Jungle Scout:

  • The Amazon Early Reviewer program allows a seller to submit one of their product SKUs (stock keeping unit) to be promoted by Amazon for review by a specific, pre-vetted reviewer.
  • The program costs $60 per SKU. However, you aren’t charged until you get one review or one year has passed, whichever comes first.
  • The product should receive between 1-5 reviews from reviewers who have been handpicked by Amazon. 
  • Reviewers are chosen for the program because they have “no history of abusive or dishonest reviews” and they meet all of Amazon’s “eligibility criteria.” 
  • Once program reviewers leave feedback, Amazon marks the review with an orange badge that reads “Early Reviewer Program.”

I have never participated in this program, but it is an option. If you know more about this or have used it, let me know!

Ask for the review at the back of the book!

Add a short, direct request for the reader to leave a review after they are finished reading as the last page of the book. Something simple like: “I’d love to hear your opinion about this book! Please consider leaving an honest review on the platform of your choice.” Something like that.

Additionally, if someone in your network has read your book, you may send them an email asking for their review. Direct requests are sometimes more effective than mass emails asking for volunteers. It seems thoughtful and personal.

So, how many beta readers, book bloggers, and early reviews should I strive for?

As many as you are able, but I would strive for at least 10-20 Amazon reviewwithin the first two months after your book release date. That shows your book has traction with real readers. You can also share those reviews (as stated) on social media graphics as social proof.

Be sure that you inform your beta readers/book bloggers to post their early reviews to the book’s Amazon page when it drops.


Need More Reviews? Check out my book review policy. I am currently open for a limited time!

Check out the Indie Author Basics archive here for more.

Author Vending: Things to Consider Part I: Audience

I’ve been vending at events since 2018 when the owner of A Cappella Books refused to stock my self-published book and instead told me to get my name out there. He explained how hard it would be for me to sell my book in-store when no one knew who I was.

I wasn’t offended but encouraged, and I have since attended many events as a vendor to put myself out there. From his advice, I have also since been stocked in four stores in the Georgia area (Marietta, Morrow, Atlanta).

There is a message in this to revisit later, but for now, let’s talk about author vending.


Atlanta Decatur Book Festival

For independent authors, taking part in an event as a vendor can be lucrative (and I don’t just mean this financially). Utilizing the platform of another person will help you promote your books and business to a wider audience.

However, if we are not careful, it can also be an overly expensive and frustrating experience.

In this series, I share some of my experiences as an author vendor and some things to watch out for. In part one, I want to talk about the importance of the audience.

Audience

Author vending is not just about making money. It is also an opportunity to get in the room and build with others of like mind. But the ability to sell your books or services is still crucial.

You will have a harder time selling books if the event has little to nothing to do with books or your industry.

If you are vending at a conference or organization that is not conducive to people being able to walk around and network, this can also hinder you from making sales.

For example, in 2019, I attended MogulCon as a vendor. The event was nice but not a good place for author vendors. The tables were small, and the space was narrow. It was fitting for a business-type conference but not for my books, author swag, and large banner.

This was awkward. I didn’t know the set-up was going to be this way. I didn’t do my homework.

MogulCon was okay, but from an author vending perspective, it was a waste of money.

If I had known, I could have made it work by leaving the banner at home and bringing a briefcase instead.

Do Your Homework

When deciding to vend, understand what kind of event it is and the audience you will serve. Also, consider what kind of crowd you are looking at. You want to make sure there are enough people to network with and possibly make some money (or at least make your vending fee back.) And because the organization will likely not tell you your business isn’t a good fit, this is homework you will have to do yourself.

Crowd size is included in this. Does the event even have enough attendees for you to make a pitch, or is the host merely looking to maximize their profit from the few vendors they are able to bring in?

This is good practice for speaking engagements as well. Once, I was asked to speak at an event and prepared what I would say. But when I showed up, there were a lot of children. The host had not mentioned it was family-themed, and I had not intended to speak to kids. It could have been better organized, but I could have also done my homework on the host.

Events where you can engage with people are a plus!

So what kind of event is fitting for authors?

It depends on what your goal is for attending said event, but I believe that book festivals and conferences—that focus on books and literature—are the best because you won’t have to compete with the lady over there selling shea butter.

You can also target events that center around the theme of your book. Although many businesses were vending at the poetry life fest, it was appropriate for me to go because I write poetry. And to be true to my brand, I exclusively highlighted my poetry books. I only brought the books that were on topic.

Unlike MogulCon, the Poet Life Fest was best suited for my brand. My girl here is even matching the banner, ha!

Nowadays, there are a lot of requests for vendors because the income from the vending fee helps the organization pay for other expenses. When signing up, be strategic and intentional about who you work with.

It’s about being discerning and allowing that spiritual compass to lead you to the places you are ordained to be.

In part two, we’ll discuss the financial side of author vending and how to decide whether it’s worthwhile because the fees can be very expensive.


Check out more Indie Author Basics articles here.

5 Lessons I Learned from In-Person Networking

Owners / Founders of Upscale Foot Spa

With back-to-back events, it’s been a busy few weeks. Here are some networking lessons I learned so far:

Wear Your Brand

One of the first things I noticed at the AOD (Accountability on Demand) Live business conference was that many people wore their logo, slogan, or tagline on their shirts and clothing. At Poet Fest, one poet even had her name written down her pants leg.

It was a great marketing technique that I had missed. Here I am with a Calvin Klein shorts set on, and everyone else is wearing their own name brands. I went home vowing to get some t-shirts done.

But then, I realized this is not about t-shirts or wearing your name on your clothes.

I probably won’t do that.

Whether you wear your logo figuratively or literally, this is about intentionally showing up for yourself.

Message received.

My shorts set was still cute, though.

Email / Text Marketing Is Prime Real Estate

More than selling books and gaining more social media followers, I have increased my email list substantially over a month.

But why is this important?

Keeping in touch via email and/or text marketing helps you to stay connected to readers you might have otherwise never seen again.

During your book signings, speaking events, and other things, keep either a notebook and pen on your table or a tablet.

Write Email List Sign-Up somewhere and put name and email so they know where to write it.

If using a tablet, have the spreadsheet already open where people can type their information.

People will walk by and just write their name and email, sometimes even before talking to you or buying a book. How is this a good thing?

It gives you the chance to build a relationship with them later. And then, they might just consider supporting your work.

This is also why I encourage Indie Authors to sell books from their author website, to stay connected with readers: because you have no idea who bought your book from Amazon unless they tell you or leave a review you can see.

Social Media is Still King

In 2022, people do not ask for your business card. They ask for your IG handle.

The first draft of this said, “Business Cards Are Still Useful,” and that’s still a lesson I learned as it made it easier for me to give out my contact information and served as a great conversation starter.

And, while I wouldn’t say business cards are dead, they are used differently in the age of social media.

If you are old school, you can take all your social handles and put them on a card. And although people will probably stash these bad boys away in their office drawer like I did when I got home, not before they follow your Instagram, Facebook group, and Twitter.

Social media is not only King but essential considering the current pestilence situation we got going on with Covid and Monkey Pox.

I don’t take pictures wearing my mask because I think it’s weird, but I always have it and my mini hand sanitizer. Please believe it.

The bottom line is, people are online all day, every day more than usual.

This means not being online and using social media is tragic for anyone looking to grow a business in 2022.

How to Actually Network

First, I am introverted. Walking up to strangers and talking to them isn’t my thing. However, I learned that is only a small part of real networking. The other part is to discern how (or if) we can best serve each other.

How can what you do and what I do become a bridge? How can we build on what we build?

That’s what networking is, making connections and building relationships.

Practical example: You are a writer, and there’s someone in your social circle who edits. It would be a good idea to connect with that person. 

But it doesn’t have to be someone who does something similar to what you do, either.

Michael Q. Lau helps you on your journey to health by optimizing your relationship between fitness and food.

Let’s say you have been trying to lose weight, work out and eat better. There is a nutritionist specializing in fitness in your midst. It would be best if you connected with that person and tried to see how to combine your personal goal of being fit with your business goals.

How can ya’ll turn this collaboration into something more?

Follow-Up

Communication is the cornerstone of all good relationships, so keep in touch with people.

Engage with their social media, follow their blogs, check out their services, ask them questions, subscribe to their email list, and so on.

Be present.

Stay safe folks