Everyone has their own set of ideas about what makes good writing and marketing. But the key to it all, I think, is individuality. No one does a better job at being you than you, and no one knows the intricate details of your story like you. For this reason, it is important to stick to those methods that best fit your vision, values, and taste.
I think the most important question then for a writer is, “What do you want?” Everything else is extra.
“The short story….. wakes the reader up. Not only that, it answers the primitive craving for art, the wit, paradox and beauty of shape, the longing to see a dramatic pattern and significance in our experience.”
–V. S. Pritchett
“I have always enjoyed short stories and have now found them to be an added joy. They are easy to read and digest, quick to review and……….. a great introduction to an author’s work. They act as an appetizer if you like, tempting you to tackle the meatier course of someone’s novel where you need to commit serious time.”
– Georgia Rose Books
“The particular problem of the short story writer is how to make the action he describes reveal as much of the mystery of existence as possible…The type of mind that can understand [the short story] is the kind that is willing to have its sense of mystery deepened by contact with reality, and its sense of reality deepened by contact with mystery.”
–Flannery O’Connor
“…the short story is a natural form for the presentation of a moment whose intensity makes it seem outside the ordinary stream of time, or the significance is outside the ordinary range of experience.”
—Wendell Harris
Where do I trace the birth of this longing? I have not photographic memory as many do, nor do I remember the exact moment I said, “I want to be a writer”. And as I ponder this history of mine, the thunder growls and the winds roar. The skies darken this very moment and hover around this building; leaning its body against my windowsill and making my living room look like evening time. I like it like this really. To hear the thunder roar in the midst of the quiet and the skies darken. It has a calming effect on me. The appearance of lightening is a chance to see pure light, and the sound of horns is a reminder of great power. But I digress. Really I just think they must be excited, just as anxious to discover this mystery. A collection of horns and quarter notes gather from beyond the clouds and deep inside the galaxy, shouting melodiously. The floor beneath me pulsates and sends shivers up my spine. Meanwhile, raindrops tap dance against the roof. Perhaps the scream of heaven is prompting me to remember. I do remember the first time I had the material to organize my writing. I do remember my first journal. I do remember my first writing love.
I was just about to turn fifteen, and though by then I’ve been writing for some time, I had not the care of keeping things organized. I wrote at will and on whatever pieces of paper I could find. But the close of eighth grade presented me an opportunity to confide in that pretty pink booklet with the blue sparkling butterfly on the front. I purchased it in Cincinnati Ohio during our eighth grade school trip. I spotted it at Claire’s, a store at the mall, over in the corner and it was a unique version of many of the journals I had seen in Chicago or anywhere. Somehow I didn’t think I would find it anywhere else in the world. As my peers busied themselves in appropriate teenage endeavors, my pupils danced in delight. Immediately upon seeing it I had to take it home. And I must say it dressed up well for our first date. The pink was fluffy and soft; my fingers found comfort when they slept on top the cotton. The butterfly on top shone bright like the dye was squeezed from fresh blueberries, and to top it off there were little diamonds imbedded in its wings. It wasn’t a diary so there was no lock and key. Nor did I use it as such, but it holds some of my early poems. In fact, I pretty much just used it for poetry, and maybe a journal entry or two here and there. When it opened, the euphoria of opportunity greeted me with the smell of fresh ink, and elegantly curved lines. It wouldn’t be long after this that I would begin my collection of journals and notebooks, but none of them would compare to the first. Butterfly was that first real writing love. The rest were merely copies. And as you can see, I still have it, though it is obviously not as beautiful as it once was. I think I’ll give it to my daughter one day. Maybe. OK well, let me just flip through it first.
Yayy I’m back :). Time to get back into the swing of things. What better way to start than with Writer’s Quote Wednesday. This week, I take my inspiration from Audre Lorde. And since I just came back from a Stage Play, I thought it’d be fun to use the picture of me on the set in my costume right before going onstage lol.
“If you don’t define yourself for yourself, you’d be crunched into other people’s fantasies of you and eaten alive.” – Audre Lorde
When it comes to writing, and also to life, what sets one person apart from another are those individual qualities that are specific to that person. There is uniqueness about each of us and our style of writing that defines our work and defines also who we are as individuals. It is a kind of branding that does not have to be created, it already exists. We just have to discover it. There is a lot of good advice out there and a lot of good living examples to follow, but if you do not yet know who you are as a person and as a writer; if you do not yet know what sets you apart from the rest; if you have yet to define yourself, it is easy to get lost in all the opinions and philosophies and false images of who everyone perceives or desires you to be. Many invoke what others are expected to see. As a result, they lose sight of a definition of self. They cannot find the voice that is exclusive to them because they are trying to be a mirror reflective of someone or something else.
While I disagree with many of Audre’s views, I enjoy this quote because it is a constant reminder, for both my personal as well as my writing life, to be true to myself no matter what. I also chose this particular quote because my next book deals with mixed ancestry and it is noted that Audre Lorde’s mother could pass for white, while her father was darker than the family would have liked. Lorde is therefore among many African Americans to have experienced in some way the question of the colored line.
About the Author:
Lorde was born in New York City to Caribbean immigrants from Barbados and Carriacou, Frederick Byron Lorde and Linda Gertrude Belmar Lorde, who settled in Harlem. Lorde’s mother was of mixed ancestry but could pass for white, a source of pride for her family. Lorde’s father was darker than the Belmar family liked and only allowed the couple to marry because of Byron Lorde’s charm, ambition, and persistence. Nearsighted to the point of being legally blind, and the youngest of three daughters, Audre Lorde grew up hearing her mother’s stories about the West Indies. She learned to talk while she learned to read, at the age of four, and her mother taught her to write at around the same time. She wrote her first poem when she was in eighth grade.
Audre Lorde was a Caribbean-American writer, poet, essayist, etc. and her poetry was published very regularly during the 1960s — in Langston Hughes’ 1962 New Negro Poets, USA; in several foreign anthologies; and in black literary magazines. Her first volume of poetry, The First Cities (1968), was published by the Poet’s Press. She died in 1992 at the age of 58.
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That’s it for this week’s episode of Writer’s Quote Wednesday. Be sure to check out Silver Threading to join in on the fun. Just click on the pic below!
http://silverthreading.com/2015/05/06/writers-quote-wednesday-the-buddha/
I once read something that made a lot of sense to me:
“Always be humble in confidence, but courageous in character”
Concrete Children – Life inside the Robert Taylor Projects
My name is Yecheilyah Ysrayl, also known as “EC” but a lot of people don’t know that I was born Stacey Hereford on May 26, 1987 at Billings Hospital on the south side. I actually changed my name back in 2008, a year after my road to self-discovery and identity had begun.
The unique thing about my birth is that I was not born alone but I have a twin sister as well, but I will not reveal her name because I did not get her permission to do so. I also have two other sisters and three brothers but my twin and I are the youngest. So total, between my mom and dad there are seven of us. We grew up in the Robert Taylor Projects on Chicago’s south side. When it opened, The Robert Taylor homes housed up to a peak of 27,000 people, although they were built to maintain only 11,000 and comprised of 28 high-rise buildings; with 16 stories each, and a total of 4,415 units, mostly arranged in U-shaped clusters of three, stretching for two miles. It was located in the Bronzeville neighborhood of the south side of Chicago, on State Street between Pershing Road (39th Street) and 54th Street alongside the Dan-Ryan expressway.
“If yo mama’s on dope and yo frigerator’s broke go to chokes! Go to chokes!”
I didn’t make that up, it was an actual song. We sang the hood hymn down the hall of the largest housing project in the country. We sang from the eighth floor to the first every chance we got to make it to the free breakfast program offered by CHA, or Chicago Housing Authority. It was nicknamed chokes because the sandwiches were so dry we were sure to die of thirst if water didn’t deliver us. Yet these raggedy choke sandwiches erupted inside of us a sense of excitement every week, surely preferable to the empty air soup available at the moment. Like most of the families who resided in the buildings, our mother’s twitching mouth and search for the white stuff on the floor proved that the 1980s crack epidemic had taken root especially well, and was a normal scene. For a while I didn’t understand why they bent so much so, wetting their finger slightly before placing it back in their mouth after its short journey to the floor. What they tasted I did not know, but became used to seeing their backs bent in anxious investigation of the corners of the house. I didn’t understand then about the invisible shards of cocaine embedded in the cracks of the floor or the disappointing realization that it is just white paper. But since many of the people who hung around were drug addicts, I became accustomed to such behaviors and could tell at an early age when someone was high. It was not splinters of judgment coming from the walking planks of my childhood perspective; it’s just that to us it was normal. Their faces contorted as their entire presence was invaded by an outside force they could not control. It was more than a decision to get high, it was a need. I imagine the ecstasy of it all took them places, sat them on the tops of clouds and let them see the room spin. They picked imaginary lint from their clothing and laughed at jokes only they were in on. I imagine worry lifted itself from their shoulders piece by piece until peace descended like nothing before and everything was right in the world. At this point nothing is more important than getting back the feeling of the first hit. Every other moment after that is a quest to repeat the trip to the moon the demons took them on. Not even food was more important than feeling that same feeling again. It’s not like they were in their right minds; it is taken out of their heads and resting somewhere in another dimension. They steal and sometimes kill to be taken to this place and they don’t see you. There is no focus on anything but the next hit until they come down from the clouds they’ve been riding. But the urge and thirst of it makes them want it again almost instantly. They are walking zombies, vampires seeking to do whatever it takes to draw blood. It is the price of being hooked, and if they could, they would sell their soul to the devil for a chance to get high. Everything is happy and forgetful all at the same time. They scratched, laughed, talked, and from my naïve perspective they even seemed to love better.
The Robert Taylor Homes faced many of the same problems that doomed other high-rise housing projects in Chicago such as Cabrini Green. Whether it was drugs, violence, murder, disease, you name it, it happened here. The dull, concrete high-rises, many blackened with the scars of fires, sat in a narrow stretch of slum. It seemed the wind carried us to the next step one 4th of July weekend where the wrong turn can be the epitome of a beat down or casual robbery. The tall narrow hallway swallowed us down pee scented stairways and rat infested incinerators. The floors loitered with crack vials, weed and potato chip bags, and walls covered in the scars of spray painted names, profanity, and other scars of wear as we zoomed throughout the building. An explosion of innocence resurrecting our footsteps; unaware of the war taking place on the exterior of where we found hobby. At a time where children had nothing important to ponder except penny candy, concrete children were rocking themselves to sleep on burnt orange sofa’s while their mother’s roamed the streets for the next hit. Fathers were non-existent since their mother’s couldn’t get welfare without them. They were around though, standing on the corners or hiding underneath the beds of women. They were the Uncle Pookie’s and Cousin Ray-Ray’s of hundreds of children who knew them as nothing more than the Big Mike’s of the block. My father wasn’t around either in those early days, at which we’ll explore more deeply later. But today, like all Holidays, was an exception. Our mother’s had sacrificed Food Stamps so that we may take part in the energy of the gods. Today we were sacrificial as a lamb, but tomorrow no one will eat.
The authority of drug dealers overtook CHA (Chicago Housing Authority) and they became the owners. As is common in any hood, dealers fought for control of the buildings. In one weekend, more than 300 separate shooting incidents were reported in the vicinity of the Robert Taylor Homes. Twenty-eight people were killed during the same weekend, with twenty-six believed to be gang-related. Running home from school to escape the presence of gun fire was common for children growing up in the buildings. I can distinctively remember Uncle Huey picking us up from school early as not to be caught in the fury of “wild bulls in a net”. The most noted case is that of little Vinyette. On June 25, 1983, an infant, Vinyette Teague, was abducted from Robert Taylor after her grandmother left her alone in the hallway for a few minutes to answer a phone call. An estimated 50 people were in the hallway at the time of the abduction, but police were unable to gather enough evidence to make any arrests. She has never been seen or heard from since, and her real name I use only because the Newspapers have long since made it public.
Vinyette’s disappearance and the people’s failure to assist in her return was due to the social system that burrowed deeper than the hoods ever infamous rule of “No Snitching”. But due to the extent of poverty, Robert Taylor housing projects developed a system of social welfare and reciprocity between the tenants and gang organizations such as the GD’s (Gangsta Disciples), and BKs, (Black Kings). The gangs protected the tenants and homeless people living in their territory. In return, the gangs were allowed to sell product (drugs) out of the Robert Taylor homes. They also negotiated with the Chicago Housing Authority (who were for the most part scared of the gang members anyway and had little desire to offer assistance to its tenants) for renters. Tenants often exchanged use of appliances for food, money, or services. A community said to have been built to counteract the Chicago slums quickly became an emblem of failure.
End of Memoir Sample
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