Road Trip!

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Me and My Love, ’07

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I absolutely love to travel, especially when it comes to the open road. Flying is cool, buses are not all that, and trains are OK but driving is where it’s at. There is a tranquil about the pavement that sets the stage for good thinking. And what do you ask comes from good thinking? You got it, good writing! When my husband and I started out we drove everywhere and it is the image I always have in my head of a road trip. Hubby behind the wheel, me riding shot gun, snacks keeping the back seat warm and old school music taking us back from the radio. With Marvin Gaye and Luther’s help there was never a dull moment and the conversations we’ll have came directly from the heart, giving us each a better understanding of the other. We’ll laugh and come up with funny dances you can only do in the car (hubby has this hilarious rolling the window down thing) and inside jokes only we knew about.

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There is nothing like pulling away from the world and having the space all to yourself for good conversation, so these I also cherished. Let’s not forget Cruises! If there is anything more peaceful than the road it’s a ship, I definitely look forward to that again. In any event, we are attending a conference this week in Houston, and though it’s only four hours away (a good road trip is about 7 hours for us), I am excited to roll on out and taste of the road’s delicacies, notepad and pen in hand. You know, just in case :).

Write Me a Picture

A blank faced lyric
how dull is the stare of a ball point pen
bleeding empty
This collection of words all myth in mouth
colorful descriptions
that cannot pierce the skin
or cut the bone and tendons of image
What lay beyond the composition of a word undefined
What triviality is a tasteless meal
What kind of food is this
What scarlet
What fine silk
What significance are thoughts under ball pointed pens
that have no pixel
And cannot paint
That cannot walk across the bottomless ocean of sing
Cannot sing this gut
What rebellious tongue
What confusing blood from bleeding pens
Something strange these destinations duplicate
Copied vision
No fire
No engines and bare fist
No fight beyond the pretty
No pretty beyond the picture
twisted mouths
no open minds
Do you mind?
writing me a picture
viewable beyond my eyes
write me something I can see
with my gut
and feel underneath my skin
no just sound good
no just feel euphoria
but write me a picture
beyond ball pointed pens
and pixels

Memoir Sample – The Aid Office

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Our family survived off welfare and from that end I know it to be helpful. It was however, a possessive lover. In Robert Taylor, no one’s father was present since their mother’s couldn’t receive welfare with them. But not that men weren’t present; their existence was obvious since the projects themselves overflowed with innocence. Thousands of children the byproduct of casual sex, and drive by love pieced together somehow between the cracks of the doors left open by the ladies from the welfare office, who searched everywhere but the crack of your buttocks to ensure it wasn’t present. So the men were around, fathers of children who knew them as nothing more than the Ray Ray’s and Big Mikes of the block. Men who sort of hung out on the corners or underneath the beds of open women, too filled with desire and dreams to deny a no-good-man a place between her legs. So the kids kept coming, the men kept leaving, and the welfare office remained packed. And if it, the Welfare, sensed anything positive had taken place, even if it was a new hairstyle, they needed to know from where the money had come, how much was it and how often was it around so they may deduct that amount from the meager rations they were already giving out. It didn’t matter if it was a jar of peanut butter or a new hat, if it was expected to come from an additional money source, it would be calculated and deducted from the monthly government assistance.

If she was found to have a man living with her, whether he worked or not, she could lose her money altogether. Not only was my father not around, but my Uncle had to make a covenant with the closet when the social worker came by. You see, a man’s  presence was a threat to the relationship between a woman and her government. Thus the poor were required to remain so in the buildings if they desired to receive the little nothings they were receiving from Welfare. If they showed any sense of pride that required a level of discretion at what we commonly referred to as, “The Aid-Office”, it was as if the clerk had been instructed to repeat their business louder than the person obviously desired over the intercom so that the entire room could hear it; this made it extremely embarrassing to visit the office.

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If by any chance the women wanted a divorce by acquiring some fancy job, the government made sure to snatch away all its benefits so that she is better off to remain part of the relationship than to do away with it. What use is a “good job” when she can’t afford to pay the rent if it increases because of her salary? Or what use is a “good job” when she can no longer receive Medicaid for children who are constantly bleeding from the violence of their environment? This is a place where children used garbage dumps as a playground. What use is it, of a “good job”, when she can no longer receive food stamps as a means to feed her children? It is thus better for her to stay married, financially, to the system than to get a “good job” that leaves her just over broke and in the same situation as she started out as. Marriage? Out the question, she can lose her benefits by daring to marry her children’s father—she wasn’t allowed to have one in the home, let alone marry him. Needless to say, the system divided more than it brought together, and was quite jealous and possessive of its lover, the Black Woman.

– Concrete Children: Life Inside the Robert Taylor Projects

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I would like to publish a memoir one day. While I am still  in the infancy stages of understanding memoir writing, I have taken to writing down bits and pieces of my life story and publishing excerpts to this blog for practice. 

Movie Night Friday – Brown Sugar

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Yall know what this is, we’ve reached another Friday where I present some of my favorite movies and why I love them. Now, since I love Friday’s, today’s theme is Love and what better way to celebrate love than with a little brown sugar?

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This is one of my most favorite movies. From the beginning until the end I was hooked. One reason is because the narration is so poetic. Sidney (Sanaa Lathan) is using her love for Hip Hop as a metaphor for her love for Dre  (Taye Diggs), even though she would probably initially disagree with me. You see, Sidney’s got issues confessing her heart.

 

brown-sugar6A Coming of Age Love Story, the spark was kindled between Sidney and Dre in the Bronx, on the corner of a New York Street corner, where together they witnessed the birth of hip hop. As time goes on music would bind them into a friendship that picks up some 15 years later. We see that Sidney is the successful editor of XXL magazine, a music critic, and Dre’s a successful music executive. As you can see, their love for music has driven them into their respective careers, but that’s not all. Their love for music has also driven them in love….with each other.

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But, Dre has just proposed to this new honey, the beloved brown sugar of his dreams, sending Sidney into a wave of emotions. Though she has feelings toward Dre they have never actually been in a relationship. However, this new love in his life causes Sidney to reexamine her heart. Stubborn that she is, Sidney gets romantically involved with a professional basketball player and it seems the prospect of a little brown sugar with Dre is obsolete.

Will Sidney and Dre ever cross the line between friendship and romance? It is up to the music to teach them.

Trailer:

Funny Movie Mistakes

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During the scene where Sidney and Dre are walking through The Mall in Central Park, you can hear someone giving set directions.

Is this your favorite movie? Why do you love it?

Lay vs. Lie (vs. Laid) and Lain

I know I am not the only one to have been confused between these words. I love writing, but grammar has not always gotten me very excited. It’s like running for fun (writing) but not wanting to exercise (Grammar). While I’ve always excelled in English, this is one confusing language! It’s the only one where a maybe, possibly, perhaps, and I’ll try exists. Everyone else just says yes or no! In any event, we must know these things as writers because our English teachers  said so. Sooo, below is an excellent breakdown I found online on the difference between Lay, Lie, Laid, and Lain by Brian A. Klems:

Lay
Lay and lie are both present-tense verbs, but they don’t mean quite the same thing. Lay means to put or set something down, so if the subject is acting on an object, it’s “lay.” For example, I lay down the book. You, the subject, set down the book, the object.

Lie
Lie, on the other hand, is defined as, “to be, to stay or to assume rest in a horizontal position,” so the subject is the one doing the lying—I lie down to sleep or When I pick up a copy of my favorite magazine, Writer’s Digest, I lie down to take in all its great information—and not acting on an object. In both these cases, you, the subject, are setting yourself down. Are you with me so far?

I Lie Down vs. Now I Lay Me Down (to Sleep)
To clarify things further, I’ll answer this question that you’re probably wondering: How can you be lying down in your examples while the classic nighttime prayer for kids clearly begins “Now I lay me down to sleep”? You must be out of your mind! It’s true, I’m totally out of my mind, but both the examples I used and the kids’ prayer are correct—and here’s why.

In I lie down to sleep, there is no object to the sentence, just subject (I). In Now I lay me down to sleep, there is a subject (I) and an object (me). Even though the subject and object are one and the same, the object is still present in the sentence, so you must use lay.

Laid vs. Lay vs. Lain
In the past tense, “lay” becomes “laid” (Last week I laid down the law and told her it was inappropriate for her to pick her nose) and “lie” becomes “lay” (Yesterday she lay down for a nap that afternoon and picked her nose anyway). Yes, “lay” is also the past tense of “lie.” And the confusion doesn’t end there.

To throw you for another loop, “laid” is also the past participle form of “lay.” So, when helping verbs are involved, “lay” becomes “laid” and “lie” becomes “lain.” Grandma had laid the chicken in the oven earlier this morning. The chicken had lain there all day until it was cooked all the way through and ready for us to eat.

Remember: Lay and laid both mean to set something down, while lie, lay and lain all mean the subject is setting itself down.

And now, I lay this question to rest. (Enjoy this totally awesome chart below to help you keep track of when to use lay, lie, laid, lain and more.

Lay vs. Lie Chart


Infinitive    Definition         Present     Past     Past Participle    Present Participle


to lay      to put or place          lay(s)      laid        laid                  laying
something down

to lie     to rest or recline     lie(s)            lay        lain                  lying

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OK, I think I got it. I think. 🙂