Authentic Support

As an author, I am always thinking about ways I can add value to my audience. It’s easy to point the finger when you don’t see people being as supportive as you think they should be, but I am the person who will always look at me first. In doing this, I have thought about what support means, not from an author/entrepreneur perspective, but from the perspective of the reader/audience member. Why? Because I was a reader before I was a writer.

This has led me to think about the importance of authentic support.

I think authenticity is important even when supporting others. No one can be bullied, into supporting. It has to be in them to do it. It has to be part of who they are. People have to be passionate about whatever it is they are supporting.

Authentic – true to one’s own personality, spirit, or character 

It was easy to get upset with people for not being supportive until I realized the truth: People support what is true to their personality, spirit, or character. It doesn’t matter if we are of the same family, organization, or group. People will support what is in alignment with who they are. It has to speak to them.

There must be some connection or commonality between the supporter and the movement, some kind of bridge connecting the two that makes the support worth it. When I think of it this way, I am more at ease with those who don’t support me because I realize it’s not personal. If the support is to be genuine, the person must first feel some kind of connection to whatever it is they are supporting.

I can’t speak for others, but I know that in my experience in the Indie Author community there is a lot of talk about being supportive but the thing is, people, don’t support just for the sake of supporting. I know we would like to think of it this way but that’s not the truth. If I am being real with myself and looking at this from the reader/audience/observer’s perspective then I have to admit that we support what we believe in. If what is being offered isn’t in agreement with that belief, we will probably be less supportive.

I learned that if I am being my authentic self, then I will attract authentic support.

Revising The Stella Trilogy: Crafting Authentic Historical Details

In Beyond the Colored Line, book two of The Stella Trilogy, we meet Noah Daniels who is a member of The Black Panther Party for Self-Defense. There are two books I read that helped me to conceptualize his character in the most authentic way possible: Revolutionary Suicide by Huey P. Newton and The Assassination of Fred Hampton: How the FBI and the Chicago Police Murdered a Black Panther by Jeffrey Haas.

These books helped me to capture the language and the spirit of the movement as realistically as possible. I modeled Noah’s persona after both Huey Newton and Fred Hampton. Noah uses terms like “Pig,” regarding the police like the Panthers did in the 60s, but reading Newton’s story helped me to understand this wasn’t a random term they pulled out of the sky to be derogatory.

Black Panther rhetoric like “All Power to the People,” and the concept of “pig,” came with Newton’s interest in A. J. Ayer’s logical positivism, that nothing can be real if it cannot be conceptualized, articulated, and shared. While I do not agree with this philosophy as a person of faith (because faith is the opposite of this…the belief and expectation of something even when you cannot see it), it was helpful in me understanding the Panthers on a deeper level and thus helped me to make Noah’s story more real.

Not all research needs to be included in the story so you won’t hear Noah quoting A.J. Ayer. The point of research for historical books is to help the writer to better understand the culture of the time so the characters can interact with the setting genuinely.

Historical Fiction is not an easy genre to write because while the story itself is fictional, the dialogue and personas of the characters have to be true to the time. A young person living in 1960 wouldn’t speak like a young person living in 2020. If done right, adding authentic historical details enrich the story by triggering memories of the past.

Excerpt from Chapter Ten:

“That just bugs me. We supposed to march and get hit upside the head by the pigs?” he would say in conversations with his mother when he would visit her. Unlike many young black men raised by their mothers, Noah’s mother had decided early on that her son’s narrative would be different. When he came of age, she would turn him over to be raised by his father. She could provide a lot of things, but she could not teach him how to be a man. She supported most of Noah’s radicalism, but only to an extent.

“Now don’t you go rappin’ ‘bout all that communist jive talk in here boy. Violence and hatred never helped to expand no revolution.”

“But Ma, that’s where you’re wrong. It’s not about violence. It’s about defending ourselves. Violence is only the guilt complex that exists in the minds of America.”

Mama Daniels would lift her head to the ceiling, wishing she’d said nothing.

“To say that a man is violent because he defends himself does not differ from saying a man who is being lynched and thus fighting back is himself violent because he fights back.”

“Boy, what? You know, sometimes I wish you weren’t so smart.”

Noah laughed, “’cause you know I’m right. Mama, white Americans know that they have been violent against Negroes, and they fear that one day the Negro will do unto them as they have done unto the Negro.”

The 1960s presented a new wave of leadership and identity for people of color who went from being Negroes to Blacks. Just the previous year, the heavyweight champion, Muhammad Ali refused induction into the army on both religious and political grounds. The epitome of the black power movement was the Black Panther Party, founded by Huey P. Newton and Bobby Seale. This party organized the use of self-defense in the accomplishment of black justice and was right up Noah’s alley.


Stella: Beyond the Colored Line

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