Writer’s Quote Wednesday – Lucille Clifton

My pick for today’s Writer’s Quote Wednesday is from poet Lucille Clifton:

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I believe life tends to happen in stages. There are certain bridges that we have crossed as stepping stones to get to where we are; a small portion of the bigger picture to lead us on. And even where we are today is of itself a mere foundation for where we will be tomorrow. As I think about this, I am recalled to Lucille’s quote and I am reminded of the compassion and the respect that we should have for one another because you never know what’s beyond those eyes. What they have seen, what they see, or what they have endured. And even our idea of what seems difficult or simple can play a different role in the life of someone else. I may have known homelessness but the man who lost his mother to cancer may experience a struggle that would have broken me, whereas my homelessness could have broken him. Makes me think about what each person has endured and how it has contributed to their strength. No matter how seemingly small it was something that we ourselves probably could not have faced if given the chance to do so.

About the Author:

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Lucille Clifton 1936–2010

What I noticed right away about Lucille is that she puts the sweet in “short and sweet”. Her poems are often not very long-winded, but they are short, almost speeding like, but not tasteless. Clifton is noted for saying much with few words. In a review of her work, Peggy Rosenthal commented, “The first thing that strikes us about Lucille Clifton’s poetry is what is missing: capitalization, punctuation, long and plentiful lines. We see a poetry so pared down that its spaces take on substance, become a shaping presence as much as the words themselves.”

In an American Poetry Review article about Clifton’s work, Robin Becker commented on Clifton’s lean style: “Clifton’s poetics of understatement—no capitalization, few strong stresses per line, many poems totaling fewer than twenty lines, the sharp rhetorical question—includes the essential only.”

In addition, Lucille Clifton’s work hinges largely on life, emphasizing endurance and strength with a focus particularly on the African American experience and family life. It is another reason I enjoy her poetry. In 2007, Clifton was awarded the Ruth Lilly Poetry Prize in which the judges remarked,

One always feels the looming humaneness around Lucille Clifton’s poems—it is a moral quality that some poets have and some don’t.”

In addition to the Ruth Lilly prize, Clifton was the first author to have two books of poetry chosen as finalists for the Pulitzer Prize, Good Woman: Poems and a Memoir, 1969-1980 and Next: New Poems (1987).

mQxHuV_bFdPyDQqbcdTWmTgAn additional plus is that Lucille was not just a poet, but she was also an author of children’s books, designed to help them to understand the world and enable an understanding of black heritage specifically.

In books like “All Us Come Cross the Water “(1973), Clifton raises awareness of African-American history and heritage. Her most famous creation, though, was Everett Anderson, an African-American boy living in a big city; an eight title series that won the Coretta Scott King Award. Connecting Clifton’s work as a children’s author to her poetry, Jocelyn K. Moody in the Oxford Companion to African American Literature wrote: “Like her poetry, Clifton’s short fiction extols the human capacity for love, rejuvenation, and transcendence over weakness and malevolence even as it exposes the myth of the American dream.”

And that’s it for this weeks episode of Writers Quote Wednesday!

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Be sure to checkout Silver Threading to see how you can join the fun.

http://silverthreading.com/2015/03/25/writers-quote-wednesdaykatherine-neville/

Black History Fun Fact Friday – Jazz

Welcome back to another episode of Black History Fun Fact Friday.

So, I wanted to present  music in general for you this morning. But the African American contribution to music is too far reaching to cover ever genre in one post. Black people have had influence on almost every kind of music there is, for example: Born in the South, the blues is an African American-derived music form that highlighted the pain of lost love and injustice and gave expression to the victory of outlasting a broken heart and facing down adversity. The blues evolved from hymns, and work songs.

Blues is the foundation of jazz as well as the prime source of rhythm and blues, rock ‘n’ roll, and country music.

JAZZ

Duke Ellington: Master Composer

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“One of the most significant figures in music history, Edward Kennedy “Duke” Ellington was born on April 29, 1899, in Washington, D.C. He began studying the piano at the age of seven. He started playing jazz as a teenager, and moved to New York City to become a bandleader. As a pianist, composer, and bandleader, Ellington was one of the creators of the big band sound, which fueled the “swing” era. He continued leading and composing for his jazz orchestra until his death in 1974. “Ellington plays the piano, but his real instrument is his band. Each member of his band is to him a distinctive tone color and set of emotions, which he mixes with others equally distinctive to produce a third thing, which I like to call the ‘Ellington Effect.'”

—Billy Strayhorn, composer and arranger

1900s
New Orleans: The Melting Pot of Sound

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“New Orleans had a great tradition of celebration. Opera, military marching bands, folk music, the blues, ragtime, echoes of traditional African drumming, and all of the dance styles that went with this music could be heard and seen throughout the city. When all of these kinds of music blended into one, jazz was born.” —Wynton Marsalis

1901
Louis Armstrong is born: The Jazz Original

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“Through his clear, warm sound, unbelievable sense of swing, perfect grasp of harmony, and supremely intelligent and melodic improvisations, he taught us all to play jazz.” —Wynton Marsalis
Louis Armstrong was one of the most influential artists in the history of music. Born in New Orleans, Louisiana, on August 4, 1901, he began playing the cornet at the age of 13. Armstrong perfected the improvised jazz solo as we know it. Before Armstrong, Dixieland was the style of jazz that everyone was playing. This was a style that featured collective improvisation where everyone soloed at once. Armstrong developed the idea of musicians playing during breaks that expanded into musicians playing individual solos. This became the norm. Affectionately known as “Pops” and “Satchmo,” Louis was loved and admired throughout the world. He died in New York City on July 6, 1971.  – Louis Armstrong House Museum

Dizzy Gillespie: A Jazz Visionary

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“The first time you hear Dizzy Gillespie play the trumpet, you may think that the tape was recorded at the wrong speed. He played so high, so fast, so correctly.” —Wynton Marsalis
Trumpeter, bandleader, and composer John Birks “Dizzy” Gillespie was born on October 21, 1917, in Cheraw, South Carolina. He got his first music lesson from his father and took off from there. He moved to New York City in 1937 and met musicians such as Thelonious Monk and Charlie Parker. Together they experimented with jazz and came up with the bebop sound. Dizzy also helped to introduce Latin American rhythms to modern jazz through his collaborations with artists such as Machito and Chano Pozo. His bold trumpet playing, unique style of improvisation, and inspired teachings had a major influence, not only on other trumpet players, but on all jazz musicians in the years to come. He died in Englewood, New Jersey, on January 6, 1993.

– Dizzy Gillespie Biography

1940s
Bebop: The Summit of Sound
“If you really understand the meaning of bebop, you understand the meaning of freedom.” —Thelonious Monk, pianist and composer
In the early 1940s, jazz musicians were looking for new directions to explore. A new style of jazz was born, called bebop, had fast tempos, intricate melodies, and complex harmonies. Bebop was considered jazz for intellectuals. No longer were there huge big bands, but smaller groups that did not play for dancing audiences but for listening audiences.

1950s
Latin and Afro-Cuban Jazz: Beyond the Borders

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“Afro-Cuban jazz celebrates a collective musical history. Through its percussive beat, it unites ragtime, blues, swing, and the various grooves of Cuban music. It proclaims our shared musical heritage.” —Wynton Marsalis

The combination of African, Spanish, and native cultures in Latin America created a unique body of music and dance. Jazz musicians from Jelly Roll Morton to Duke Ellington to Dizzy Gillespie combined their music with this Latin sound to create a powerful blend. In the 1940s and 50s, when musicians from Cuba began to play with jazz musicians in New York, the circle was complete. Gillespie and Chano Pozo, a Cuban musician, created a new form of Latin jazz called CuBop.

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And that’s it for today’s segment of Black History Fun Facts. February is over and done but the fun never stops. To mark our 10th Fun Fact Week, I am introducing a new Fun Fact Badge. I will be using it to represent Black History Fun Facts for now on:

blackhistorymonthBe sure to check out last weeks Episode below, in case you missed it:

Week #9: Inventors

Black Beauty

**A little History on this Poem**

This is a 12 year old poem. It has since been revised but this is the original copy that I wrote back when I was a sophomore in High School. It was entered into a contest and it won. I was then to fly to Rio Nevada for the award ceremony but I could not afford to go. I have since performed it many times throughout my High School career at assemblies and talent shows. For me it was my first poem. It was the first poem I wrote that really spoke about something deeper than my personal adolescent issues and reached beyond the childhood perspective I was used to writing about. It was also my first Spoken Word poem, the first poem I ever shared while standing before an Audience. Today I would like to share it with you. (Keep in mind I was only like 15 when I wrote this so bear with me lol):

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BEAUTY
Wake up Black beauty!
Look up black beauty!
And see the mountain range
Stand up Black beauty, know your name
Be the Sun that shines,
I clothe in your sweetness, I see in your eyes
I notice your strength and weaknesses that lies
Time has gone and we have grown,
into these skies of disguise
we are Earth’s insects, its flies.
Walking this ground with our black feet,
sitting at tables eating our black meat,
it is beauty we see.
Working our black railroads
While listening to stories retold
Watching as oceans and seas travel for miles and miles without smirks or smiles,
licking greedy lips,
waiting for boats and ships to please its hips
we are the ground walked upon
We sing and cook with soul offering any hungry person a bowl
We realize the importance of education
that we had before civilization
that we had before coming into the truth of our very own nation.
A nation of many different colors and sizes,
all of various secrets and surprises
We are the proud combination of dark skins,
from small twos to plus sized tens,
we are ALL beautiful.

Black History Fun Fact Friday – Convict Leasing

 

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Welcome Back everyone to another episode of Black History Fun Fact Friday! Where we present movies, products, books, audio, or article Fun Facts on a portion of the History of African American people. We cover all things Archeological, Biblical, Historical, and most importantly, Factual. Today marks our 4th week into the series and we’d like to celebrate our month in with an excellent documentary on the history of convict leasing, but first, a little History:

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According to the 13th Amendment:
“Neither slavery nor involuntary servitude,

except as punishment for crime

whereof the party shall have been duly convicted, shall exist within the United States, nor any place subject to their jurisdiction.”

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Convict leasing began in Alabama in 1846 and is recorded as lasting until July 1, 1928, however our past and present prison population speak a different language. Today, more than 60% of the people in prison are African American. For Black males in their thirties, 1 in every 10 is in prison or jail on any given day. Take a class filled with black boys and 1 in 3 has a likelihood of ending up in prison. It has gotten so bad that prisons now calculate the percentage of beds needed for cells based on whether or not black boys can read by the 4th grade.

Convict labor working on railroad line

In 1883, about 10 percent of Alabama’s total revenue was derived from convict leasing. In 1898, nearly 73 percent of total revenue came from this same source. Death rates among leased convicts were approximately 10 times higher than the death rates of prisoners in non-lease states. In 1873, for example, 25 percent of all black leased convicts died.

While most believe that the 13th Amendment abolished slavery and involuntary servitude, a loophole was opened that resulted in the widespread continuation of slavery in America–slavery as punishment for a crime.

Narrated by Lawrence Fishburne, learn from Historians and Scholars how the south reconstructed its means of financial stability after the end of the Civil War and the Emancipation of slaves:

Slavery by Another Name:

In Case You Missed It:

Hair Story

NEW BOOK – Stella: Between Slavery and Freedom

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This February (exact date coming soon) I will be releasing a new project entitled Stella, a short story about the lives of two women living in two different time periods, their experiences colliding in an explosion of emotional revelations:

Cynthia insists she’s not a racist, and while many of her points about the state of Black America are valid, she still doesn’t believe Blacks should have the same rights as whites. She believes America has come a long way, but that integration has kept it from going further. One day, Cynthia and her boyfriend Alex decide to visit Cynthia’s Grandmother, and happen upon information that will change their lives forever.

Raised under the protection of her mother and the field hands, Stella is unaware that she is a slave. Not being accustomed to hard labor things change when Mama dies and she falls into the cruel hands of “Mars Saddler”. Years later, when The Louisiana Constitutional Convention of 1864 abolishes slavery in the parish, Stella learns of Saddlers plan to keep her on the plantation. She then agrees to accompany Saddlers daughter Miss Carla and her husband John to The Windy City.

Together, Cynthia and Stella learn the hard way the difference between slavery and freedom.

Stella will be available in the following formats as well as in print:

Apple iBookstore, Barnes & Noble NOOK, Amazon Kindle, Kobo, and everything else. Visit http://www.theliterarykorner.com for additional details.

Black History Fun Facts: Ray Charles

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Starting tonight, I am launching a new Blog Series:

Black History Fun Facts

…that will come to you every Friday from now on through February. This post will be a list of Fun Facts about the cultural, archeological, biblical, or historical identity of African Americans. Sometimes it will be a bio, sometimes it will be an amazing invention, and sometimes it will be a book or movie recommendation.

My Black History Fun Fact for today is Ray Charles and the movie Ray starring Jamie Fox on the life of Ray Charles. Released in 2004, this is one of my favorite movies. The story is about the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven after the death of his little brother, to his rise to stardom during the 1950s and 1960s. I like it more because of his talent and life than his rise to fame; the musical genius of Ray and the emotional complexity of the story, which is hard not to love. Here are some fun facts:

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Ray Charles Robinson was born on September 23, 1930, in Albany, Georgia. His father, a mechanic, and his mother, a sharecropper, moved the family to Florida when he was an infant. One of the most traumatic events of his childhood was witnessing the drowning death of his younger brother.

Soon after his brother’s death, Charles gradually began to lose his sight. He was blind by the age of 7, and his mother sent him to a state-sponsored school, the Florida School for the Deaf and the Blind in St. Augustine, Florida—where he learned to read, write and arrange music in Braille. He also learned to play piano, organ, sax, clarinet and trumpet. The breadth of his musical interests ranged widely, from gospel to country, to blues.

Charles’s mother died when he was 15, and for a year he toured on the “Chitlin’ Circuit” in the South. While on the road, he picked up a love for heroin.

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At the age of 16, Charles moved to Seattle. There, he met a young Quincy Jones, a friend and collaborator he would keep for the rest of his life. Charles performed with the McSon Trio in 1940s. His early playing style closely resembled the work of his two major influences—Charles Brown and Nat King Cole. Charles later developed his distinctive sound.

By 1953, Charles landed a deal with Atlantic Records. He celebrated his first R&B hit single with the label, “Mess Around.”

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The year 1960 brought Charles his first Grammy Award for “Georgia on My Mind,” followed by another Grammy for the single “Hit the Road, Jack.” For his day, he maintained a rare level of creative control over his own music. Charles broke down the boundaries of music genres in 1962 with Modern Sounds in Country and Western Music. On this album, he gave his own soulful interpretations of many country classics. While thriving creatively, Charles struggled in his personal life. He continued to battle with heroin addiction. In 1965, Charles was arrested for possession.

In 2003, Charles had to cancel his tour for the first time in 53 years. He underwent hip replacement surgery. While that operation was successful, Charles soon learned he was suffering from liver disease. He died on June 10, 2004, at his home in Beverly Hills, California. During his lifetime, Charles recorded more than 60 albums and performed more than 10,000 concerts.

Ray Charles was a pioneer of soul music, integrating R&B, gospel, pop and country to create hits like “Unchain My Heart,” “Hit the Road Jack” and “Georgia on My Mind.” A blind genius, he is considered one of the greatest artists of all time.

400 years…

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Corner entrepreneurs stand guard unknown to gay innuendos like
pants sagged below assets of homosexual down lows
with
packs stuffed between squeezed butt cheeks and stiff gym socks
New Millennium kids
going all natu-ral
with no real knowledge as to the dred locs
see I’m thinkin outside the box
trying to contemplate the mindset of the end of days,
a cursed people, who walk around as if with no brains
from
video games to spinning rims
from the hottest Jordan’s to the newest timbs
corner entrepreneurs…. introducing, the black SIMS.
you see this is a place where success stories are only filled with those who are known around the block as the ish,
hood thugs lack motivation……except to be hood rich
and
black girls have graduated from turning the biggest tricks
slapping high fives screaming that’s my (laugh)
kitty fights scratching finger nails sprayed mace and sharp knives
no ambitions of a family
baby mama over wives
heroin addicts too proud to scratch away that last itch,
whoring has no fingers to point,
no preference of where it may sit
sick
sickness embedded in the depths of men’s bones,
spiritual zombies spend cash to sport skull and bones
t-shirts
they are aware
they have no spiritual home
independent black women who pretend not to be alone
400 years,
400 years how long?
how long will you continue to bring to life stereotypes of song singing cotton pickers
transformed into blonde, weave wearing, pants sagging, hood niggaz?
we shall overcome,
but only when some white man has pulled the trigger
and who you’ve mistaken as your own
is referred to as nigga, by the “nonviolent” civil rights leaders?
ya leaders
ya leaders have pulled the trigger.
but when will you take it back?
take back what’s yours
until there are no more
Niggaz.
400 years…