Dear Black Entrepreneur: You Are Enough

I was sitting here drafting a Black History Fun Fact about the first black-owned TV and radio stations but as I read I noticed a disturbing trend. A trend we can still see present today. To start, I was researching WGPR-TV, first black-owned television station in the U.S. and W.E.R.D., first black-owned radio station in the U.S. WGPR-TV was run and operated in Detroit and W.E.R.D. was based in Atlanta. We’ll go deeper into their history in a separate post but both stations became a platform for black artists, from Jazz and Blues musicians to Dr. Martin Luther King Dr. using it to broadcast his sermons and later, Civil Rights announcements. There are two things I noticed associated with each of these companies as the inspiration to today’s post:

  • Jesse Blayton, founder of W.E.R.D., also taught accounting at Atlanta University and tried encouraging young black people to enter the field. He was unsuccessful because the students knew that no white-owned accounting firms would hire them and Blayton’s, the only black-owned firm in the South, was small and had few openings.


  • WGPR-TV was successful from my perspective but because it failed to reach a wider audience, it was eventually sold to CBS. WGPR-TV ran from 1975 to 1995 under its black leadership.

With, black-owned businesses, I notice a disturbing mindset among many of my people in the African-American community that success is synonymous with white support and that, without it, we aren’t as successful as we could be. Society has deceived many of us into thinking unless they have included us in the mainstream public eye, we are unsuccessful. I compare it to publishing in the sense that Traditional Publishing is still seen as a more successful route than Independent Publishing. It is still seen as a sign of prosperity to be signed to a publisher than to be your own publisher through the Self-publishing route because of the exposure. Although many Self-Publisher’s are making far more money, unless the Self-Publisher can look like a celebrity, he or she has not made it (whatever that means). This is flawed thinking and causes many to chase the temporary pleasures of money and fame over integrity.

The Oscars is a great example of this and for the record, I admire Spike Lee and Regina King most especially. The talent comprised in these two people is beyond words. However, the black community’s reaction to their Oscar win is a great example of how we do not often see ourselves as being enough. Spike Lee and Regina King are and have always been two powerful artists. What Spike Lee has done with Crooklyn, Four Little Girls, Mo Beta Blues, Do the Right Thing, He Got Game, Malcolm X and more is nothing short of genius work. That Regina King can simultaneously bring to life two characters in Huey and Riley Freeman is nothing short of genius work. Not only did she capture the personas of two little boys but two little black boys. Whether that is Poetic Justice, Boyz N the Hood, Friday, Enemy of the State or Down to Earth, King’s roles are always down to earth. She’s got this skill that allows her to be relatable in any role. She‘s hilarious and you feel she can easily be your sister.

My point here is this: Lee and King did not need to win Oscars for me to recognize their brilliance. Yet, as a community, we champion this as the official ceremony to which we have received a piece of the pie. We have a track record of doing this, in which we do not see ourselves as successful except that we are integrated into mainstream societies expectations of what that success is supposed to look like. Angela Basset does not need an Oscar to be great.

There is nothing wrong with receiving support across all nationalities and nations of people. However, it is important for the black entrepreneur to know and understand that to be young, gifted, and black is also a success by itself and on its own terms.

Movie Night Friday – Boyz N The Hood


Welcome back to another Movie Night Friday, where I tell you about my favorite movies and why I love them. If you like the movies too, feel free to comment why you love them.

So today we’re looking at Boyz N The Hood, one of the best hood movies ever made.


John Singleton’s Directorial debut, Boyz N The Hood, released in July of ’91, is a Coming of Age Drama surrounding the life of three black men growing up in South Central LA, and starring some of the best black actors to date: Lawrence Fishburne, Ice Cube, Cuba Gooding Jr., Angela Basset, Regina King, and a young Nia Long, and Morris Chestnut. In fact, this was Ice Cube and Chestnut’s first movie debut.

99983 After his many troubles in school, a young Tre (Desi Arnez Hines II) is sent to live with his father Furious Styles (Fishburne) by his mother Reva (Basset) in the Crenshaw neighborhood of South Central. His father, one of the reasons this became one of my favorites, instills in Tre the life lessons and values many of his young friends do not have. In fact, as Tre reunites with his childhood friends, Darrin “Doughboy”, his brother Ricky and Chris, their mutual friend, his lessons in manhood take on new meaning and his decisions become critical. His friends do not have the privilege of a positive father figure and are drawn to the streets for guidance. Furious therefore warns Tre about following in their footsteps but despite his warnings, older Tre (Cuba) and his friends have their own way of surviving. In this Teen Hood Drama, loyalty and danger dance too close for comfort, and dire situations force Tre to decide for himself the future he wants.



Funny Movie Mistakes:


In the scene where Lawrence Fishburne hooks up Cuba Gooding Jr.’s fade, he never actually cuts any hair, but then demands that Cuba clean up the mess after he is finished.


Watch the movie and see if you can spot the knot!