I have always enjoyed looking at book covers. Choosing a cover is my favorite part of the Indie Book Publishing process. In the beginning, I didn’t care too much about the cover and that was cool. But then, as I matured, I started to look at my writing differently. I stopped looking at my writing alone and started looking at the book as a complete package. In doing so, I’ve learned that the best chances of a book succeeding is not just one thing, but a collection of things. Not just a nice cover alone or a well-written story alone, but everything together. That is what I’ve learned, and that is how I will look at book publishing from now on. I will look at the process as a complete piece, a body that I must dress not just outwardly but inwardly and not just inwardly but outwardly.
I have had a little success with I am Soul so I thought I’d talk a little bit about the evolution of the cover and how I think it has played a major role in that success.
To start, I wasn’t going to even release this book when I did. I was supposed to release book two of Nora December 20, 2017, my mothers birthday. Instead, I pushed that book back (it wasn’t ready) and released I am Soul.
I am Soul is a collection of poems from this blog as well as my personal journal, collected, compiled and edited into what is now my 4th collection of poetry. I call it I am Soul because some of the poems are personal, some of them are centered around the African American experience (a people of Soul) and also because people have always said that I have an old soul. Even as a kid people have said that I was mature for my age. For these reasons, I am Soul.
The first cover was decent. I liked it a lot. A purple book with a heart-shaped bible page. It was nice enough to land me the #7 spot in the African Literature category of Amazon before release day. It started at number 17, then dropped to number 9 and then number 7.
I liked the cover a lot but I didn’t love it. I couldn’t help but notice that the cover looked better electronically, to me, than it did when the paperback arrived. It also didn’t stand out very well on Amazon.
I still think this is a cute cover but it doesn’t look all that great offline. Once the book printed it didn’t look the same. The dark blue on top the purple didn’t pop. In fact, this is still the cover on Goodreads. I don’t know how to change it. At first I didn’t care but after awhile I had to follow my heart and change the cover. (A privilege of publishing books Independently. You can change what you want, when you want.)
I decided to try something that matched the name of the book and the content in full. When you think of Soul you think of something deeply personal and connected to that individual.
Soul is something Israelites (Blacks) have always had (think Soul Train), from our hair styles to our creative way of dance, the way that we dress, the way that we sing, and the way that we speak. We set the trends and nothing was more trendy than the Afro at the peak of the Civil Rights and Black Power movements. From the practice of shaving the head to pass as a free person in the antebellum south, to the Afro of the 60s and 70s that said that Blacks were proud of who they were and free to be so openly, natural hair had made a comeback.
In the 1950s-60s it was common for Black women in Africa to wear their hair in small bushes. In America, Black women stopped straightening their hair. Women like Nina Simone and Abbey Lincoln are examples. And then Miriam Makeba (“Mama Africa”) emerged with a fro in the January 1960s issue of Look Magazine and Cicely Tyson wore her hair in a fro on episodes of the CBS drama East Side, West Side. And as college students and political activists like Jesse Jackson and Angela Davis started wearing fros, the fro had eased on into the mainstream.
Before and After
It wasn’t just about hair no more than Samson’s locs was about being trendy. Those locs were a representation of power and strength and so the Afro was a representation of the social-economic and political era of the time. A time when Black men and women were gaining strength and reclaiming parts of their lost heritage, one hairstyle at a time. A similar revolution is taking place today. Black men and woman are embracing more of their natural selves and waking up to the true knowledge of who they truly are.
For all of these reasons, I felt an image of a Black woman wearing a fro spoke volumes concerning the kind of messages I was seeking to give with the poetry inside of the book. Not just the soul of one woman but the soul of a people. The soul of an era.
I still think both covers are nice in their own right but the one that sticks out the most and which embodies a much more clear message; the one that will not just appeal to those who are biblically conscious but reach a larger audience; the one that makes people stop in their tracks, is the new cover.
When I uploaded this to social media, readers responded immediately. This had not happened with the first cover.
The new cover got me new reviews…
I submitted this book to two different bookstores. One using the old cover and one using the new cover. The one with the new cover got a call back and the book is beginning to sell at the store. I am still waiting on a response from the store using the old cover.
I’ve learned that book covers really are important because I’ve experienced how important they are. Don’t get me wrong, content is just as important. At the end of the day if there’s nothing special to read there’s nothing special about the book. I am Soul still had to be edited and get through the bookstore’s professional reviewers to be stocked.
But, when I walked into the store yesterday, I couldn’t help but notice that because of the cover, Soul stuck out more than some of the other books that I could tell, as an Indie Author, were also self-published. In fact, to my surprise, Soul was sitting right next to Nikki Giovanni’s A Good Cry. Whether someone just sat it there or not, I cannot be sure. But, I was sure enough proud. I wasn’t going to taint the moment with thoughts of how it got there. It was there nonetheless.